The house located mid-block on the west side at 226 Barrie St. was built around 1880 in the Gothic Revival style. It is a 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights. The house has a medium-pitched, gable roof, an asymmetrical plan, and a wrap-around porch. Original 2/2 wood, sash windows with wood lug sills have modern aluminum storm windows. The large, ground-floor window is a replacement. There is elaborately-carved bargeboard trim at the front gable and brackets at the porch. The house has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the balcony handrail, replacement doors and windows, and the garage addition are unsympathetic with the original design. (1, 3)

The mid-block building located at 23 Church St. was built pre-1900 in the Neoclassical style. The two-storey, five-bay structure has a rectangular, centre-hall plan and a medium-pitched, gable roof. There are chimneys at either end of the gable. The openings are symmetrically located, but the size, configuration, and material of the windows have been altered from the original. A Regency-like porch has been completely infilled. Originally, it would have been open and supported by simple wood columns. The house has wood frame construction with vinyl siding. The original siding was probably wood. According to the 2000 inventory, alterations to the front façade are unsympathetic with the original building. It also notes that few existing building elements appear to be original other than the building’s base form. (1, 3)

This house is located at 232 Barrie St. (on the southwest corner of Barrie and Fletcher Streets). It was built around 1890 in the Eclectic Gothic Revival style. The two-storey, ‘L’-shaped building has a medium-pitched, gable roof and large, symmetrically-placed openings. The basic form is a Gothic Revival feature. The front corner porch with slender Doric columns and a decorative front pediment is a Classic Revival feature. There are coloured-glass transom lights above the main-floor, end gable windows. The structure has loadbearing, brick masonry construction and a parged, stone foundation. According to the 2000 inventory, the replacement doors and aluminum storm windows, as well as the porch floor, foundation and railing are unsympathetic with the original design. (1, 3)

This structure was originally a shed located on property owned by Tom Saint. It was moved to its current site at 25 Bingham St. (south of Centre Street) onto property owned by George “Duke” Lowe. After the shed was restored as a house, Duke married Mrs. Storey. Their four children (Clara, George, Dorothy and Betty) joined Mrs. Storey’s previous children (Charlie, Jack, Roy and Harvey). It later became the home of Ted and Clara Brockwell for a number of years after WWII. (1, 2)

The Stoddart House is located at 250 Barrie Street. It was built around 1870 in the Eclectic Neoclassical style. Some of the early settlers in the Bradford area were members of the Stoddard/Stoddart family. John Stoddard settled along the Bond Head Road in 1829. In later times, Major George W. Stoddart was the reeve of Bradford.
The two-storey building has a rectangular form and a centre hall plan. There is a symmetry in the large window openings (with high floor to ceiling heights). The double-hung windows with painted-wood lug sills are also neoclassical features. The medium-pitched, hip roof, wrap-around porch (with original turned wood post supports), and remaining wood brackets and decorative trim are Regency Revival features. A projecting, bay window at the ground-floor living (or dining) room is a Gothic Revival feature. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the metal screen door at the entrance is unsympathetic to the original design. It was also notes that the porch needed repair. (1, 3)

The house, which is currently found at 26 Colborne St., was moved to this site many years ago. It was originally located across the river on the west side of Federal Farms Road. The west entrance to Queensville passed through the property. The one-storey, T-shaped house has a living room, two bedrooms, a front kitchen and a smaller room behind. North of the kitchen there was a sloping roof and a long narrow room that was used as a bedroom. Lorne Church, his wife, and their children (Jim, Marion, Aileen, Jack, Gordon and May) once lived here. Lorne worked at Lukes’ mill. There was a shed behind the house for cars and wood. It was later moved into the garden and converted to a greenhouse for plants to be grown on Mr. Bruce’s marshland property. In addition to farming for Mr. Bruce, the boys delivered milk in a small wagon in the early 1930’s. (1, 2)

