Construction of the house located mid-block at 123 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. The house was built in the Edwardian Classicism style. Archie and Minnie (Spence) Hammel moved up the street into this house. They ran a grocery store on the south side of Holland St. (in the second building from Drury St.) and they both died in this house. Minnie left a lot of the Spence records in the attic. These records dated back to 1900 when her father ran a lumber company in Bradford. The two-storey structure has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof at the entrance porch is supported by painted, wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)
The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II. The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)
The building located mid-block at 123 Moore Street was built pre-1900 in the Gothic Revival style. It stood behind the grand, Italianate villa (The Convent) that was once located at 118 Barrie Street and was the home of the Lukes’ family. Originally, the structure was built to be a two-car garage to house Gibb Lukes’ vehicles (particularly his Stanley Steamer). The garage was eventually converted into a dwelling. At the time of this photo (1995), it was being used as the Bradford Food Bank. The one-storey, three-bay cottage has an “L”-shaped plan with a side hall. There is an asymmetrical façade with a front gable above the façade projection and a medium-pitched, gable roof. The front wall below the gable is inset slightly to provide shelter for the front entrance. It is set into a simple, rectangular opening. Small windows that are not original have low floor to ceiling heights. They are set into rectangular openings with plain, wood frames and sills. The building has wood frame construction with stucco cladding and a parged, stone foundation. According to the 2000 inventory, this modest cottage has few original details other than the building’s form. (1, 2, 3)
The mid-block building located on the south side at 126 John St. West was built in the 1880’s in the Gothic Revival Cottage style. Originally, there was a back lane for Jim Woods' house and barn next to this house. Pratt lived here many years ago with his wife and two sons. Elgar Houghton bought this house around the time of World War II. He lived there for a time and then he had the house converted into four apartments which were rented. He later sold the building. The 1½-storey, five-bay cottage has a rectangular plan with a centre hall, an asymmetrical façade with an off-centre gable over the entrance, and a medium-pitched, gable roof. There is a simple, rectangular entrance (at grade level) with windows to the primary rooms on each side. The existing roof over the entry is not original. Small windows at the ground and second floors are not original. They are set into segmented, arch openings with plain, wood frames and painted, stone lug sills. Brick, masonry construction is clad with stucco (not original) and the structure has a parged, stone foundation. According to the 2000 inventory, this modest house has few original details other than the building’s form. (1, 2, 3)
Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family. The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)
The mid-block duplex located at 13 and 15 John St. West was built pre-1900 in the Neoclassical Duplex style. During the 1920’s, the building was moved back from the street and onto new concrete foundations that were built by Leonard Saint. The building was a rental property that was possibly owned by Jim Webb at one time. The 1½-storey, rectilinear building has a shallow, gable roof and paired entrances at the centre of the building. Window and door openings are not original and they have been significantly altered. The chimneys and shutters are also not original. Bevelled, vinyl siding conceals alterations to the structure beneath. Originally, the cladding may have been wood cove siding over the wood frame construction. According to the 2000 inventory, apart from the building’s form, little of the original building remains (including the parged-stone foundation). Additions and alterations, such as the front metal awning, entrance doors with side panels, and the windows are unsympathetic with the original character of the building. (1, 2, 3)
