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Alex Sutherland’s bakeshop was located at 27 Simcoe Road for many years. It was later sold to Howard Bowser. Howard converted it into a rental dwelling. The building was eventually owned by a market gardener who had a cement garage and storage building constructed by Len Saint on the property. Neil Lathangue and his wife lived here for a time years later. After they left, Tommy and Bill Whiteside moved in and remained here until they died. (1, 2)

The two-storey house located at 21 Simcoe Road was built by George Stoddart before World War I. Originally, it was clad in brick and there was a large barn at the rear across the full lot. There was also a 2’-square dumb waiter in the house. It was operated by a pulley system and used to move things from the basement to the upper floors. Mrs. Stoddart and her son (George) lived here for many years. Tom Bell retired from the Bank of Commerce in the 1930’s, and he and his wife and daughter (Dorothy) were next to live in this house. Dorothy lived here until her father died and she was too old to remain. (1, 2)

The building located mid-block at 123 Moore Street was built pre-1900 in the Gothic Revival style. It stood behind the grand, Italianate villa (The Convent) that was once located at 118 Barrie Street and was the home of the Lukes’ family. Originally, the structure was built to be a two-car garage to house Gibb Lukes’ vehicles (particularly his Stanley Steamer). The garage was eventually converted into a dwelling. At the time of this photo (1995), it was being used as the Bradford Food Bank.
The one-storey, three-bay cottage has an “L”-shaped plan with a side hall. There is an asymmetrical façade with a front gable above the façade projection and a medium-pitched, gable roof. The front wall below the gable is inset slightly to provide shelter for the front entrance. It is set into a simple, rectangular opening. Small windows that are not original have low floor to ceiling heights. They are set into rectangular openings with plain, wood frames and sills. The building has wood frame construction with stucco cladding and a parged, stone foundation. According to the 2000 inventory, this modest cottage has few original details other than the building’s form. (1, 2, 3)

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The house located at 95 Moore Street on the southeast corner of Moore and Letitia (later Frederick) Streets was built pre-1900 in the Ontario Vernacular Cottage style. George Ogilvie (a tailor) once lived here. A three-foot high, picket fence originally ran along the east side of Moore Street from this corner to Joseph Street.
The one-storey, three-bay cottage has a symmetrical façade, a rectangular plan, and a centre hall. A box hall was typical for this style. It also has a one-storey, rear addition. There is a shallow-pitched, gable roof on the main portion and a shed roof on the rear addition. The covered, front porch has a gable roof supported on brackets. A simple entrance is raised above grade level and it has a single door in a rectangular opening. There are small, single windows to the primary rooms on each side of the porch. The porch stairs are a recent addition and the double-hung windows are also not original. Windows are set into simple, rectangular openings and have plain, wood surrounds and sills. Wood frame construction is covered with insulbrick (asphalt) and aluminum siding. The original cladding was probably wood cove siding. There is a stone-rubble foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)

The mid-block building located at 94 Moore Street was built in the 1920’s in the Ontario Vernacular Cottage style. It was once the home of the Simpkin family. George Simpkin was a plumber and electrician. His brother Robert was a policeman. On the Collings’ map, the Simpkin gardens ran from Frederick St. to James St. (along the west side of Moore Street). In later years, Mr. Simpkin built a new home on his south garden lot (at James Street).
The one-storey, three-bay ‘cottage’ has a symmetrical façade, a rectilinear plan, and a shallow-pitched, hip roof. There is a centre, hall entrance from a prominent, covered front porch. The open, front porch is raised and has a gable roof with a decorative, wood pediment. Its roof is supported on wood half columns on brick piers at the back of the porch, and triple wood posts on brick piers at the front. The porch is raised and has a turned-wood handrail and baluster. There are narrow window openings and narrow windows with low floor to ceiling heights set into segmented, arched openings with concrete lug sills. The house has wood frame construction with brick masonry cladding and a parged, concrete foundation. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. It also notes that the windows, pre-cast concrete porch stairs, and rear, one-storey addition are not original. (1, 2, 3)

The John Cook House is located mid-block on the east side at 65 Moore Street. It is set well back and was built around 1880 in the Gothic Revival style. The building was owned by the Cook family for many years. Originally, a series of sheds ran along the south side of Joseph Street from Moore Street almost to the houses on Barrie Street. These sheds were owned by John (Jack) Cook. He ran the local livery business and he was also a seed merchant. Fred (the son of Jack) lived in this house after his father’s death. Fred was an insurance agent, town politician, school board member, and a lay minister. The Fred C. Cook Elementary School in Bradford is named after him.
The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is an elegant, shallow-pitched, hip roof at the porch. It has elaborately-carved, wooden brackets at the support posts. There are (replacement) sash windows with wide, wood trim and projected, wooden hood moulding above the windows. The entrance door has the original transom and sidelight. Wood frame construction is clad with stained board and batten siding and the house has a stone foundation. The original cladding was stucco. According to the 2000 inventory, the house has been maintained well and it is pleasingly renovated. It also notes that although the shutters are not original, they are a tasteful (and not inappropriate) addition. (1, 2, 3)

This one-storey, cove-sided house is located on a hill at 207 John St. West. It was built well and has been maintained well over the years. Originally, there were stables and a woodshed behind the house. It was once the home of the Robert Spence family. Daughters, Kay (a hairdresser) and Isabel, lived here. After Mr. Spence died, the house was sold. The family inherited, and then moved to Bertha Sinclair’s house on Holland Street. (1, 2)

This house is located at 187 John St. West (on the northwest corner of John and Toronto Streets). The 1½-storey, frame building was originally clad in stucco and it had a kitchen and rooms upstairs at the rear. There was also a garden and lawn at the back of the house. George Mapes and daughter Ella (wife of Jack Gapp), Curly Madian (?) and their daughters (Vivian and Margaret) lived here at one time. George was a retired farmer, dealer, and buyer. Years later, carpenter Joe LeBlanc and his family bought the house. He remodeled it and built a porch on the east side of the kitchen. Originally, there was a long barn (with a frame loft above) at the rear of the property. Joe’s daughter eventually had a nursing home built where the barn had stood. (1, 2)

This bungalow located at 157 John St. West originally had a woodshed on the east side. It was once owned by Bill Semenuk, until he and his family moved to Barrie. He was considered to be a good electrical, radio, and watch repairman. The house was also owned by Harold Iceton, who purchased it after his time serving in the military during WWII. Harold Iceton spent five years in various hospitals, including Sunnybrook where he contributed to the hospital paper, which helped fund the purchase of the home. Joe Leblanc completed most of the renovations after this purchase. Additionally, it is notable that the house was the main building of the Kirkpatrick estate, that encompassed the area west to Toronto street.