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Joe Saint fonds

  • CA BWGPL JS
  • Fonds
  • 2004

Contains 4 Volumes of items donated by Joe Saint in relation to Bradford's Local History

Joe Saint

Volume 2 of the Joe Saint fonds

Contains items on: People (700) Businesses (800) Churches (900) Events (1000) Disasters (1100) Sports (1200) Fires (1300) Organizations (1400) Schools - general (1510) Schools - high (1520)
*Schools - public (1530)

Joe Saint

Volume 3 of the Joe Saint fonds

Contains items on: Buildings (A-E - 1600; F-L - 1610; M-Z - 1620) Photographs - People - Families (1710) Photographs - People - Sports/organizations (1720) Photographs - People - Work groups (1730) Photographs - Around Town - Streets/Buildings (1810) Photographs - Around Town - People at work (1820) Photographs - Around Town - Transportation (1830) Photographs - Maps (1910)

Joe Saint

Volume 1 of the Joe Saint fonds

Contains files on: Bradford (100); West Gwillimbury (200); Holland Marsh (A-H - 310; H-P - 320; Q-Z - 330); Scotch Settlement (400); York Region (500); Other (600)

Joe Saint

31 Simcoe Road - The Wilkinson House

The Wilkinson House is a mid-block building located at 31 Simcoe Road. It was built by Art Saint and/or George Stoddart around 1923 in the Arts and Crafts style. The house was sold to Chris Long, his daughter, and her husband Fred Wilkinson (a printer for the Bradford Witness) and daughter Marjorie. When they moved to Toronto to work at the DeHavill and Aircraft Company during WWII, the house was sold to a market gardener whose family lived here for many years.
The 1½-storey, two-bay ‘bungalow’ has a simple form with an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, gable roof extends down to reduce the scale of the building from the street. It covers the open front porch and is supported on wood half columns on brick piers. There is an off-centre hall entrance from the porch. The porch (entered from the front) is raised and has a simple, wood handrail and baluster. There are wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. The wide windows are set into rectangular openings. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The windows and the second entrance door are not original. A mix of exterior cladding materials is common to this style. The house has returned eaves at the dormer roof. Wood frame construction has brick, masonry cladding and vinyl siding on the dormer. The original cladding would have been wood. There is a painted, concrete foundation. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 2, 3)

George Jackson

107 John Street East

The mid-block building on the north side at 107 John St. East was built around the 1880’s in the Gothic Revival Cottage style. The main house was moved to this site from the saw mill in Amsterdam during the early 1900’s. It was the home of Arthur “Mike” Saint and his wife Alice and children (Russell, Eric, Ralph, Zella, Rita and Archie). He had immigrated to Bradford from London, England in 1871 with his parents (William and Sarah) and siblings (Thomas, Harry, Frank, George, Annie and Maria). William died in 1875. All of his sons were in the building trade. Mike was a well-known brick layer and he also raised and showed chickens. There once was a 1½-storey frame barn at the back of the house that was used to store feed, a horse, and a cow. A chicken house was attached to the barn. A huge, old well was found (beyond the back fence) that was thought to belong to the first hotel (located on the only street) when Bradford was first founded.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. A porch with a hip roof supported on wood posts and brick pedestals was added after the building was relocated. The enclosed porch was open originally, with only the brick pedestals remaining visible. Small windows have high floor to ceiling heights. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The 2/2 windows are original. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s form is unmistakable despite the new cladding. (1, 2, 3)

George Jackson

11 and 13 Holland Street East

There was a vacant lot located at 11 Holland St. East after the big fire of 1871. Dennis Nolan built an addition to his Model T Ford dealership (located at 9 Holland St. E.) on this vacant lot. Len Saint used cement to build the new structure and Art Saint did the carpentry. The cars arrived at the railroad station in boxcars and then were brought to this new building. There was a display room at the front. At the rear was another service department with a door on the west side leading to the laneway at the rear. In time, Jim Armstrong and Fred Gregory opened a garage at this location. Charles Roberts also ran it and had a taxi business. Armstrong sold the building to Patchett, who turned the upstairs into a bowling alley (while also still running a taxi business) with a garage in the back. (1, 2)
There was also a vacant lot located at 13 Holland St. East after the fire of 1871. Russell “Curly” Curtis (from Newmarket) married Aileen Church and they built a butcher shop here after WWII. Years later it became the site of the Simpson order office (which was run by Mrs. Fallis). (1, 2)

