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The Dougald MacDonald House is located mid-block at 63 Frederick Street. The house was built pre-1900 (around 1882) in the Ontario Vernacular Cottage style. It was built by George (Geordy) MacDonald, a bachelor, stone mason, and contractor who emigrated from Scotland at the age of 27. He was responsible for building homes and schools in this community, as well as the first Presbyterian Church in Bradford that once stood on John Street. The one-storey, three-bay cottage has a square plan with a centre hall. A box hall was typical for this style. The house has a symmetrical façade and a simple, gable roof. The grade-level entrance has a single entrance door with a rectangular, glazed transom. The large, 8/8, double-hung windows have plain, wood trim and sills. The house has wood frame construction covered with aluminum siding. According to the 2000 inventory, the original siding was probably wood. It also notes that the building was largely obscured by trees and that it probably had few decorative details originally. A photo (and brief article about the renovations) in Century Home Magazine (April 2002, page 18) reveals that the two cedar trees in the front yard have been removed and that a porch has been added at the front of the house. (1, 2, 3, 5, Century Home Magazine)

The barn located on the east side of Essa St. (south of Frederick St.) belonged to the former Anglican Manse. The Manse was located at 81 Frederick St. (1, 2)

This mid-block building is located close to the street (on the south side) at 72 and 74 Holland St. East. It was built in the 1870’s (after the fire of 1871) in the Neoclassical Duplex style. According to historic maps, it may have been one of a pair of buildings built side by side on Holland Street.
The Prolbert family lived at 72 Holland St. East for many years. “Pentypool” worked for Bill Sutton and was a sign painter. The house at 74 Holland St. East was rented to a number of people, including Jim and Jane Armstrong (when they were first married). Later it was the home of Dan Collings, Mrs. Campbell, Neil and Dorothy. Dorothy was Dan’s housekeeper for many years. He built a horse stable and had a team. Barney Campbell drove the team on the marsh to and from sales.
The two-storey, four-bay, semi-detached house has a simple, rectangular form with a medium-pitched, saltbox roof. It has slightly-raised entrances that are located at either end of the façade. This placement gives greater privacy than paired entrances, but it places habitable rooms along the party wall. The doors are set into high, rectangular openings and are not original. A transom is still in place on the east entrance, but the transom has been closed in over the west door. There are large window openings with low floor to ceiling heights. Unlike in typical neoclassical buildings, the windows (not original) are not aligned. The large, front, ground-floor window in the east half has been partially filled. Windows are set into plain, rectangular openings with plain, wood frames and sills. Smaller, upper-storey windows are offset from the ground floor. The building has wood frame construction, vinyl siding (not original), a parged, stone foundation, and a basement. According to the 2000 inventory, few original details remain other than the building’s general form. (1, 2, 3)

The mid-block structure located at 83 Holland St. East was built in the Ontario Vernacular Cottage style. It was constructed pre-1900 on what was once the site of a pop manufacturing plant. According to local history, bottles were still being unearthed many years later. After the plant closed, the property became the site of a blacksmith shop run by Bill Cukens. The house seen in this photo originally had a back kitchen and wood shed at the rear, as well as a large, two-storey barn with loft above (for horse feed). It was the home of Bob McKinstry, his wife and children Michael (Mike), Maisil, and Dorothy. Bob was a huge man and a blacksmith for several lumber companies after the local mills folded. He was also a noted field lacrosse player on the team that won the championship in 1905 (1907?). Bob and his son both played lacrosse until their worn-out legs forced them to quit. In those days, lacrosse players worked ten-hour days at hard physical labour, played lacrosse for a couple of hours, and then ran the six miles to Bond Head to cool off. Mike was a bookkeeper who also worked for his father in the garage and blacksmith shop. Maisil became a nurse and Dorothy worked in a restaurant and stayed at home to look after her family.

The one-storey, three-bay ‘cottage’ has a rectangular plan with a centre hall, a symmetrical façade, and a shallow-pitched, gable roof. The enclosed porch has a hip roof and the entrance is raised above grade level. There is a simple entrance with a single door with windows on each side. The porch stairs are not original and the entire porch may be a later addition. There are double-hung windows at the ground floor. The 2/2 widows appear to be original and are set into simple, rectangular openings with plain, wood surrounds and sills. Exterior aluminum storm windows are a later addition. The building has wood frame construction with vinyl siding and a stone-rubble foundation. It had wood cove siding originally. According to the 2000 inventory, the building’s form is one of the few existing original building elements. It also notes that the modest cottage probably had few decorative details originally. (1, 2, 3)

