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This mid-block building is located close to the street (on the south side) at 72 and 74 Holland St. East. It was built in the 1870’s (after the fire of 1871) in the Neoclassical Duplex style. According to historic maps, it may have been one of a pair of buildings built side by side on Holland Street.
The Prolbert family lived at 72 Holland St. East for many years. “Pentypool” worked for Bill Sutton and was a sign painter. The house at 74 Holland St. East was rented to a number of people, including Jim and Jane Armstrong (when they were first married). Later it was the home of Dan Collings, Mrs. Campbell, Neil and Dorothy. Dorothy was Dan’s housekeeper for many years. He built a horse stable and had a team. Barney Campbell drove the team on the marsh to and from sales.
The two-storey, four-bay, semi-detached house has a simple, rectangular form with a medium-pitched, saltbox roof. It has slightly-raised entrances that are located at either end of the façade. This placement gives greater privacy than paired entrances, but it places habitable rooms along the party wall. The doors are set into high, rectangular openings and are not original. A transom is still in place on the east entrance, but the transom has been closed in over the west door. There are large window openings with low floor to ceiling heights. Unlike in typical neoclassical buildings, the windows (not original) are not aligned. The large, front, ground-floor window in the east half has been partially filled. Windows are set into plain, rectangular openings with plain, wood frames and sills. Smaller, upper-storey windows are offset from the ground floor. The building has wood frame construction, vinyl siding (not original), a parged, stone foundation, and a basement. According to the 2000 inventory, few original details remain other than the building’s general form. (1, 2, 3)

Dr. Gilbert Blackwell’s House is located on the southwest corner of Barrie and Joseph Streets at 72 Barrie Street. His office faced Joseph Street. The structure was built in 1935 by builder Art Saint in the Arts and Crafts style.
The simple form has an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, bell-cast roof with a centre dormer extends down to reduce the scale of the building from the street. It also covers the original front porch (which has been enclosed). The structure has wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The original arched openings in the front porch have been infilled and new windows have been installed. Brackets support the cornice at the roof and there is a central, brick chimney. The house has wood frame construction, stucco cladding and a painted, concrete foundation. A mix of exterior cladding materials is common to this style. The windows, awnings, and the one-storey, rear addition are not original. According to the 2000 inventory, the house is in good condition with some original features. (1, 3)

The William Curry House is a mid-block building located at 73 Holland St. West. It was built in the Gothic Revival style around the 1890’s. Bill Curry, a carpenter, and his wife and children (Harvey and Jessie) moved here from the 14th Line, West Gwillimbury. Members of the Curry family have lived in this house for many decades.
The two-storey, ‘L’-shaped building has large window openings, high floor to ceiling heights, and a medium-pitched, gable roof. The shutters (but probably not the colour) may be original. A wrap-around entrance porch is original and has Regency overtones. Although the windows and doors have been replaced, the original wood, lug sills remain. The building has brick veneer on wood frame construction. Window awnings and attic vents are twentieth-century alterations. The soffit infill, if original, has an altered eaves detail. According to the 2000 inventory, the building is surrounded by a well-maintained, landscaped yard. (1, 2, 3)

The Fred C. Cook Senior Elementary School is located at 75 Queen Street. It is not the original building to be found on this site. That structure was a small, two-room, grammar school from Bond Head that was loaded onto a sled and pulled by horses many years ago to the newly-formed town of Bradford. It was set among the pine trees found on a plot of land between Fletcher and Queen Streets. That structure eventually became the first high school in Bradford. It was destroyed by fire in 1890 and a new school was opened on the same site. It burned as well. The Fred C. Cook Senior Elementary School (as seen in the photo) was erected in its place in 1923 or 1924. It was built in the Colonial Revival style. A four-room wing was built in the rear school yard in 1956 (1960’s?) to alleviate over-crowding.
The main building has 2½ storeys. Its large, simple, rectangular form dominates this site. The structure is set well back from the street on a broad expanse of lawn. This positioning suggests its importance in the community. There are large window openings with high floor to ceiling heights, and a flat roof (probably covered with built-up tar and gravel). The entrance is raised one-half storey above grade level. Stairs lead directly to an over-scaled entrance door framed by white-painted pilasters and a plain, wood entablature above. The double door and transom do not appear to be original. The tall, ‘Venetian” windows (characteristic of the neoclassical style) have pilasters and three-foot ‘lights’. The first and second-storey windows are joined by recessed, wood panels. A white-painted, urn-trimmed, roof balustrade is set into a brick, parapet wall. Thin pilaster strips (set into a continuous ‘sill’ at the ground-floor level) sub-divide the front façade into multiple bays. The building has concrete, masonry construction with brick, masonry cladding, applied wood details, and a concrete foundation. According to the 2000 inventory, the building is in excellent condition with many original details.
A new, modern version of the Fred C. Cook Elementary School opened in September, 2013. It is located at 20 Fletcher Street. (1, 3, Bradford District High School’s web site)

