The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The mid-block building located at 23 Church St. was built pre-1900 in the Neoclassical style. The two-storey, five-bay structure has a rectangular, centre-hall plan and a medium-pitched, gable roof. There are chimneys at either end of the gable. The openings are symmetrically located, but the size, configuration, and material of the windows have been altered from the original. A Regency-like porch has been completely infilled. Originally, it would have been open and supported by simple wood columns. The house has wood frame construction with vinyl siding. The original siding was probably wood. According to the 2000 inventory, alterations to the front façade are unsympathetic with the original building. It also notes that few existing building elements appear to be original other than the building’s base form. (1, 3)

The original Trinity Anglican Church (located at 60 Church Street) was built in 1851 and then destroyed by fire in 1900. Eight months later, the current structure (built in the Gothic Revival style) was opened for service under the Rev. Canon George Benjamin Morley.
The structure has a cruciform plan, 1½ storeys, and a steeply-pitched, gable roof with a steeple. The main entrance is through an enclosed narthex dominated by a large, gothic, arched opening. It has large, rectangular, double doors with a multi-foiled transom light above (not original). Shallow buttresses support the side walls and steeple. Three narrow, gothic, arched windows are set into wide, rectangular openings to light the nave. The windows are narrow with a vertical emphasis. There are concrete lintels and lug sills. The three-part, gothic, arched windows refer to the Trinity. The building has wood frame construction with brick cladding and a cut-stone foundation. According to the 2000 inventory, the church is in excellent condition with most of its original features.
In 2004, Trinity Anglican Church purchased the adjacent former Presbyterian Church building and land. The vacant building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 5, Trinity Anglican Church Bradford website)

The original Trinity Anglican Church (located at 60 Church Street) was built in 1851 and then destroyed by fire in 1900. Eight months later, the current structure (built in the Gothic Revival style) was opened for service under the Rev. Canon George Benjamin Morley.
The structure has a cruciform plan, 1½ storeys, and a steeply-pitched, gable roof with a steeple. The main entrance is through an enclosed narthex dominated by a large, gothic, arched opening. It has large, rectangular, double doors with a multi-foiled transom light above (not original). Shallow buttresses support the side walls and steeple. Three narrow, gothic, arched windows are set into wide, rectangular openings to light the nave. The windows are narrow with a vertical emphasis. There are concrete lintels and lug sills. The three-part, gothic, arched windows refer to the Trinity. The building has wood frame construction with brick cladding and a cut-stone foundation. According to the 2000 inventory, the church is in excellent condition with most of its original features.
In 2004, Trinity Anglican Church purchased the adjacent former Presbyterian Church building and land. The vacant building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 5, Trinity Anglican Church Bradford website)

The building that is located at 67 Church St. (on the southeast corner of Church and James Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was moved to this site many years ago. The Robinson family once lived in this house. Mr. Robinson worked for Spence Lumber and he belonged to the Band. He had a daughter named Jean.
The one-storey, three-bay cottage has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, hip roof. The enclosed porch (added after the house was moved to this location) has a hip roof with a grade level entrance. It has a simple entrance with a single door opening to one side of the porch. Single windows to the primary rooms are found on each side of the porch. Double-hung, 2/2 windows appear to be original. The building has wood frame construction, wood shiplap siding, and a parged, stone foundation. There is a single, brick, masonry chimney at the exterior south wall. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. Existing James Street appears to be built at a higher level than this lot. This indicates that the house was moved here before the street was paved or town services were installed. (1, 3)

The building that is located at 67 Church St. (on the southeast corner of Church and James Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was moved to this site many years ago. The Robinson family once lived in this house. Mr. Robinson worked for Spence Lumber and he belonged to the Band. He had a daughter named Jean.
The one-storey, three-bay cottage has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, hip roof. The enclosed porch (added after the house was moved to this location) has a hip roof with a grade level entrance. It has a simple entrance with a single door opening to one side of the porch. Single windows to the primary rooms are found on each side of the porch. Double-hung, 2/2 windows appear to be original. The building has wood frame construction, wood shiplap siding, and a parged, stone foundation. There is a single, brick, masonry chimney at the exterior south wall. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. Existing James Street appears to be built at a higher level than this lot. This indicates that the house was moved here before the street was paved or town services were installed. (1, 3)

The Dr. Ellis House is located mid-block on the west side at 84 Church Street. It was built pre-1900 in the Gothic Revival Cottage style. Dr. Ellis owned the house in 1900.
The 1½-storey, three-bay structure has a medium-pitched, gable roof and a rectangular plan with a centre hall. The building originally had a symmetrical façade with a centre gable over the front entrance. There are single windows (to the primary rooms) with high floor to ceiling heights on each side of the entrance. The covered, open porch has a flat roof supported on a simple, wood entablature and four ‘half columns’ set onto brick piers on a stone foundation. There is a single door with ¾ height, glass sidelights set above recessed, wood panels and a glass transom at the entrance. The second-storey window above the porch is set halfway into the centre gable in a full, arched opening with brick voussoirs. This window is a full-height casement with a fanlight above the opening onto the roof of the porch and is not original to the house. Double-hung windows at the ground floor are set into segmented, arched openings with brick voussoirs. The 2/2 windows appear to be original. Wood frame construction is clad with brick siding and there is a stone foundation. A single, brick masonry chimney is set in from the exterior north wall. An enclosed, brick-clad extension has been added to the front of the house (adjacent to the porch). Access to the open porch appears to have been changed to the side with new, precast stairs added. According to the 2000 inventory, the front addition has destroyed the original symmetry of the façade and it is not in keeping with the character of the house. (1, 3)

The mid-block building located at 90 Church St. was built pre-1900 in the Gothic Revival style. The 1½-storey, five-bay ‘farmhouse’ has a modified ‘L’-shaped plan with an off-centre hall, an asymmetrical façade, and a medium-pitched, gable roof. The open, covered porch with a hip roof is raised above grade. It is a replacement. The house originally had a full-width verandah supported by wooden posts. The upper-floor windows are offset from the ground-floor windows. There are small window openings with low floor to ceiling heights and plain, wood trim and sills. The double-hung windows and shutters are not original. The house has wood frame construction, vinyl siding, and a parged, stone foundation. Originally, the cladding was probably wood cove siding. According to the 2000 inventory, few remaining features are original other than the somewhat atypical form. It appears (by its size) that the portion of the house where the entrance is located is original and that the side wing was added later. That could explain the slight setback in the façade wall where the two join. It also notes that this modest house probably had few decorative details originally. (1, 3)

The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)