Mostrar 52 resultados

The mid-block building located on the west side at 60 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay cottage has a symmetrical façade, a square plan, and a centre hall. A box hall was typical for this style. It has a shallow-pitched, hip roof and small window openings with low floor to ceiling heights. The double-hung windows at the ground floor have plain, wood trim and sills. Some 2/2 windows appear to be original. The enclosed porch was added at a later date. It has a single door opening to one side. The house has wood frame construction with vinyl siding (probably wood originally) and a parged, stone foundation. There is a single, brick, masonry chimney at the centre of the house. According to the 2000 inventory, few existing building elements appear to be original (other than the form). It also notes that the cottage probably had few decorative details originally. (1, 3)

Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family.
The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)

The Thorpe House is located mid-block on the west side at 184 Barrie Street. It was built post-1900 in the Eclectic Edwardian style. Miss St. Clair lived in this house many years ago.
The two-storey, ‘L’-shaped building has a projecting, two-storey, angled bay with a wide, pediment-like gable. More Edwardian features include the classically-inspired entrance porch with a balcony above. The balcony is supported on slender Doric colonnettes set on brick piers. This porch appears to be a replacement. There are large windows and the principal windows have rectangular transom lights decorated with small squares of coloured glass. The gable window also has coloured glass inserts. A broad, hip roof, roof curb and wide eaves overhang are Italianate features. The house has brick masonry construction and a stone foundation. According to the 2000 inventory, metal siding conceals the original wood trim at the gable and soffit. It also notes that although the replacement porch columns, balcony railing, and the altered porch roof are not of the same proportions as the original design, the original character of the building is still maintained. (1, 3)

The single-family residence located mid-block on the west side at 146 Barrie St. was built around 1900 in the Eclectic Edwardian style. The two-storey, ‘L’-shaped building has a hip roof and a projecting, two-storey bay that includes a gable roof with bracket supports. There are Doric colonnettes on brick piers that support the porch roof and balcony. When first built, the second-floor balcony would have had a simple, wooden handrail similar to the one on the ground floor. Another Edwardian feature is found in the large windows (replacements) with a transom division at the principal windows. The variety of shingle textures and colours at the exposed gable is a Queen Anne feature. The hip roof and roof curb are Italianate features. The house has brick masonry construction, a stone foundation, and a painted wood porch and gable features. According to the 2000 inventory, the enclosed balcony above the porch and the aluminum soffits and trim are unsympathetic with the original design. (1, 3)

The Professor Day House is located at 162 Barrie St. (on the northwest corner of Barrie and Queen Streets). It was built in the early 1880’s in the Gothic Revival Cottage style. Stables were originally located in the rear yard. Mrs. Creighton, a daughter of Dr. Stevenson, once lived here. A granddaughter, Gretchen Dewhurst, was still living here in 1996.
The 1½-storey, three-bay cottage has a 1½-storey, rear ‘kitchen’ wing. It also has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof with a centre gable over the entrance. An open porch with a gable roof is supported on plain wood posts with an open railing. The house has large window openings with high floor to ceiling heights. There are large double-hung, multi-paned windows at the ground floor and smaller, double-hung windows at the second floor. Shallow, pediment-shaped trim is found over the ground floor windows as well as plain, wood trim on the sides with wood slip sills. There are shutters at the windows on the front façade. The house has wood frame construction with painted, stucco cladding and a stone-rubble foundation and cellar. A stone chimney and fireplace were added in the 1950’s by Reverend Creighton. According to the 2000 inventory, the house is in excellent condition with many original features (including doors and windows). It also notes that the changes that have been made to the house are in keeping with its original character. (1, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

A piece of plaster decorative moulding recovered during demolition of The Lukes House/The Convent in August 1994. This house had various owners throughout its history. Most notably, Reverend Egerton Ryerson, Samuel Lukes and the Ursuline Order of the Diocese of London (Catholic sisters).

A piece of plaster decorative moulding recovered during demolition of The Lukes House/The Convent in August 1994. This house had various owners throughout its history. Most notably, Reverend Egerton Ryerson, Samuel Lukes and the Ursuline Order of the Diocese of London (Catholic sisters).

"Whatever becomes of this grand old lady, her colourful history will not be soon forgotten.

When the Recreation Facilities Committee was formed consisting of Chairperson Ann Currie, Jim Culbert, Steve Boland, Ellen MacKenzey, Bill Germayne and Sharon Sinclair, Director of Parks and Recreation, one of their first commitments was to find the "ideal" location to house the new Recreation and Cultural Complex. After a considerable amount of investigative work and discussion by this Committee, the favorite choice was the old convent.

While the convent certainly fits the "centralized" location criteria, an added attraction is the history which surrounds this 112-year old structure.