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

The mid-block building located on the north side at 79 Holland St. East was built in the 1890’s in the Eclectic Neoclassical style. The house was built by Mr. Watson for Ed Coombs, his wife and children (Walter, Victor and Evelyn). Ed had moved into town from a farm (on the southwest side of Concession 6) during WWII. He was on the town council and became a reeve. He ran a coal and wood business for years. After Ed’s death, the business was taken over by his son Victor. There was a garage for cars, but Ed did not drive. He had a horse stable and loft above for a single horse that was used to haul one ton of coal. Walter worked all his life for Rogers Coal Co. in Toronto. He lived in the Walker House Hotel until it was demolished.
The two-storey, three-bay house has a symmetrical façade, a centre hall plan, and a medium- pitched, hip roof with a wide overhang. There are large window openings with high floor to ceiling dimensions. The house has arched window heads with stylized keystones and narrow, second-floor windows. It also has a unique, stylized masonry treatment complete with belt course, corner mouldings, and window surrounds. The two-storey, central-bay element was modified in the twentieth century. There is pressed-block construction with replacement siding at the central bay and a parged, block foundation. According to the 2000 inventory, the house has been maintained well. It also notes that the ‘modern’, central bay with aluminum siding and soffits is not sympathetic with the original design. (1, 2, 3)

The building located at 79 Holland St. West (on the northeast corner of Holland and Church Streets) was built in the Gothic Revival style around 1890-1910. Wilton Johnson and Irwin Ray, retired farmers, once lived in this house. Wilton worked for years for the Clubines. The previous owner was a tombstone maker who sold tombstones throughout all of Simcoe County.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof with a gable dormer. This is a typical Gothic Revival feature. Uncharacteristically, however, the dormer eaves do not align with the main roof eaves. A broad, hipped, Regency-like porch roof is supported by an eclectic mixture of forms (including a broad cornice band and half, Doric columns on brick pilasters). The porch railing and stairs are not original. There is a coloured-glass, arched transom over the main-floor, gable-end window. The ground-floor windows are wider than those at the second floor. The house has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the building is an eclectic mixture of styles (suggesting early twentieth-century construction). It also notes that the modern door and railings are unsympathetic with the original design. (1, 2, 3)

The mid-block structure located at 79 John St. East was built around 1860-1890’s in the Gothic Revival style. Originally, there was a shed and garage attached to the house at the rear and a vacant lot on the east side. This building was the home of Charles Aitcheson and his wife Carol for many years. He was a painter and decorator and he worked for Bill Sutton. Cyril Mestagh was the next owner of the house. He and his wife Jennie and their daughters (Vera and Gladys Irene) lived here. Cyril was a small, market gardener and a well-known grower. He hauled vegetables to the Toronto market. The house was sold when Cyril retired.
The 1½-storey structure has an ‘L’-shaped plan with a centre hall, a one-storey, rear, kitchen wing and a medium-pitched, gable roof. The asymmetrical façade has an off-centre, front gable above the façade projection. There is a raised, front porch with a shed roof set onto wood posts on brick. The steps, door, windows, and enclosing walls of the porch are not original. This building has small windows with high floor to ceiling heights. A wide, Regency-style, ground- floor window has a wide, centre opening flanked by narrow lights. It is set into a rectangular opening with a plain, wood frame and sill. An upper window is centred above the lower window in the projecting bay. It is also set into a rectangular opening with a plain, wood frame and sill. Only the 2/2 windows in the structure are original. The building has wood frame construction, vinyl siding (not original), and a parged, stone foundation. According to the 2000 inventory, some original details still remain. (1, 2, 3)

The former Anglican Church Manse is located at 81 Frederick St. (on the northeast corner of Church and Frederick Streets). The structure was built around 1880 in the Eclectic Neoclassical style. The two-storey, rectangular building has a medium-pitched, hip roof. The line at the front façade suggesting that the building originally had a full-width, front porch is another Regency Revival feature. The symmetrical window openings (with high floor to ceiling heights), a centre hall plan, and a wide entrance with sidelights and a transom are neoclassical features. Dichromatic brickwork at the quoins and window labels, as well as the ‘droopy’ label stops at the windows are Gothic Revival features. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the existing porch and entrance motif are unsympathetic with the original design. It also notes that, unlike the originals, the replacement windows have no muntins. (1, 2, 3)