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The building located mid-block at 123 Moore Street was built pre-1900 in the Gothic Revival style. It stood behind the grand, Italianate villa (The Convent) that was once located at 118 Barrie Street and was the home of the Lukes’ family. Originally, the structure was built to be a two-car garage to house Gibb Lukes’ vehicles (particularly his Stanley Steamer). The garage was eventually converted into a dwelling. At the time of this photo (1995), it was being used as the Bradford Food Bank.
The one-storey, three-bay cottage has an “L”-shaped plan with a side hall. There is an asymmetrical façade with a front gable above the façade projection and a medium-pitched, gable roof. The front wall below the gable is inset slightly to provide shelter for the front entrance. It is set into a simple, rectangular opening. Small windows that are not original have low floor to ceiling heights. They are set into rectangular openings with plain, wood frames and sills. The building has wood frame construction with stucco cladding and a parged, stone foundation. According to the 2000 inventory, this modest cottage has few original details other than the building’s form. (1, 2, 3)

The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)

This building is located at 123 James Street. (1)

Construction of the house located mid-block at 123 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. The house was built in the Edwardian Classicism style. Archie and Minnie (Spence) Hammel moved up the street into this house. They ran a grocery store on the south side of Holland St. (in the second building from Drury St.) and they both died in this house. Minnie left a lot of the Spence records in the attic. These records dated back to 1900 when her father ran a lumber company in Bradford.
The two-storey structure has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof at the entrance porch is supported by painted, wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The building located at 120 Holland St. West in this photo from 1995 replaces one built by Watson (a cement block and sidewalk builder) just before, or during, WWI. That structure had a barn and shed for stock and chickens at the back. The Slothin family moved here from Toronto around the time of the Depression. They had one daughter and a son named Max. At one time Elgar Houghton and his wife lived here with their daughter (Muriel) and sons (Gordon and Lloyd). He drove a team (before he got a truck) and delivered gas for Imperial Oil. Paul Gres, his wife, and family (market gardeners) lived here years later. This house and property (around 25 acres) was still owned by the Gres family in 1995. (1, 2)

The house located mid-block at 119 Barrie St. was one of seven houses begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the projects were completed by builder Art Saint. This house was built in the Edwardian Classicism style. Hewey Douglas and his wife lived here many years ago. He had a hardware store on the north side of Holland Street (west of the bank).
The two-storey building has a simple, formal composition. The square form is topped by a bell- cast, hip roof. A hip roof on the large, classically-inspired entrance porch is supported by half columns on brick piers. Simple, double-hung windows are balanced within the façade. The side-bay projection (with wood siding) adds visual interest. The rest of the exterior is solid, smooth brick construction with simple details. According to the 2000 inventory, the house has been maintained well. (1, 2, 3)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

This house located at 117 Frederick St. was once the home of Jack Barnard. By 1995, this structure was the home of Bill and Terry Lotto. (1, 2)

The house located mid-block at 116 Hurd St. was built pre-1890 in the Ontario Vernacular style. It was once the home of carpenter Arthur Moseley.
The two-storey, rectangular building has simple detailing. There is a centre hall, a single-storey rear addition and a medium-pitched, hip roof. It has medium-sized window openings. The 2/2 wood, sash windows have plain, wood lug sills and trim. Aluminum, storm windows and a door are more recent additions. Stucco covers the wood frame construction and there is a parged, stone foundation. The structure was probably clad in wood cove siding originally. According to the 2000 inventory, this house once had a verandah and a bay window on the left side. It also notes a lack of decoration or porch addition. (1, 3)

The house located mid-block at 115 Hurd St. was built around 1920-1940 in the Gothic Revival Cottage style. It was once the home of Aldie Robinson. The Waldruff family lived here years later.
The 1½-storey, three-bay ‘cottage’ has a symmetrical façade, a centre hall plan, a medium-pitched, gable roof and a steeply-pitched, gable dormer. The wide, ground-floor windows indicate twentieth-century construction. The openings are original, but the windows have been replaced more recently. They have cut-stone sills and steel lintels. There is a broad, brick header belt course. Long, narrow bricks which are not a standard shape are used. The house has brick veneer on wood stud construction. This indicates post-1920’s construction. There is a parged, block foundation and a wide, basement window with a window well. The use of a basement for ‘living’ space is a more modern concept related to improvements in waterproofing and insulation technologies. According to the 2000 inventory, this house incorporates modern-day construction materials, techniques, and detailing. It also notes that the entrance door and sidelight, metal awning, and wood porch are recent additions. (1, 3)