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The William Campbell House is located mid-block on the north side at 43 John Street East. It was built around 1880 in the Gothic Revival style. This structure was once the home of William H. Campbell Sr. (a grain merchant) and his wife Bessie (Sutherland). His son Lewis was a doctor, and William L. (Billie) was a druggist. His daughter (Elizabeth/Libby) was born close to the day of the great fire of 1871 (Libby was born 15 May 1871 while the fire began on 25 May). She never married, though she took over her father's business after his death and remained in this house until her own. Dr. S. Hecking and his family purchased the house in the 1950’s and had it remodeled. He had one son (Stephen Jr.) and one daughter. As of 1995, Doctor Hecking was retired, training horses, and still riding occasionally.
The 1½-storey, ‘L’-shaped main building has a one-storey, rear addition. It also has a medium-pitched, gable roof with tall chimney stacks. An elaborately-carved bargeboard and brackets support the wrap-around porch. The wide entrance has sidelights and a transom. There are large window openings, high floor to ceiling heights, and large windows (4/4 sash windows at the ground floor). The structure has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, additions, replacement doors and the second-floor windows on the well-maintained house stray from the original design intent. (1, 2, 3, 5)

The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)

The mid-block building located on the north side at 93 John Street East was built pre-1900 in the Gothic Revival Cottage style. A large horse stable and a barn for storing marsh hay once stood behind the house. A fence also ran across the length of the rear of the property. Brunnetto Caesar lived here with his wife Grace (Stamper). He worked on the marsh harvesting marsh hay and as a teamster. He later bought a tractor and did custom work (draining and breaking marshland). Bill Wilson and his wife bought the house after World War II. He worked on the railway and retired here. He had a large garden at the rear, as well as a barn. Bill eventually sold the house to Ferrara and moved away.
The 1½-storey, three-bay house has a rectangular plan with a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. The entrance porch does not appear to be original because the peak and eaves of the hip roof of the porch interfere with the ground and second-floor windows. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The house has wood frame construction, stucco cladding, and a parged, stone foundation. According to the 2000 inventory, the main-floor windows, screen door, and the two-storey addition at the rear are not original. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The mid-block building on the north side at 107 John St. East was built around the 1880’s in the Gothic Revival Cottage style. The main house was moved to this site from the saw mill in Amsterdam during the early 1900’s. It was the home of Arthur “Mike” Saint and his wife Alice and children (Russell, Eric, Ralph, Zella, Rita and Archie). He had immigrated to Bradford from London, England in 1871 with his parents (William and Sarah) and siblings (Thomas, Harry, Frank, George, Annie and Maria). William died in 1875. All of his sons were in the building trade. Mike was a well-known brick layer and he also raised and showed chickens. There once was a 1½-storey frame barn at the back of the house that was used to store feed, a horse, and a cow. A chicken house was attached to the barn. A huge, old well was found (beyond the back fence) that was thought to belong to the first hotel (located on the only street) when Bradford was first founded.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. A porch with a hip roof supported on wood posts and brick pedestals was added after the building was relocated. The enclosed porch was open originally, with only the brick pedestals remaining visible. Small windows have high floor to ceiling heights. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The 2/2 windows are original. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s form is unmistakable despite the new cladding. (1, 2, 3)

The Neilly House is located mid-block on the north side at 51 John Street West. It was built around 1900 in the Eclectic Edwardian style. The structure was designed by the same architect who was responsible for designing Bradford’s Anglican Church. This house was built for jeweler Andy Neilly. His business was on Holland St. (across from the Queen’s Hotel). He was a good hunter and sportsman and belonged to the Neilly Rifle Club. The club members met at Eagle Hill on the 13th Line (at the canal on the end of Back and Bingham Streets). This building was later the home of Mac Tobias and his wife. They ran a clothing store on Holland St. (in the second building east of the Queen’s Hotel) before moving to Toronto after World War II. Dr. McMichael, a dentist, lived and had his office here until he moved to Barry’s Bay. Merle and Shirley Woodcock and their family eventually bought, repaired, and remodeled the house.
The two-storey, ‘L’-shaped building with gable roofs has a smooth, brick exterior. There is full height projection with a projected, gable roof above. A textured, wood-shake finish at the flared front gable and the elaborate trim and decoration at the gable window are also Edwardian features. The house has precast voussoirs above the semi-oval transom at the main front window and precast, lug sills. It has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the new front addition is unsympathetic with the original building. A new, cedar-shingle roof with copper valley flashing was also noted. It considers the building to be well-maintained. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)

The Thorpe House is located at 33 Joseph St. (on the northeast corner of Joseph and Moore Streets). It was built pre-1900 in the Ontario Vernacular style. The two-storey, two-bay house has a simple, rectangular plan, a side hall, and a medium-pitched, hip roof. A large addition has been added to the rear. The original, wood trim is still apparent around the replacement windows and door. Wood frame construction is clad with vinyl siding. The original cladding was shiplap siding. According to the 2000 inventory, the modern, metal awning over the entrance is not sympathetic with the remainder of the building. It also notes that this modest house probably had few decorative details originally and that few existing building elements (other than the building’s form) appear to be original. (1, 3)

The house located at 95 Moore Street on the southeast corner of Moore and Letitia (later Frederick) Streets was built pre-1900 in the Ontario Vernacular Cottage style. George Ogilvie (a tailor) once lived here. A three-foot high, picket fence originally ran along the east side of Moore Street from this corner to Joseph Street.
The one-storey, three-bay cottage has a symmetrical façade, a rectangular plan, and a centre hall. A box hall was typical for this style. It also has a one-storey, rear addition. There is a shallow-pitched, gable roof on the main portion and a shed roof on the rear addition. The covered, front porch has a gable roof supported on brackets. A simple entrance is raised above grade level and it has a single door in a rectangular opening. There are small, single windows to the primary rooms on each side of the porch. The porch stairs are a recent addition and the double-hung windows are also not original. Windows are set into simple, rectangular openings and have plain, wood surrounds and sills. Wood frame construction is covered with insulbrick (asphalt) and aluminum siding. The original cladding was probably wood cove siding. There is a stone-rubble foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The house located at 149 Queen St. (on the northwest corner of Queen and Essa Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was once the home of the Bales family.
The 1½-storey, three-bay ‘cottage’ has a simple, rectangular form with a symmetrical façade and a centre hall plan. It has a medium-pitched, gable roof and a lack of decoration and porch addition. The replacement windows have the original, plain, wood lug sills and trim. Metal storm windows and the door are later additions. The structure also has a one-storey addition that was built at a later time. This structure has stucco cladding on 4” poured-in-place, concrete walls and a parged, stone foundation. According to the 2000 inventory, the modest dwelling requires painting and landscaping. (1, 3)