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The house located at 111 Barrie St. was owned many years ago by Minnie (Spence) Hammel. It was rented to Alec and Mary Spence and Betty. When this house was built (before WWI), a wooden tank with a zinc liner was erected in the floored attic. Water was pumped to the tank by a wobble pump from a cistern in the basement. The cistern collected water from the eaves- trough around the roof. The water that flowed (by gravity) from the wooden tank was used to flush the toilet and fill up the tub before the town had water sewers in 1931. Annie Stone (from Bond Head) eventually moved into this house. She had it updated and an apartment was added upstairs. (1, 2)

Construction of the house located mid-block at 123 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. The house was built in the Edwardian Classicism style. Archie and Minnie (Spence) Hammel moved up the street into this house. They ran a grocery store on the south side of Holland St. (in the second building from Drury St.) and they both died in this house. Minnie left a lot of the Spence records in the attic. These records dated back to 1900 when her father ran a lumber company in Bradford.
The two-storey structure has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof at the entrance porch is supported by painted, wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 178 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay structure has a square plan and narrow window openings with low floor to ceiling heights. It also has a shallow-pitched, hip roof, a symmetrical façade, and a centre hall plan. A box hall was typical for this style. The raised entrance may have had a porch originally. The single door has a transom. Double-hung windows (not original) have plain, wood trim and sills. Wood frame construction is clad with vinyl siding. The original siding was probably wood. There is a stone foundation and a single, brick masonry chimney at the side of the house. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 3)

The house located at 152 Barrie St. (on the southwest corner of Barrie and Queen Streets) was built in the 1890’s in the Gothic Revival style. The two-storey, ‘L’-shaped building is flanked by recent one and two-storey additions. According to the 2000 inventory, these additions are unsympathetic with the original design. The house has medium-pitched, gable roofs and large, ground-floor window openings. There is an oval rose window in the front gable. Some of the original 2/2 wood sash windows with wood lug sills and brick voussoirs still remain. The house has asymmetrical window locations, brick masonry construction, and a stone foundation. (1, 3)

The two-storey, wood frame house located on the west side at 196 Barrie St. was built more than one hundred years ago. The original farmhouse did not have the front addition (as seen in the photo) and it was clad with white stucco (not vinyl). This building was once the home of the Tupling family, including Ed (crate factory). At that time (1940’s), there was still a shed containing a cistern at the back. Years later it was the home of Bob Petrie (father of Ev).
The house was purchased by the Kulcsar family in 2001. During the various stages of the restoration, thick, stone foundation walls were discovered. These walls were reinforced with 1’-square timbers fastened together with wooden pegs and square-headed nails (likely produced by a local blacksmith). Segments of horsehair-plastered walls and cascading ceilings were also found. (1, Letter by S. Jacqueline Kulcsar)

The mid-block building located on the west side at 214 Barrie St. was built around 1880 in the Gothic Revival style. The 1½-storey, rectangular building has a medium-pitched, gable roof. There are large window openings with high floor to ceiling heights and a projecting bay window. Also noteworthy are the large, 4/4 double-hung windows. The house has dichromatic brick quoins, brick lintels and a gable decoration. There is a wide entrance with sidelights and a transom. The building has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the replacement porch (with a deep support beam, concrete floor slab and stylized bracket decoration) is an unconvincing substitute for the original. It also notes that the property has been maintained well. (1, 3)

The Stoddart House is located at 250 Barrie Street. It was built around 1870 in the Eclectic Neoclassical style. Some of the early settlers in the Bradford area were members of the Stoddard/Stoddart family. John Stoddard settled along the Bond Head Road in 1829. In later times, Major George W. Stoddart was the reeve of Bradford.
The two-storey building has a rectangular form and a centre hall plan. There is a symmetry in the large window openings (with high floor to ceiling heights). The double-hung windows with painted-wood lug sills are also neoclassical features. The medium-pitched, hip roof, wrap-around porch (with original turned wood post supports), and remaining wood brackets and decorative trim are Regency Revival features. A projecting, bay window at the ground-floor living (or dining) room is a Gothic Revival feature. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the metal screen door at the entrance is unsympathetic to the original design. It was also notes that the porch needed repair. (1, 3)

The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)

The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The house located at 39 Drury St. (at the southeast corner of Drury and Thomas Streets) was built pre-1900 in the Ontario Vernacular Cottage style. Bob (“Red”) Armstrong, a bachelor, once lived here. Jim Webb eventually bought the property and rented the structure to Victor Hunter (a carpenter) and his family. Frank Park (a handyman) kept his horse in the small barn on the property. Charles Hounsome (a railway section man) also lived here at one time. Lloyd Houston (a butcher) and his wife Jean lived here after the wars.
The one-storey, three-bay cottage has a shallow-pitched, gable roof, a symmetrical façade, and a rectangular plan with a centre hall. A box hall was typical for this style. The simple entrance has a single door set into a rectangular opening. It opens directly into the house from grade level and there is no porch (or weather protection) to shelter the entrance. The windows have low floor to ceiling heights. There are double-hung, 2/2 windows on either side of the entrance that appear to be original. They are set into simple, rectangular openings with plain, wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was wood. The house has a parged, stone foundation. There is a single, brick masonry chimney at the centre of house. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It also notes that the concrete block chimney on the exterior south wall is a later addition. (1, 2, 3)