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The William Campbell House is located mid-block on the north side at 43 John Street East. It was built around 1880 in the Gothic Revival style. This structure was once the home of William H. Campbell Sr. (a grain merchant) and his wife Bessie (Sutherland). His son Lewis was a doctor, and William L. (Billie) was a druggist. His daughter (Elizabeth/Libby) was born close to the day of the great fire of 1871 (Libby was born 15 May 1871 while the fire began on 25 May). She never married, though she took over her father's business after his death and remained in this house until her own. Dr. S. Hecking and his family purchased the house in the 1950’s and had it remodeled. He had one son (Stephen Jr.) and one daughter. As of 1995, Doctor Hecking was retired, training horses, and still riding occasionally.
The 1½-storey, ‘L’-shaped main building has a one-storey, rear addition. It also has a medium-pitched, gable roof with tall chimney stacks. An elaborately-carved bargeboard and brackets support the wrap-around porch. The wide entrance has sidelights and a transom. There are large window openings, high floor to ceiling heights, and large windows (4/4 sash windows at the ground floor). The structure has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, additions, replacement doors and the second-floor windows on the well-maintained house stray from the original design intent. (1, 2, 3, 5)

The mid-block building located at 10 and 12 Holland St. West was built in the Ontario Vernacular style around 1872-1899. The two-storey, commercial, detached ‘row’ building had a narrow rectangular plan with an asymmetrical organization. ‘Main street’ frontage with a typical storefront façade was located at the street line. The plain façade was characterized by a high, flat, ‘boomtown’ façade and cornice with brick dentils. The two bay-façade each had its own entrance and storefront. Existing doors and storefronts are not original. The original, large, second-floor windows (characterized by segmented arch openings and concrete sills) have been partially bricked in, but are still visible from the brick voussoirs. The building has masonry construction with brick cladding and a flat, built-up tar and gravel roof. (1, 3)
The west side of the building (10 Holland St. West and the location of Pizzaville in this 1995 photo) was once the site of a drugstore run by W.L. "Billie" Campbell. Fred Cook helped him for a number of years. Billie’s son, Lou, and druggist Clarence Ritchie took over the business. Eventually Clarence Ritchie ran it on his own before he retired. Fred McKay sold phonographs on the upper floor and there was a pool room run by James Ferguson. The Salvation Army held services here in the 1930’s. (1, 2)
Sutherland’s Grocery Store was once found at 12 Holland St. West (site of Karen’s and Tina’s Flowers in this 1995 photo). Alec Sutherland was a baker. He had a bakeshop on the south side of Simcoe St. that was run for many years by his daughter Jessie and sister Mrs. Bessie Ryan (and her daughter Betty). They eventually retired and moved to St. Catherine’s. There were living quarters upstairs. William Compton and his wife bought the store and ran it as an IGA grocery store. Gord and Marilyn Compton later took over the store. They built a new store on John St. (where Frank Kilkenny’s house had been). The Comptons’ store eventually moved to what was known as the IGA plaza (located at the corner of Collings Ave. and Holland St. West). As of 2014, 12 Holland St. West is the site of The Holland Bloom florist shop. (1, 2)

The structure located at 18 Holland St. West is a unique, infill building. It was built in the Boomtown style around the 1890’s on a narrow lot that was originally a laneway the two adjacent buildings. It had a side entrance to the Queen’s Hotel so that teamsters and buggy patrons could get their drinks from the Queen’s after work. The owner of the building erected at this site only has the title to the ceilings, floors, and front and rear walls. The side walls belong to the neighbouring buildings. The one-storey storefront has a ‘false’ façade and a narrow, rectangular plan with an asymmetrical organization. An asymmetrical façade with a ‘boomtown’ front was common to small, rural, commercial buildings. The flat roof (built-up tar and gravel) with a high parapet was intended to make the façade appear more imposing and substantial. A recessed, grade-level entrance provides shelter for the doorway. The original entrance had a transom light over the door which was later covered with solid panelling. The entrance door is not original. A large, storefront, window bay dominates the façade at street level and maximizes the amount of area available to display merchandise. The window is not original. When the building was inventoried in 2000, a decorated parapet had a double band of brick corbelling near the top with two recessed panels of decorative brick below. The building had masonry construction with brick cladding and roof spans between the exterior side walls of the adjacent buildings. The panelling above the front window replaced the original signage panel. It noted that and the original brick would have been unpainted and that the building is in good condition.
Several businesses have been located here over the years, including a smoke shop run by Fred “Colly” Collings (and later, by Oswald Davey). Mr. Willoughby, a tailor, and his son Vincent moved to the area from Sutton. He worked for Al Hemock. Lorne Fines later took possession of the building and ran a jewellery shop here until he retired. Jack McKay, a veterinarian, then bought the structure and had his practice here. In more recent years, it became an ice cream parlour. (1, 2, 3)