The Dan Collings House is located mid-block at 33 Colborne Street. It was built in the Gothic Revival style in the 1880’s. There were once barns (for animals and equipment as well as for marsh hay) on the property. It was the original home of Dan Collings. He was always a teamster who worked the marsh and he later bought and sold junk and farm machinery. Dan had three daughters, Edna, Olive (Al Readman) and Emily (Chet Wilkinson). Dan was considered to be a real character who lived to the age of 93 years. Mrs. Collings died in the 1920’s.
The 1½-storey, two-bay ‘farmhouse’ has an ‘L’-shaped plan with an off-centre hall and a medium-pitched, gable roof. There is a single door with a multi-paned transom and sidelights. The structure has large window openings with low floor to ceiling heights. Large, replacement, double-hung windows are set into the original openings with plain, wood trim and sills. The house has wood frame construction with vinyl siding. Originally, the siding was probably wood. According to the 2000 inventory, despite its new colours, the basic Gothic Revival form is very evident in this house. (1, 2, 3)

The house located at 39 Drury St. (at the southeast corner of Drury and Thomas Streets) was built pre-1900 in the Ontario Vernacular Cottage style. Bob (“Red”) Armstrong, a bachelor, once lived here. Jim Webb eventually bought the property and rented the structure to Victor Hunter (a carpenter) and his family. Frank Park (a handyman) kept his horse in the small barn on the property. Charles Hounsome (a railway section man) also lived here at one time. Lloyd Houston (a butcher) and his wife Jean lived here after the wars.
The one-storey, three-bay cottage has a shallow-pitched, gable roof, a symmetrical façade, and a rectangular plan with a centre hall. A box hall was typical for this style. The simple entrance has a single door set into a rectangular opening. It opens directly into the house from grade level and there is no porch (or weather protection) to shelter the entrance. The windows have low floor to ceiling heights. There are double-hung, 2/2 windows on either side of the entrance that appear to be original. They are set into simple, rectangular openings with plain, wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was wood. The house has a parged, stone foundation. There is a single, brick masonry chimney at the centre of house. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It also notes that the concrete block chimney on the exterior south wall is a later addition. (1, 2, 3)

The mid-block building located at 43 and 45 Drury St. was built in the Neoclassical Duplex style in the 1860-1880’s. Leonard Saint bought the building in 1909 from Mrs. Garrett (mother of E. Garrett who owned the Bradford Witness newspaper). Len was in the building trade and he was a brick layer, a plasterer, and a cement worker in Bradford. In 1911, he moved the building twenty feet back from the street, raised it, and put in a cellar as well as a parged, stone foundation. He also added two rear kitchens. There was a garage on the back lot facing Elizabeth Street. The south side of the house was rented to various people. The building stayed in the Saint family until the 1980’s.
The two-storey, four-bay, semi-detached house has a simple form with separated, side-hall entrances in the formal, symmetrical façade. It has a shallow-pitched, gable roof and gable end chimneys. The upper portion of the original, wood-panelled doors is glazed and has multiple lights at the top. This is reminiscent of the transom found in a more ‘’upscale” home of this period. There are large window openings with high floor to ceiling heights. Large, 6/6 wood sash windows at the ground floor are original. The upper-floor window openings align with the ground-floor openings and the windows have plain wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was stucco on wood lath. According to the 2000 inventory, this building is a modest example of workers’ housing. It also notes that it is in good condition with some original details remaining. (1, 2, 3)

The one-storey house once located on the west side at 44 Drury St. had stucco cladding originally. Many years ago it was the home of Fred McKay, his wife, and son (Bruce). Fred was a retired farmer. He had noted gardens (asparagus, strawberries, raspberries) on a number of lots around town. Fred worked for Thompson Fisher in the old skating rink. He also ran the pool room and sold gramophones over the Campbell’s drugstore on Holland Street. Chris Wren and his family lived here years later. Chris was a store merchant (from Mabel) and a painter and paper hanger. The house was demolished (in the 1990’s?) to make an exit and sewer connection from Joe Magani’s grocery store to Drury Street. (1, 2)