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The former Anglican Church Manse is located at 81 Frederick St. (on the northeast corner of Church and Frederick Streets). The structure was built around 1880 in the Eclectic Neoclassical style. The two-storey, rectangular building has a medium-pitched, hip roof. The line at the front façade suggesting that the building originally had a full-width, front porch is another Regency Revival feature. The symmetrical window openings (with high floor to ceiling heights), a centre hall plan, and a wide entrance with sidelights and a transom are neoclassical features. Dichromatic brickwork at the quoins and window labels, as well as the ‘droopy’ label stops at the windows are Gothic Revival features. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the existing porch and entrance motif are unsympathetic with the original design. It also notes that, unlike the originals, the replacement windows have no muntins. (1, 2, 3)

The William Curry House is a mid-block building located at 73 Holland St. West. It was built in the Gothic Revival style around the 1890’s. Bill Curry, a carpenter, and his wife and children (Harvey and Jessie) moved here from the 14th Line, West Gwillimbury. Members of the Curry family have lived in this house for many decades.
The two-storey, ‘L’-shaped building has large window openings, high floor to ceiling heights, and a medium-pitched, gable roof. The shutters (but probably not the colour) may be original. A wrap-around entrance porch is original and has Regency overtones. Although the windows and doors have been replaced, the original wood, lug sills remain. The building has brick veneer on wood frame construction. Window awnings and attic vents are twentieth-century alterations. The soffit infill, if original, has an altered eaves detail. According to the 2000 inventory, the building is surrounded by a well-maintained, landscaped yard. (1, 2, 3)

The mid-block building located on the south side at 48 James St. was built in 1840-60 in the Ontario Vernacular style. The one-storey cottage was once the home of Mrs. Peterman.
It has a rectilinear plan, a medium-pitched, gable roof and an asymmetrical façade. There is no porch addition. The glazed entrance door has a transom above and a more recent awning addition. All the original windows have been replaced, but the plain, wood, lug sills and trim remain. The shutters are not original. Wood frame construction is covered by vinyl siding. The structure probably had wood cove siding originally. There is a parged, stone foundation. According to the 2000 inventory, this building is very old. (1, 3)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

The house located mid-block at 28 John St. East was built in the Edwardian Classicism style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). This structure was the home of Stewart and Ina McKenzie (editors of the Bradford Witness newspaper) in the 1930-60’s.
The rectangular, two-storey building with a centre hall plan has simple details and a hipped, ‘Pedlar’ metal roof (made by Oshawa Roofing). The original porch was significantly altered after the move from Amsterdam. The simple form and composition of the house was then highlighted with a large, classically-inspired porch that has a pediment-type, porch roof addition. A space between the brick pedestals at the porch has been infilled and the original half columns have been replaced by glazing and infill framing. The house has large window openings and the windows are metal replacements. Shutters on the second-floor are not original. The smooth, brick veneer on the wood frame construction was also added after the house was moved from Amsterdam. There is a parged, block foundation. According to the 2000 inventory, the building is well-maintained l. (1, 2, 3)

The Tindall House is located at 7 John St. East (on the northeast corner of John and Barrie Streets). It was built by Isaac Coburn around 1910-20 in the Dutch Colonial Revival style. The house was built for Reuben Tindall (an implement dealer), his wife, and daughter Ida Evelyn (a school teacher). Dr. S. Hecking bought the property after WWII. He moved here from the northeast corner of Barrie and Holland Streets. His office was also in this structure. Its address was 47 Barrie Street. The building was eventually sold (in 1994) to Giuseppe (Joe) Campagnola. He has leased the doctor’s office since then and still owns the building in 2014.
The 1½-storey, two-bay house has a simple form with an asymmetrical façade and a rectilinear plan. The building has a steeply-pitched, gambrel roof with a gambrel-roofed dormer. The one-storey wings (reminiscent of the Classical Revival style) are reinterpreted here more modestly as entrance porches. There is an off-centre, hall entrance from an enclosed, front entrance porch. The raised porch has a shallow hip roof and is entered from the front. It has frame construction and is clad and finished as part of the main portion of the house (rather than a separate, attached structure). There are wide window openings with low floor to ceiling heights. The double window and door are set into rectangular frames of plain wood. The ground-floor and basement windows and the front door are set into segmented, arched openings with concrete sills. Second-storey dormer windows and a bay window are centred within the gambrel form and are offset from the ground-floor openings. This creates a more informal composition common to twentieth-century buildings. The original, multi-paned windows have plain, wood sills and trim. Front, ground-floor and second-floor windows are not original. The roof material appears to be a siding on the steep, roof slope. A wood fascia band, expressing the line of the floor structure between the foundation and ground floors, is common to this style. The house has wood frame construction, vinyl siding, and a textured, concrete-block foundation. The original siding was wood. According to the 2000 inventory, the building is in excellent condition with many well-maintained, original features. (1, 2, 3)