The structure located at 18 Holland St. West is a unique, infill building. It was built in the Boomtown style around the 1890’s on a narrow lot that was originally a laneway the two adjacent buildings. It had a side entrance to the Queen’s Hotel so that teamsters and buggy patrons could get their drinks from the Queen’s after work. The owner of the building erected at this site only has the title to the ceilings, floors, and front and rear walls. The side walls belong to the neighbouring buildings. The one-storey storefront has a ‘false’ façade and a narrow, rectangular plan with an asymmetrical organization. An asymmetrical façade with a ‘boomtown’ front was common to small, rural, commercial buildings. The flat roof (built-up tar and gravel) with a high parapet was intended to make the façade appear more imposing and substantial. A recessed, grade-level entrance provides shelter for the doorway. The original entrance had a transom light over the door which was later covered with solid panelling. The entrance door is not original. A large, storefront, window bay dominates the façade at street level and maximizes the amount of area available to display merchandise. The window is not original. When the building was inventoried in 2000, a decorated parapet had a double band of brick corbelling near the top with two recessed panels of decorative brick below. The building had masonry construction with brick cladding and roof spans between the exterior side walls of the adjacent buildings. The panelling above the front window replaced the original signage panel. It noted that and the original brick would have been unpainted and that the building is in good condition.
Several businesses have been located here over the years, including a smoke shop run by Fred “Colly” Collings (and later, by Oswald Davey). Mr. Willoughby, a tailor, and his son Vincent moved to the area from Sutton. He worked for Al Hemock. Lorne Fines later took possession of the building and ran a jewellery shop here until he retired. Jack McKay, a veterinarian, then bought the structure and had his practice here. In more recent years, it became an ice cream parlour. (1, 2, 3)

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 71 John St. East was built around 1900 in the Edwardian Classicism style. It was once the home of Sam Stein and his son and daughter. He was the owner of the Toronto Manufacturing Co. (maker of baby carriages and wicker furniture). His business was located on the northwest corner of Dissette St. until around 1929. After its end, the house was rented to a number of O.P.P. officers and their families, including Ivan Spence and Sam Irwin (a talented violin player). It was also the home of Joe Kanyo (a market gardener) and his family at one time. Leonard Saint built a large cement garage at the rear of the house. It had a basement for storing vegetables and a ground-level room for vehicles. The house was eventually sold and redesigned into rental apartments.
The large, 2½-storey house has a rectangular plan with a side hall, an asymmetrical façade and a simple, formal composition. It has a prominent, gable roof. The Classical roof form is expressed as a pediment with extended eaves and mixed with the Queen Anne texture of wood shingles. A raised, entrance portico with a flat roof and balustrade with access from the second- floor portico roof is set on a plain entablature ornamented with a band of dentils and set on double posts on brick piers. The single door is off-centre. There are large window openings with high floor to ceiling heights. Multi-paned, double-hung windows are reminiscent of the Queen Anne style. Ground and second-floor windows are set into segmented, arch openings with brick voussoirs and concrete, lug sills. The third-floor windows have wood entablature and plain, wood trim and sills. Wood frame construction is covered with smooth brick and wood-shingle cladding. There is a parged, stone foundation. The portico steps, foundation and balustrade, and entrance door are not original. According to the 2000 inventory, the house is in good condition. It also notes that the original form and many details are still intact. (1, 2, 3)

The Bradford Presbyterian Church was once located at 81 John St. West (on the northwest corner of Church and John Streets). A Presbyterian church in Bradford dates back to 1856. The original frame building was built on this site and used until 1893. At that time it was sold to the Anglican Church and moved a short distance north to be used as the Parish Hall. The structure seen in this photo (from 1996) was designed in the Romanesque style by Siddell Baker Architects in Toronto. It was constructed in 1893 for $5,000 by local builder Dougald (George) MacDonald. George was able to do short-hand blueprints and he was also the Sunday school teacher. The church pipe organ was installed in 1915 (with a portion of it funded by the Carnegie Foundation). A seven-foot section of interior, cornice molding fell off and crashed through some front seating and the floor and landed in the basement in 1937. It was rediscovered years later in George MacDonald’s barn.
The 1½-storey building had a modified, cruciform plan with an apse, narthex, and square and polygonal entrance towers. There was a steeply-pitched, gable roof with pyramidal and polygonal roofs on the towers. This structure was a complex massing of heavy, simple forms, each of which had a clear function. The main entrance was through a large, round-arched doorway with a crescent-shaped transom light and a heavy, panelled, wood door. It was set into a high, square tower at the southeast corner of the church and it marked the site as a landmark within the town. Tall, narrow, window openings had thin windows with a vertical emphasis. Some secondary windows were set in rectangular openings (but with the same narrow proportions). Windows having round-arched openings of various sizes in groups, and as singles, lit the nave. The simplicity of this church and the lack of typical Romanesque Revival details such as heavy, stone stringcourses and lintels gave the church a Norman feel with its squared tower and massive walls. Square pinnacles topped the four corners of the entrance tower. The building had masonry construction with brick cladding and a cut-stone foundation. Len Saint, a local stone mason and brick layer, did the plastering for the church. There were metal panels on the steeple and tower roofs. According to the 2000 inventory, the church was in excellent condition with many original features.
The congregation moved to St. John’s Presbyterian Church which was located on the Middleton Sideroad (circa 2004). Trinity Anglican Church purchased the old Presbyterian Church building and land in 2004 and the building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 4, Trinity Anglican Church Bradford website)

