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Summary of a second interview with Bill and Mae Fuller on November 25, 1991. They are interviewed by Joe Saint. The interview largely discusses their lives and memories. See the Related Descriptions below for the audio.

Summary of an interview with Elizabeth Gillham. The date of the interview is unknown and the interviewer is Joe Saint. They discuss their memories of Bradford and King Township and the McClure family history. See the Related Descriptions below for audio.

Summary of an interview with Herbie Hughes in 1994 . The interviewer is Irene Moriarty. Anne Coffey and Joe Saint are also present. Herbie discusses his memories of the area, including from his childhood and from being a local politician. See the Related Descriptions below for the audio.

Summary of an interview with Mike and Dorothy McKinstry. The interviewer is not introduced, but it is believed to be Joe Saint. Mike and Dorothy discuss people who lived in the Holland Marsh and Bradford areas, histories of the houses, professions of the home owners, business owners in Bradford and anecdotal stories. See the Related Descriptions below for audio.

An interview with Mr. Harold Taylor discussing the Holland Marsh, specifically Professor Day farming lettuce and the building of the Marsh.

The mid-block building located at 37 Holland St. East was built in the Gothic Revival style in the 1880-1890’s. Originally, the left side on the ground floor contained an office occupied by grain buyers. It had a front door and a small window. The remainder of the building was used as living quarters for several families over the years, including Art Hand (a painter and decorator) and his wife (Sawyer), and later their son Orville and his wife Helen (Noble). It was eventually sold to Mr. Glass, a merchant.
The 1½-storey house has an ‘L’-shaped plan with a centre hall. It also has an asymmetrical façade, an off-centre front gable at the façade projection, and a medium-pitched, gable roof. There is a raised, open porch. The existing roof, supports, and railing are not original. Its wide door opening suggests that the original had a transom and sidelights. The door itself is not original. There are small windows with high floor to ceiling heights. Wide windows set into rectangular openings in the projecting bay are not original and the variation in the brick suggests that the original openings were partially bricked in. The windows in the receding bay are set into segmented, arch openings with brick voussoirs and concrete, lug sills. None of the existing windows are original. The building has wood frame construction with brick cladding and a textured, concrete foundation. According to the 2000 inventory, there are few original details remaining in the building. (1, 2, 3)

The house located at 113 John St. East (on the southeast corner of John and Nelson Streets) was the last house on John Street East. This area was known as French Town at the time because of the French families living there who had come to Bradford to work at the sawmill and planing mills. Fred Stoddart’s pasture fields were over what is now called Colborne Street.
The small, one-storey, square-frame house with a cement cellar was built by Dan Collings in the 1940’s. He used materials from the barns behind his house in the construction. Dan eventually moved to Holland Street. He died in his 97th year. The house was sold to Couvert during World War II. Later it was owned by Len Fuller, his wife, and sons (George and Leonard). (1, 2, 4)

The mid-block building located at 19 John St. West was built pre-1900 in the Ontario Vernacular style. Frank Adamson, who ran a gas station, lived in this house after World War II. It later became the home of Henry Bell and Phyllis for a short time.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a shallow-pitched, gable roof. It has a kitchen at the rear and a simple porch at the front. Wood frame construction has brick veneer cladding which is not original. The structure has a parged, stone foundation. According to the 2000 inventory, apart from the modest form, little of the original building is apparent. It notes that the (replacement) entrance canopy, windows, and cladding successfully hide clues regarding the structure beneath. (1, 2, 3)