The Fred C. Cook House is located mid-block on the east side at 135 Barrie Street. The house was built in the Arts and Crafts style around 1925 by Art Saint. It is believed that this lot was originally owned by Fred Stoddart. This was the home of Fred Cook and Leona (Miller) until they died after WWII. The house was later bought and remodeled by Gary and Rosemary Woodcock. He had a plumbing and heating business. Their son Gary Paul was a business partner. The 1½-storey ‘bungalow’ has a simple form, an asymmetrical façade, and a rectilinear plan. A broad, steeply-pitched, bell-cast roof extends down to reduce the scale of the building. The covered, raised porch is entered from the side. The roof, horizontal siding, and a wide band of windows across the front of the porch emphasize the horizontal lines and massing of the style. Multiple, double-hung windows are set into wide, rectangular openings with high floor to ceiling heights on the ground floor. Smaller, second-storey windows are offset from the ground-floor windows and set into a gable and dormers. The lintels and lug sills are made of precast concrete. There is a parged, concrete foundation and wood frame construction with masonry cladding and vinyl siding. The original siding would have been wood. According to the 2000 inventory, the house is in excellent condition and the original features have been maintained well. It also notes that although the porch was enclosed sometime after the original construction, it is in keeping with the original design intent. (1, 2, 3)
This house is located at 139 John St. West (on the northwest corner of John and Essa Streets). It was built in the 1900’s by carpenter Dalt Coburn. Originally, there was a laneway behind the house that ran west to Toronto St. and a vacant lot next door. The 1½-storey, frame house had many gables. There was a fire here at one time. Dalt raised his family (including son Des) here before moving to Cookstown in the early 1930’s. James Pelovich and his son Jim lived here in 1935. Later George Sadovchuk and his mother (Stephanie Semenuk Sadovchuk) lived here. Stephanie was James Pelovich's mother. George remodelled the house extensively. The veranda at the top was removed and the brick was matched. (1, 2)
This is the front view of the house located mid-block on the east side at 143 Barrie Street. It was the last house built by Art, Tom and Len Saint after WWI. The building was constructed in 1925 in the Arts and Crafts style. It became the home of many people, including Erv Hill and his wife. He worked for Dennis Nolan and was a noted (Ford) mechanic. Harold Seaurow and his wife (who came from Grand Valley) later bought and moved into this house. Harold was a car salesman and a partner with Wink Crake for a while. He then went with Jim (Catania) and Brad Walker. The 1½-storey ‘bungalow’ has an asymmetrical façade and a rectilinear plan. A broad, medium-pitched, gabled hip roof extends down to reduce the scale of the building. The slightly-raised porch is entered from the front. The roof, horizontal siding, and a wide band of windows across the front of the porch emphasize the horizontal lines and massing of the style. There are wide window openings with low floor to ceiling heights. Multiple, double-hung windows are set into wide segmented, arched openings with 1/1 panes, lug sills of precast concrete, and brick voussoirs at the arches. The smaller, second-storey windows are offset from the ground floor windows. They are set into a gable and dormers and have plain, wood sills and trim. A bay window projects out from the south wall and has no foundation. The house has wood frame construction with masonry cladding, vinyl siding and a painted, concrete foundation. The original siding would have been wood. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. It also notes that the windows, shutters, and porch railing are not original. (1, 2, 3)
This is the front view of the house located mid-block on the east side at 143 Barrie Street. It was the last house built by Art, Tom and Len Saint after WWI. The building was constructed in 1925 in the Arts and Crafts style. It became the home of many people, including Erv Hill and his wife. He worked for Dennis Nolan and was a noted (Ford) mechanic. Harold Seaurow and his wife (who came from Grand Valley) later bought and moved into this house. Harold was a car salesman and a partner with Wink Crake for a while. He then went with Jim (Catania) and Brad Walker. The 1½-storey ‘bungalow’ has an asymmetrical façade and a rectilinear plan. A broad, medium-pitched, gabled hip roof extends down to reduce the scale of the building. The slightly-raised porch is entered from the front. The roof, horizontal siding, and a wide band of windows across the front of the porch emphasize the horizontal lines and massing of the style. There are wide window openings with low floor to ceiling heights. Multiple, double-hung windows are set into wide segmented, arched openings with 1/1 panes, lug sills of precast concrete, and brick voussoirs at the arches. The smaller, second-storey windows are offset from the ground floor windows. They are set into a gable and dormers and have plain, wood sills and trim. A bay window projects out from the south wall and has no foundation. The house has wood frame construction with masonry cladding, vinyl siding and a painted, concrete foundation. The original siding would have been wood. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. It also notes that the windows, shutters, and porch railing are not original. (1, 2, 3)