George Jackson

27 John Street West

The building located at 27 John St. West (on the northeast corner of John and Moore Streets) was built around 1890 in the Gothic Revival style. It was the home of John Lee (a retired farmer from north of Bradford) for many years. After World War II, it was the home of Mildred Peelar and her family. Walter Mundy later lived here before the house was sold.
The 1½-storey, ‘L’-shaped, main building has a medium-pitched, gable roof with a steeply-pitched, gable dormer. These are Gothic features. There are round-head, coloured transom lights over several ground-floor windows that are structurally supported above by arched, brick voussoirs. There is also a rectangular transom over the entrance door. Windows of various sizes (indicating post-1880 construction) have the original, wood lug sills. The structure has brick, masonry construction and a rusticated, stone foundation. According to the 2000 inventory, the replacement porch varies from the original design intent. (1, 2, 3)

George Jackson

41 Simcoe Road - The Dr. Clement House

The Dr. Clement House is located at 41 Simcoe Road (on the southeast corner of Simcoe Road and Centre Street). It was built around 1830-1860 (1840’s?) in the Classic Revival style. Dr. Clement lived and died here after practising in the 1870-80’s. He was buried in Clement Cemetery on the 2nd Line in Innisfil (east of Highway 11). His wife Rachel lived here until her death. The house was then rented to Walton, a railroad man for the C.N.R. The barn and garden behind the building ran to William St. (as did all the properties on the east side). Sam Catania and his wife Sarah lived here in later years. They converted the house into two apartments and had a dry cleaning business in the garage that was eventually destroyed by fire. Sam sold the house to Bruce and Barbara Verney. They were still living here when this photo was taken in 1995. Bruce was a chiropractor. A building used as a dry cleaner was constructed later on the property. Jack Pong (a restaurant owner on Holland St.) built a house on the back of this property that extended to Centre Street.
The street level has apparently been raised considerably around this house as the current 1½-storey, two-bay house was originally 2½ storeys. It has an asymmetrical façade and entrance, a simplified ‘temple’ form, and a medium-pitched, gable roof. The pediment roof shape has return eaves facing the front. A hip roof on the raised entrance portico is supported on wood beams with decorative, wood dentils. The corner columns have wooden ‘flutes’ and are mounted on brick pedestals. A wood-panelled door is flanked by narrow sidelights and is topped by a transom light. The house has small window openings with low floor to ceiling heights. Small, upper-floor windows are set into rectangular openings with plain, wood frames and sills. A ground-floor, bay window is an angled projection with a hip roof. The brick masonry foundation appears to be a replacement. A horizontal belt line at the top of the foundation is expressed with wood trim. The structure has wood frame construction with stucco cladding and a cut-stone foundation. Bricks found at the bay window foundation and at the entrance porch are probably not original. According to the 2000 inventory, the house is in good condition with many original details. (1, 2, 3, 4)

George Jackson

37 Holland Street East

The mid-block building located at 37 Holland St. East was built in the Gothic Revival style in the 1880-1890’s. Originally, the left side on the ground floor contained an office occupied by grain buyers. It had a front door and a small window. The remainder of the building was used as living quarters for several families over the years, including Art Hand (a painter and decorator) and his wife (Sawyer), and later their son Orville and his wife Helen (Noble). It was eventually sold to Mr. Glass, a merchant.
The 1½-storey house has an ‘L’-shaped plan with a centre hall. It also has an asymmetrical façade, an off-centre front gable at the façade projection, and a medium-pitched, gable roof. There is a raised, open porch. The existing roof, supports, and railing are not original. Its wide door opening suggests that the original had a transom and sidelights. The door itself is not original. There are small windows with high floor to ceiling heights. Wide windows set into rectangular openings in the projecting bay are not original and the variation in the brick suggests that the original openings were partially bricked in. The windows in the receding bay are set into segmented, arch openings with brick voussoirs and concrete, lug sills. None of the existing windows are original. The building has wood frame construction with brick cladding and a textured, concrete foundation. According to the 2000 inventory, there are few original details remaining in the building. (1, 2, 3)

George Jackson

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