Showing 165 results

The house located mid-block at 34 John St. East was built in the Ontario Vernacular style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). McClary (a high school teacher) once lived here. Bert and Margaret Hunt raised their children (Phyllis, Art, Oscar, George and Lorna) here. Bob Veale, a WWI veteran and banker, lived here after WWII until his death.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hipped ‘Pedlar’ metal roof. An enclosed, entrance porch with a shallow, gable roof was added after the house was moved to Bradford. It is raised slightly above grade and has a single door and windows on three sides. The house has small window openings and double-hung windows (not original) with plain, wood trim and sills. Wood frame construction is covered with horizontal metal siding and there is a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the house likely had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original (1, 2, 3)

The house located at 49 John St. East (on the northwest corner of Nelson and John Streets) was built around 1860-1880 in the Gothic Revival style. There was once a large garden on the east side and a small drainage ditch north of the laneway. Dave Ogilvie and his wife May (McKinstry) purchased this house around 1920. Dave had a livery stable, a jitney, and a taxi service. He also carried mail between the (railroad?) station, the Post Office and Bond Head. The taxi and jitney went to Newmarket to meet York Radial street cars. The Ogilvie family moved across the street and the building later became a boarding house that was run by Mr. and Mrs. Jones. It eventually became the home of the Morton family (retired farmers from the Scotch Settlement). At the time of this photo (1995), it was the home of Everett and Marie McVety.
The two-storey, rectangular building has a medium-pitched, gable roof and large window openings with high floor to ceiling heights. There are 2/2 wood, sash windows that have plain, wood lug sills and wood trim. The ground-floor front window is original. It is possible that the wooden shutters may also be original. There is a Regency-like, wide, front porch. The original porch columns have been replaced with simple, square, wooden ones. This structure has vinyl siding on wood frame construction and there is a stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the simple house is well-maintained and has much of its original character.
(1, 2, 3)

The mid-block building located at 65 John St. East was built pre-1900 in the Gothic Revival style. It was the home of Miss Hayes and her two sisters many years ago. They were known for lending money, especially to John Rob and family. The first Dutch family to move to Bradford (in 1925), the Hayes worked on the marsh and owned a greenhouse on Back Street. After the sisters died, the west lot was sold to Vic Turner in 1948.
The 1½-storey, four-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall and a medium-pitched, gable roof. The single-door entrance is raised slightly above grade level, the steps are not original, and there may have been a verandah originally. Large window openings contain replacement, ground-floor windows. Upper-floor, 2/2 sash windows with plain, wood trim may be original. Wood frame construction is clad with vinyl siding and the building has a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, this modest house has probably not changed significantly since it was built. (1, 2, 3)

The mid-block building located at 89 John St. East is set well back from street. It was built around 1860-1880’s in the Ontario Vernacular Cottage style. John Edwin (or Harry) Cerswell, a retired gentleman, lived here at one time before selling the house. Dave Mundy and Walter moved here from their farm on the 10th line. Dave worked for Holland River Gardens and Walter worked for the Spence Lumber Co. Walter built a garage at the back of the house. When Dave died the house was sold. Years later, a small house was built along the back fence to provide housing for marsh workers. Joe McMillan and his daughter rented it, as did Dick Roberts and Wilma. Lorne Campbell and his wife also lived here after World War II. It was later demolished.
The one-storey, three-bay cottage seen in this photo from 1995 has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, gable roof. There is a simple entrance with a single door set into a rectangular opening. It opens directly into the house from slightly above grade level. No porch or weather protection shelters the entrance. The house has small windows with low floor to ceiling heights. There are double-hung windows on either side of the entrance. The 2/2 windows appear to be original. Windows are set into simple, rectangular openings with plain, wood frames and sills. The building has wood frame construction, vinyl siding, a stone-rubble foundation, and a basement with window openings. Originally, the siding was wood. A one-storey addition at the side of house is not original and it has different foundation material. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)

The Wilkinson House is a mid-block building located at 31 Simcoe Road. It was built by Art Saint and/or George Stoddart around 1923 in the Arts and Crafts style. The house was sold to Chris Long, his daughter, and her husband Fred Wilkinson (a printer for the Bradford Witness) and daughter Marjorie. When they moved to Toronto to work at the DeHavill and Aircraft Company during WWII, the house was sold to a market gardener whose family lived here for many years.
The 1½-storey, two-bay ‘bungalow’ has a simple form with an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, gable roof extends down to reduce the scale of the building from the street. It covers the open front porch and is supported on wood half columns on brick piers. There is an off-centre hall entrance from the porch. The porch (entered from the front) is raised and has a simple, wood handrail and baluster. There are wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. The wide windows are set into rectangular openings. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The windows and the second entrance door are not original. A mix of exterior cladding materials is common to this style. The house has returned eaves at the dormer roof. Wood frame construction has brick, masonry cladding and vinyl siding on the dormer. The original cladding would have been wood. There is a painted, concrete foundation. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 2, 3)

Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family.
The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)

The Dougald MacDonald House is located mid-block at 63 Frederick Street. The house was built pre-1900 (around 1882) in the Ontario Vernacular Cottage style. It was built by George (Geordy) MacDonald, a bachelor, stone mason, and contractor who emigrated from Scotland at the age of 27. He was responsible for building homes and schools in this community, as well as the first Presbyterian Church in Bradford that once stood on John Street. The one-storey, three-bay cottage has a square plan with a centre hall. A box hall was typical for this style. The house has a symmetrical façade and a simple, gable roof. The grade-level entrance has a single entrance door with a rectangular, glazed transom. The large, 8/8, double-hung windows have plain, wood trim and sills. The house has wood frame construction covered with aluminum siding. According to the 2000 inventory, the original siding was probably wood. It also notes that the building was largely obscured by trees and that it probably had few decorative details originally. A photo (and brief article about the renovations) in Century Home Magazine (April 2002, page 18) reveals that the two cedar trees in the front yard have been removed and that a porch has been added at the front of the house. (1, 2, 3, 5, Century Home Magazine)

The barn located on the east side of Essa St. (south of Frederick St.) belonged to the former Anglican Manse. The Manse was located at 81 Frederick St. (1, 2)

This mid-block building is located close to the street (on the south side) at 72 and 74 Holland St. East. It was built in the 1870’s (after the fire of 1871) in the Neoclassical Duplex style. According to historic maps, it may have been one of a pair of buildings built side by side on Holland Street.
The Prolbert family lived at 72 Holland St. East for many years. “Pentypool” worked for Bill Sutton and was a sign painter. The house at 74 Holland St. East was rented to a number of people, including Jim and Jane Armstrong (when they were first married). Later it was the home of Dan Collings, Mrs. Campbell, Neil and Dorothy. Dorothy was Dan’s housekeeper for many years. He built a horse stable and had a team. Barney Campbell drove the team on the marsh to and from sales.
The two-storey, four-bay, semi-detached house has a simple, rectangular form with a medium-pitched, saltbox roof. It has slightly-raised entrances that are located at either end of the façade. This placement gives greater privacy than paired entrances, but it places habitable rooms along the party wall. The doors are set into high, rectangular openings and are not original. A transom is still in place on the east entrance, but the transom has been closed in over the west door. There are large window openings with low floor to ceiling heights. Unlike in typical neoclassical buildings, the windows (not original) are not aligned. The large, front, ground-floor window in the east half has been partially filled. Windows are set into plain, rectangular openings with plain, wood frames and sills. Smaller, upper-storey windows are offset from the ground floor. The building has wood frame construction, vinyl siding (not original), a parged, stone foundation, and a basement. According to the 2000 inventory, few original details remain other than the building’s general form. (1, 2, 3)

The mid-block structure located at 83 Holland St. East was built in the Ontario Vernacular Cottage style. It was constructed pre-1900 on what was once the site of a pop manufacturing plant. According to local history, bottles were still being unearthed many years later. After the plant closed, the property became the site of a blacksmith shop run by Bill Cukens. The house seen in this photo originally had a back kitchen and wood shed at the rear, as well as a large, two-storey barn with loft above (for horse feed). It was the home of Bob McKinstry, his wife and children Michael (Mike), Maisil, and Dorothy. Bob was a huge man and a blacksmith for several lumber companies after the local mills folded. He was also a noted field lacrosse player on the team that won the championship in 1905 (1907?). Bob and his son both played lacrosse until their worn-out legs forced them to quit. In those days, lacrosse players worked ten-hour days at hard physical labour, played lacrosse for a couple of hours, and then ran the six miles to Bond Head to cool off. Mike was a bookkeeper who also worked for his father in the garage and blacksmith shop. Maisil became a nurse and Dorothy worked in a restaurant and stayed at home to look after her family.

The one-storey, three-bay ‘cottage’ has a rectangular plan with a centre hall, a symmetrical façade, and a shallow-pitched, gable roof. The enclosed porch has a hip roof and the entrance is raised above grade level. There is a simple entrance with a single door with windows on each side. The porch stairs are not original and the entire porch may be a later addition. There are double-hung windows at the ground floor. The 2/2 widows appear to be original and are set into simple, rectangular openings with plain, wood surrounds and sills. Exterior aluminum storm windows are a later addition. The building has wood frame construction with vinyl siding and a stone-rubble foundation. It had wood cove siding originally. According to the 2000 inventory, the building’s form is one of the few existing original building elements. It also notes that the modest cottage probably had few decorative details originally. (1, 2, 3)