The structure located at 29 Holland St. West was vacant for many years. Howard Bowser bought and restored it as a shop with living quarters upstairs. Ted and Audrey Gapp lived here for a number of years. Helen Bantam ran a ladies’ shop downstairs and lived upstairs. She may have bought it from Bowser. At the time of this photo (1995), it was a barber shop.
The building located at 31 and 33 Holland St. West (on the northeast corner of Holland and Moore Streets) was built around 1880 in the Ontario Vernacular style. It was constructed on the site of the former Edmanson Bakery (33 Holland St. West). The bakery was the origin of the big fire on May 23, 1871 that destroyed much of downtown Bradford. E.P. Snow had a harness and saddle shop at 31 Holland St. West for many years. He lived on the north side of John Street. Later it was bought by Secondo Cavallo, who ran a shoemaking business at this location. He lived on the south side of John Street. Cavallo’s daughter (Aida) ran the business for a few years and then it was sold. Lash Davey and Bill ran a butcher shop at 33 Holland St. West for several years. They had a slaughter house on Piccadilly Hill (Simcoe St. South). James Webb, a butcher and lacrosse player, later ran his shop here. Webb was joined by his son Jim, who eventually took over the business and employed Harold Boyd. Jim originally had an ice house at the back of the property. A freezer locker was built later by Len Saint at the back. The building and business were eventually owned for many years by the Pezzanitti family.
The one-storey, commercial, semi-detached ‘row’ building has a wide, rectangular plan with an asymmetrical organization. There is “Main Street” frontage with a typical, storefront façade located at the street line. A plain façade is characterized by a high, flat, ‘boomtown’ façade with brick dentils. The two-bay façade is dominated above the storefronts by an applied, pressed- metal cornice with stone brackets at each end. Existing doors and storefronts are not original. Wide, glass, storefront windows with stone sills are also not original. The building has masonry construction with brick cladding, a stone foundation, and a flat, built-up tar and gravel roof. According to the 2000 inventory, the modest building is in good condition. (1, 2, 3)

The mid-block structure located at 79 John St. East was built around 1860-1890’s in the Gothic Revival style. Originally, there was a shed and garage attached to the house at the rear and a vacant lot on the east side. This building was the home of Charles Aitcheson and his wife Carol for many years. He was a painter and decorator and he worked for Bill Sutton. Cyril Mestagh was the next owner of the house. He and his wife Jennie and their daughters (Vera and Gladys Irene) lived here. Cyril was a small, market gardener and a well-known grower. He hauled vegetables to the Toronto market. The house was sold when Cyril retired.
The 1½-storey structure has an ‘L’-shaped plan with a centre hall, a one-storey, rear, kitchen wing and a medium-pitched, gable roof. The asymmetrical façade has an off-centre, front gable above the façade projection. There is a raised, front porch with a shed roof set onto wood posts on brick. The steps, door, windows, and enclosing walls of the porch are not original. This building has small windows with high floor to ceiling heights. A wide, Regency-style, ground- floor window has a wide, centre opening flanked by narrow lights. It is set into a rectangular opening with a plain, wood frame and sill. An upper window is centred above the lower window in the projecting bay. It is also set into a rectangular opening with a plain, wood frame and sill. Only the 2/2 windows in the structure are original. The building has wood frame construction, vinyl siding (not original), and a parged, stone foundation. According to the 2000 inventory, some original details still remain. (1, 2, 3)

The mid-block building located on the north side at 93 John Street East was built pre-1900 in the Gothic Revival Cottage style. A large horse stable and a barn for storing marsh hay once stood behind the house. A fence also ran across the length of the rear of the property. Brunnetto Caesar lived here with his wife Grace (Stamper). He worked on the marsh harvesting marsh hay and as a teamster. He later bought a tractor and did custom work (draining and breaking marshland). Bill Wilson and his wife bought the house after World War II. He worked on the railway and retired here. He had a large garden at the rear, as well as a barn. Bill eventually sold the house to Ferrara and moved away.
The 1½-storey, three-bay house has a rectangular plan with a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. The entrance porch does not appear to be original because the peak and eaves of the hip roof of the porch interfere with the ground and second-floor windows. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The house has wood frame construction, stucco cladding, and a parged, stone foundation. According to the 2000 inventory, the main-floor windows, screen door, and the two-storey addition at the rear are not original. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.