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There was a vacant lot located at 11 Holland St. East after the big fire of 1871. Dennis Nolan built an addition to his Model T Ford dealership (located at 9 Holland St. E.) on this vacant lot. Len Saint used cement to build the new structure and Art Saint did the carpentry. The cars arrived at the railroad station in boxcars and then were brought to this new building. There was a display room at the front. At the rear was another service department with a door on the west side leading to the laneway at the rear. In time, Jim Armstrong and Fred Gregory opened a garage at this location. Charles Roberts also ran it and had a taxi business. Armstrong sold the building to Patchett, who turned the upstairs into a bowling alley (while also still running a taxi business) with a garage in the back. (1, 2)
There was also a vacant lot located at 13 Holland St. East after the fire of 1871. Russell “Curly” Curtis (from Newmarket) married Aileen Church and they built a butcher shop here after WWII. Years later it became the site of the Simpson order office (which was run by Mrs. Fallis). (1, 2)

The mid-block building located at 37 Holland St. East was built in the Gothic Revival style in the 1880-1890’s. Originally, the left side on the ground floor contained an office occupied by grain buyers. It had a front door and a small window. The remainder of the building was used as living quarters for several families over the years, including Art Hand (a painter and decorator) and his wife (Sawyer), and later their son Orville and his wife Helen (Noble). It was eventually sold to Mr. Glass, a merchant.
The 1½-storey house has an ‘L’-shaped plan with a centre hall. It also has an asymmetrical façade, an off-centre front gable at the façade projection, and a medium-pitched, gable roof. There is a raised, open porch. The existing roof, supports, and railing are not original. Its wide door opening suggests that the original had a transom and sidelights. The door itself is not original. There are small windows with high floor to ceiling heights. Wide windows set into rectangular openings in the projecting bay are not original and the variation in the brick suggests that the original openings were partially bricked in. The windows in the receding bay are set into segmented, arch openings with brick voussoirs and concrete, lug sills. None of the existing windows are original. The building has wood frame construction with brick cladding and a textured, concrete foundation. According to the 2000 inventory, there are few original details remaining in the building. (1, 2, 3)

The frame building located at 38 and 40 Holland St. East was bought many years ago by Mr. McWilliams. He remodeled the structure and put the entrance for the upstairs apartment on the east side (42 Holland St. E.). He died many years ago and Mrs. McWilliams (a sister of William Hirlehey) and her son Bill lived in the apartment. Bill worked on the marsh and in a hockey stick factory. There were two shops downstairs. Joe Scotto barbered at 40 Holland St. East (on the east side of the building) for a number of years before moving across the street to “Rusty” Worfolk’s property at 27 Holland St. East. There was a shoemaker and leather shop for years at 38 Holland St. East (on the west side of the building). There have been several other businesses here including Joyce’s Curio Shoppe (as seen in this photo taken in 1995). (1, 2)

The two-storey, frame house located at 89 Holland St. East was the home of Tom and Mary (Harman) Saint for many years. The structure was moved across the river to this site from the Thompson Smith Saw Mill (at Amsterdam) after it closed. A crawl space under the back kitchen was replaced in 1936 by a cellar under the front part of the house. It was dug by Jim (Dummy) Peters, Donald Campbell, and Joe Saint using pick-shovels. They then poured an 8” concrete wall. An oil furnace was installed after the front cellar was completed. It replaced the wood-fueled cooking stove previously used as a heat source for the house. Tom owned the property from Holland St. through to John Street. There was a lane behind the house that led to a woodshed. At the bottom of the lot there was a shed for a wagon, buggy, implements, etc. Upstairs was a loft for hay and on the east side there was a horse stable. Tom was a stone mason, brick layer, plasterer, and cement layer. He used a horse to haul his materials. Six children (William, John, Sadie, Leonard, May and Jane) were raised in this house. Sadie married Walter Reeves, a lacrosse player and a one man/one dog police force. Sadie lived at home and Dorothy married Harvey Marks and stayed in the family till 1989. A front porch and a car port at the back were eventually added. The lot at the back was sold to William Smith. (1, 2)

The mid-block building on the north side at 107 John St. East was built around the 1880’s in the Gothic Revival Cottage style. The main house was moved to this site from the saw mill in Amsterdam during the early 1900’s. It was the home of Arthur “Mike” Saint and his wife Alice and children (Russell, Eric, Ralph, Zella, Rita and Archie). He had immigrated to Bradford from London, England in 1871 with his parents (William and Sarah) and siblings (Thomas, Harry, Frank, George, Annie and Maria). William died in 1875. All of his sons were in the building trade. Mike was a well-known brick layer and he also raised and showed chickens. There once was a 1½-storey frame barn at the back of the house that was used to store feed, a horse, and a cow. A chicken house was attached to the barn. A huge, old well was found (beyond the back fence) that was thought to belong to the first hotel (located on the only street) when Bradford was first founded.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. A porch with a hip roof supported on wood posts and brick pedestals was added after the building was relocated. The enclosed porch was open originally, with only the brick pedestals remaining visible. Small windows have high floor to ceiling heights. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The 2/2 windows are original. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s form is unmistakable despite the new cladding. (1, 2, 3)

The house located at 113 John St. East (on the southeast corner of John and Nelson Streets) was the last house on John Street East. This area was known as French Town at the time because of the French families living there who had come to Bradford to work at the sawmill and planing mills. Fred Stoddart’s pasture fields were over what is now called Colborne Street.
The small, one-storey, square-frame house with a cement cellar was built by Dan Collings in the 1940’s. He used materials from the barns behind his house in the construction. Dan eventually moved to Holland Street. He died in his 97th year. The house was sold to Couvert during World War II. Later it was owned by Len Fuller, his wife, and sons (George and Leonard). (1, 2, 4)

The mid-block duplex located at 13 and 15 John St. West was built pre-1900 in the Neoclassical Duplex style. During the 1920’s, the building was moved back from the street and onto new concrete foundations that were built by Leonard Saint. The building was a rental property that was possibly owned by Jim Webb at one time.
The 1½-storey, rectilinear building has a shallow, gable roof and paired entrances at the centre of the building. Window and door openings are not original and they have been significantly altered. The chimneys and shutters are also not original. Bevelled, vinyl siding conceals alterations to the structure beneath. Originally, the cladding may have been wood cove siding over the wood frame construction. According to the 2000 inventory, apart from the building’s form, little of the original building remains (including the parged-stone foundation). Additions and alterations, such as the front metal awning, entrance doors with side panels, and the windows are unsympathetic with the original character of the building. (1, 2, 3)