The house located mid-block at 34 John St. East was built in the Ontario Vernacular style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). McClary (a high school teacher) once lived here. Bert and Margaret Hunt raised their children (Phyllis, Art, Oscar, George and Lorna) here. Bob Veale, a WWI veteran and banker, lived here after WWII until his death.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hipped ‘Pedlar’ metal roof. An enclosed, entrance porch with a shallow, gable roof was added after the house was moved to Bradford. It is raised slightly above grade and has a single door and windows on three sides. The house has small window openings and double-hung windows (not original) with plain, wood trim and sills. Wood frame construction is covered with horizontal metal siding and there is a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the house likely had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original (1, 2, 3)

The house located at 49 John St. East (on the northwest corner of Nelson and John Streets) was built around 1860-1880 in the Gothic Revival style. There was once a large garden on the east side and a small drainage ditch north of the laneway. Dave Ogilvie and his wife May (McKinstry) purchased this house around 1920. Dave had a livery stable, a jitney, and a taxi service. He also carried mail between the (railroad?) station, the Post Office and Bond Head. The taxi and jitney went to Newmarket to meet York Radial street cars. The Ogilvie family moved across the street and the building later became a boarding house that was run by Mr. and Mrs. Jones. It eventually became the home of the Morton family (retired farmers from the Scotch Settlement). At the time of this photo (1995), it was the home of Everett and Marie McVety.
The two-storey, rectangular building has a medium-pitched, gable roof and large window openings with high floor to ceiling heights. There are 2/2 wood, sash windows that have plain, wood lug sills and wood trim. The ground-floor front window is original. It is possible that the wooden shutters may also be original. There is a Regency-like, wide, front porch. The original porch columns have been replaced with simple, square, wooden ones. This structure has vinyl siding on wood frame construction and there is a stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the simple house is well-maintained and has much of its original character.
(1, 2, 3)

The mid-block building located at 65 John St. East was built pre-1900 in the Gothic Revival style. It was the home of Miss Hayes and her two sisters many years ago. They were known for lending money, especially to John Rob and family. The first Dutch family to move to Bradford (in 1925), the Hayes worked on the marsh and owned a greenhouse on Back Street. After the sisters died, the west lot was sold to Vic Turner in 1948.
The 1½-storey, four-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall and a medium-pitched, gable roof. The single-door entrance is raised slightly above grade level, the steps are not original, and there may have been a verandah originally. Large window openings contain replacement, ground-floor windows. Upper-floor, 2/2 sash windows with plain, wood trim may be original. Wood frame construction is clad with vinyl siding and the building has a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, this modest house has probably not changed significantly since it was built. (1, 2, 3)

The mid-block building located at 89 John St. East is set well back from street. It was built around 1860-1880’s in the Ontario Vernacular Cottage style. John Edwin (or Harry) Cerswell, a retired gentleman, lived here at one time before selling the house. Dave Mundy and Walter moved here from their farm on the 10th line. Dave worked for Holland River Gardens and Walter worked for the Spence Lumber Co. Walter built a garage at the back of the house. When Dave died the house was sold. Years later, a small house was built along the back fence to provide housing for marsh workers. Joe McMillan and his daughter rented it, as did Dick Roberts and Wilma. Lorne Campbell and his wife also lived here after World War II. It was later demolished.
The one-storey, three-bay cottage seen in this photo from 1995 has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, gable roof. There is a simple entrance with a single door set into a rectangular opening. It opens directly into the house from slightly above grade level. No porch or weather protection shelters the entrance. The house has small windows with low floor to ceiling heights. There are double-hung windows on either side of the entrance. The 2/2 windows appear to be original. Windows are set into simple, rectangular openings with plain, wood frames and sills. The building has wood frame construction, vinyl siding, a stone-rubble foundation, and a basement with window openings. Originally, the siding was wood. A one-storey addition at the side of house is not original and it has different foundation material. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)