The Queen’s Hotel (located at 22 Holland St. West) was built circa 1850. This photo (taken in the fall of 1995) shows the structure just before a major renovation. The hotel went “dry” during WWI. Bradford, like all of Ontario, was experiencing prohibition (even though Bradford had voted “wet”). The building originally had two storeys. A third floor and a flat roof were added later. It was heated with an old steam engine that had the undercarriage removed. The engine first burnt 4’ stacks of hardwood, then coal, and finally, oil. Eventually a new furnace was installed (most likely natural gas). The building was always warm and thought of as a home away from home.
Harry Lang, Celina and their children (Evelyn, George and Audrey) moved here from North Bay and bought the building in the 1920’s. They ran the Temperance House, and a board and dining service at this location. They had long-time help and boarders. Little John Cook ran a shop selling ice cream, chocolate bars, and smokes on the east side (down one step). A bus stop was added when bus service started. Len and Art Saint put a cement addition on the back of the building around 1938. At the rear, there was a chicken house, a roofed, open shed, and a laneway. Another shed ran south, and to the west was an ice house. There was open space to the north before the laneway and a barn for hay and horses. The barn had two stories and below there was a pig sty. North of the laneway there was another open shed, car storage, and a cooking kitchen on the back of the hotel (a little east of the back entrance). Jack Wilson worked for Harry Lang for many years. Mitch Hepburn brought in beer in 1934 and the building opened as the Queen’s Hotel. Businessmen had to chip in to buy a liquor license and Hepburn was the first supplier. Business was excellent and the hotel was really crowded. Before the arrival of the beer, the locals had used it as a place to play dominoes and checkers, and to conduct hunt camp and other organizations’ meetings. (1, 2, 4)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The mid-block building located on the north side at 57 Holland Street West was built in the Eclectic Edwardian style in 1900-1920. It has been the home of many people over the years, including Ken Sawdon (who later moved to Mt. Pleasant), Dr. R.H. Judge, and Steve and Margaret Molokach and son John (market gardeners across the tracks behind the Bradford Bureau Kiosk).
The two-storey, ‘L’-shaped building with a hipped roof has a simple, smooth, brick form with broad, extended eaves and large, symmetrically-placed, window openings. Large windows with stained glass in the transoms at the main floor windows are another Edwardian feature. The contrasts between the rusticated stone base, the smooth-brick surface above, and the textured wood shingles at the gable are Queen Anne features. The hipped roof with a top, curb cap is an Italianate feature. This building has brick, masonry construction and a rusticated-block foundation. According to the 2000 inventory, the single-storey entrance and the narrow shutters are modern additions. (1, 2, 3)

The house located mid-block at 119 Barrie St. was one of seven houses begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the projects were completed by builder Art Saint. This house was built in the Edwardian Classicism style. Hewey Douglas and his wife lived here many years ago. He had a hardware store on the north side of Holland Street (west of the bank).
The two-storey building has a simple, formal composition. The square form is topped by a bell- cast, hip roof. A hip roof on the large, classically-inspired entrance porch is supported by half columns on brick piers. Simple, double-hung windows are balanced within the façade. The side-bay projection (with wood siding) adds visual interest. The rest of the exterior is solid, smooth brick construction with simple details. According to the 2000 inventory, the house has been maintained well. (1, 2, 3)

The Bradford Town Hall is located at 61 Holland St. East. It survived the fire of 1871 that destroyed much of Bradford’s downtown. The building was being used as a schoolhouse in 1875 when a severe wind storm blew off the roof and killed a member of the Woods’ family. Reports disagree about the number of school children injured. Bricks were salvaged from damaged sections of the building and reused in the construction of a duplex at 31/33 Bingham Street. The building was a market place for farmers until the mid 1930’s. There was a commons at the rear for pasturing. It later became a playground. There were stalls and display tables for farm animals, chickens etc. Jim Nesbitt was one of the managers. Upstairs was a hall with a raised stage and raised steps at the front. Readings, lectures, visiting theatre groups, dances, minstrel shows and meetings with dignitaries were all held here. Buster Matthews had a casket-manufacturing business in the basement for a while. Charlie Heath held movies here. Later there was a badminton court.

The structure was overhauled after WWII. The ceiling was lowered, beautiful light fixtures were converted to hydro and refurbished, and the stage was removed. All records and centennial books were destroyed and it was turned into a court house. The west stairs were closed off and the raised steps removed. The building was originally heated by a large wood-burning furnace in the basement before it was converted to oil. It was originally lighted with manufactured gas and then hydro after 1916. The old chandeliers still remain. Bradford’s first police force was located in this building for several years. The town’s administrative business was also conducted from here. On the west side of the Town Hall there once was a three-bay fire hall. At the back there was a Recreation Hall with a kitchen and toilets for the volunteer firemen to use. It was rented by the Lions Club (who met here for a number of years). The firemen provided draws and suppers to raise money for new equipment (a lot of which they manufactured themselves). It was heated by natural gas and built by Irma (?) and the walls were thick enough for a second storey. There is a stone cairn with a plaque in memory of Professor W.H. Day on the east side of the sidewalk. The WWI veterans built a cairn where the fire hall was. A cannon and a plaque with the names of those who perished in Europe were also there.