In 1876, John MacLean Stevenson built this masterpiece (named Masonic Lodge) and lived in it a short 10 months before selling it to the Robert Bingham family. This family stay was a little longer (16 years) before it, once again, changed hands. In 1893, James Boddy became the proud owner and renamed the house "Fairview". He resided there until 1903 when the property was purchased by Rev. Egerton Ryerson Young (noted missionary and publisher) who again renamed the house this time she was labeled "Algonquin Lodge". Upon the death of Rev. Young in 1910, his family sold the house to Sam Lukes who ran the Bradford Flour Mill. Lukes pet name for the home was "Luxalean". The house stayed in the Lukes family until Gilbert Lukes sold it in 1949. At the time of this sale, the plot of land was divided in two; on the plot south of the house was built St. Mary's Catholic School. The house was occupied by a group of teaching nuns of the Ursuline Order of the Diocese of London in Ontario.

In 1969, John and Maria Moniz bought the stately mansion and turned it into an apartment house. Contrary to the zoning by-laws, Town Council closed their eyes and allowed this grand home to be a multiple family dwelling for 12 years.

From the moment John Moniz' sale was accepted by Fred Picavet's cash offer, which in turn, nullified the offer made by the Town's agent, the convent had been cloaked in a shroud of controversy.

No sooner had the new deed owners, Fred and Betty Lou Picavet begun the extensive renovation work to the upstairs wings, than Bradford town council issued a "stop work order" and filed a Lis Pendents with the County Courts in Barrie (Feb. 26, 1981). This order was subsequently honoured by the County Court Office which necessitated an immediate halt on the renovation work by Picavet. While workmanship was in "pending", taxes continued to be paid by the owner (Picavet).

It wasn't until 1987 when an out-of-court settlement was reached between Fred Picavet and the Town that the convent became the legal property of the town of Bradford.

While the "legal hagglings" were underway, the old convent sat empty for five consecutive winters. Pampering can oft times help to slow down the natural aging process. Unfortunately, pampering the convent during that turbulent time was not a top priority item; henceforth, the building was vandalized on a fairly regular basis.

For someone like Jim Culbert, "the furniture doctor", it was nothing less than a mortal sin that such a fine building should have been so readily accessible to vandals. At the time Jim, personally, approached Town Council and Pat Storey to see if the building could be boarded up to discourage further destruction. He was basically told that the Safety Standards Bylaw which was in place to deal with this situation was unable to be looked after due to the lack of a by-law enforcement officer.

Incensed by that line of reasoning, Jim decided to "go to bat" for the convent. Through public awareness and letters to various newspapers, the convent was eventually boarded up which helped to minimize the continued vandalism.

With the endorsement of the Master Plan Recreation Study and the Facilities Committee, to renovate a part of the convent for the new Recreation and Cultural Complex, Jim Culbert is, once again, appealing to the town's people to "get on board" with regard to bringing this matter to the forefront. The decision on the fate of the convent has "gone on far too long" in Culbert's opinion. "Let's get it resolved one way or the other, either tear it down or renovate it and make it into a beautiful piece of property."

As Jim recalls, "A year ago Town Council promised a public meeting to discuss the convent issue which was never carried out. Hopefully, the newly-elected Council will stick to their electoral views on this issue."

A building with such Italianate design is rare in today's society. By restoring it, a two-fold purpose will be served; firstly, it will provide a complex to house programs such as the arts, drama, brownies, cubs, moms and tots etc. Secondly, and ideally, a room in the old wing of the house will be set aside for a "museum" of sorts to provide past history on the convent and Bradford itself".

IF RESTORED, this spectacular mansion will serve as a memorial to the previous owners."

"Demolition of the old convent on Barrie Street was scheduled to begin this week. The site, north of Frederick Street, will be the home of a new multi-service facility. When it's done in March 1995, it will be 15,000 square feet in size and will accommodate a child-care facility for 150 children. Bill Bowden, property manager for the Barrie and District Association for People with Special Needs and project manager for the new building, indicated the old convent has been totally trashed and nothing remains of any salvageable value. And as yet, there's no official name. "The Common Roof was the local name for the group attempting to get this project under way. It sort of stuck, I doubt if that will be the final, official name of the building," he said. Bowden said the new structure will house a number of agencies providing child-care services such as a daycare, a nursery, PALS resource centre and a number of other social service agencies for the child and family in the Bradford area. The new building will cost in the neighbourhood of $1.5 million. Bowden said the centre will "service in the neighborhood of 150 children each day. Children will be coming and going. Some will be there all day. Some will be there only in the morning and some only in the afternoon." The demolition work marks the end of a lengthy process. The Bradford West Gwillimbury Local History Association is working with the architect for the new building to include part of the old convent building in the new structure.

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)