The current, two-storey Town Hall was built in the 1830-1860’s in the Classic Revival style. It has a symmetrical façade with a simplified, temple form and a medium-pitched, ‘pediment’ gable roof with plain cornice and frieze supported on brackets. There is an enclosed, raised porch with a steeply-pitched, centre gable (reminiscent of Gothic Revival). It is set into a shed roof flanked by corbelled parapets at each side and a plain cornice and frieze supported on brackets. The entrance door, stairs, and railing are not original. The entrance opening had been modified, but the original dichromatic brick that highlighted the top of the original entrance opening is still visible on either side of the new opening. There are tall window openings with high floor to ceiling heights. The windows are set into segmented, arch openings ornamented with alternating voussoirs and ‘ears’ of dichromatic brick and stone (or concrete) lug sills. The centre window above the entrance is raised above the entrance gable and ties together the entrance projection and façade composition behind. Original windows were probably double-hung and multi-paned. The ground-floor windows have been blocked in, but their outline is still visible on the front façade. There is a horizontal, dichromatic brick string coursing. The structure has masonry construction with brick cladding (sandblasted) and a random, rubble-stone foundation. An original, open-frame cupola/bell tower with a steeply-pitched, bell-cast roof and chimneys were missing when the building was inventoried in 2000. At that time the building was considered to be in good condition. (1, 2, 3, 4)

The mid-block building located on the north side at 79 Holland St. East was built in the 1890’s in the Eclectic Neoclassical style. The house was built by Mr. Watson for Ed Coombs, his wife and children (Walter, Victor and Evelyn). Ed had moved into town from a farm (on the southwest side of Concession 6) during WWII. He was on the town council and became a reeve. He ran a coal and wood business for years. After Ed’s death, the business was taken over by his son Victor. There was a garage for cars, but Ed did not drive. He had a horse stable and loft above for a single horse that was used to haul one ton of coal. Walter worked all his life for Rogers Coal Co. in Toronto. He lived in the Walker House Hotel until it was demolished.
The two-storey, three-bay house has a symmetrical façade, a centre hall plan, and a medium- pitched, hip roof with a wide overhang. There are large window openings with high floor to ceiling dimensions. The house has arched window heads with stylized keystones and narrow, second-floor windows. It also has a unique, stylized masonry treatment complete with belt course, corner mouldings, and window surrounds. The two-storey, central-bay element was modified in the twentieth century. There is pressed-block construction with replacement siding at the central bay and a parged, block foundation. According to the 2000 inventory, the house has been maintained well. It also notes that the ‘modern’, central bay with aluminum siding and soffits is not sympathetic with the original design. (1, 2, 3)

The structure located at 18 Holland St. West is a unique, infill building. It was built in the Boomtown style around the 1890’s on a narrow lot that was originally a laneway the two adjacent buildings. It had a side entrance to the Queen’s Hotel so that teamsters and buggy patrons could get their drinks from the Queen’s after work. The owner of the building erected at this site only has the title to the ceilings, floors, and front and rear walls. The side walls belong to the neighbouring buildings. The one-storey storefront has a ‘false’ façade and a narrow, rectangular plan with an asymmetrical organization. An asymmetrical façade with a ‘boomtown’ front was common to small, rural, commercial buildings. The flat roof (built-up tar and gravel) with a high parapet was intended to make the façade appear more imposing and substantial. A recessed, grade-level entrance provides shelter for the doorway. The original entrance had a transom light over the door which was later covered with solid panelling. The entrance door is not original. A large, storefront, window bay dominates the façade at street level and maximizes the amount of area available to display merchandise. The window is not original. When the building was inventoried in 2000, a decorated parapet had a double band of brick corbelling near the top with two recessed panels of decorative brick below. The building had masonry construction with brick cladding and roof spans between the exterior side walls of the adjacent buildings. The panelling above the front window replaced the original signage panel. It noted that and the original brick would have been unpainted and that the building is in good condition.
Several businesses have been located here over the years, including a smoke shop run by Fred “Colly” Collings (and later, by Oswald Davey). Mr. Willoughby, a tailor, and his son Vincent moved to the area from Sutton. He worked for Al Hemock. Lorne Fines later took possession of the building and ran a jewellery shop here until he retired. Jack McKay, a veterinarian, then bought the structure and had his practice here. In more recent years, it became an ice cream parlour. (1, 2, 3)