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The house located mid-block at 116 Hurd St. was built pre-1890 in the Ontario Vernacular style. It was once the home of carpenter Arthur Moseley.
The two-storey, rectangular building has simple detailing. There is a centre hall, a single-storey rear addition and a medium-pitched, hip roof. It has medium-sized window openings. The 2/2 wood, sash windows have plain, wood lug sills and trim. Aluminum, storm windows and a door are more recent additions. Stucco covers the wood frame construction and there is a parged, stone foundation. The structure was probably clad in wood cove siding originally. According to the 2000 inventory, this house once had a verandah and a bay window on the left side. It also notes a lack of decoration or porch addition. (1, 3)

The house located at 138 Hurd St. (on the southeast corner of Hurd and Essa Streets) was built in the Ontario Vernacular Cottage style around 1860-90. It was the home of Howard Bowser many years ago. He worked for Dennis Nolan.
The one-storey, three-bay ‘cottage’ has a simple, square plan and a pointed, hip roof. It also has a symmetrical façade and there is a lack of decoration or a porch addition. The entrance door has a transom above. Narrow windows (replacements) have plain, wood lug sills and trim. This modest house has wood frame construction and a parged, stone foundation. The original stucco is now covered by wood cladding. According to the 2000 inventory, the building once had a small porch at the front entrance and a large verandah at the rear. (1, 3)

The former Anglican Church Manse is located at 81 Frederick St. (on the northeast corner of Church and Frederick Streets). The structure was built around 1880 in the Eclectic Neoclassical style. The two-storey, rectangular building has a medium-pitched, hip roof. The line at the front façade suggesting that the building originally had a full-width, front porch is another Regency Revival feature. The symmetrical window openings (with high floor to ceiling heights), a centre hall plan, and a wide entrance with sidelights and a transom are neoclassical features. Dichromatic brickwork at the quoins and window labels, as well as the ‘droopy’ label stops at the windows are Gothic Revival features. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the existing porch and entrance motif are unsympathetic with the original design. It also notes that, unlike the originals, the replacement windows have no muntins. (1, 2, 3)

The mid-block building located on the south side at 48 James St. was built in 1840-60 in the Ontario Vernacular style. The one-storey cottage was once the home of Mrs. Peterman.
It has a rectilinear plan, a medium-pitched, gable roof and an asymmetrical façade. There is no porch addition. The glazed entrance door has a transom above and a more recent awning addition. All the original windows have been replaced, but the plain, wood, lug sills and trim remain. The shutters are not original. Wood frame construction is covered by vinyl siding. The structure probably had wood cove siding originally. There is a parged, stone foundation. According to the 2000 inventory, this building is very old. (1, 3)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

The house located at 61 John St. East was built on what was originally the west lot of Miss Hayes’ property. It was built in 1949 by Vic Turner. He was a retired farmer from the Scotch Settlement. The structure became the home of Vic and his wife (Irene) in February, 1949. Vic sold fertilizer and worked for Holland River Gardens. The small, 1½-storey, frame house had a garage underneath on the east side of Nelson Street. (1, 2)

The two-storey house located at 56 Barrie St. was built around 1936. It was once the home of Dr. Sinclair. (1)

The mid-block building located on the west side at 60 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay cottage has a symmetrical façade, a square plan, and a centre hall. A box hall was typical for this style. It has a shallow-pitched, hip roof and small window openings with low floor to ceiling heights. The double-hung windows at the ground floor have plain, wood trim and sills. Some 2/2 windows appear to be original. The enclosed porch was added at a later date. It has a single door opening to one side. The house has wood frame construction with vinyl siding (probably wood originally) and a parged, stone foundation. There is a single, brick, masonry chimney at the centre of the house. According to the 2000 inventory, few existing building elements appear to be original (other than the form). It also notes that the cottage probably had few decorative details originally. (1, 3)

Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family.
The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)

The Thorpe House is located mid-block on the west side at 184 Barrie Street. It was built post-1900 in the Eclectic Edwardian style. Miss St. Clair lived in this house many years ago.
The two-storey, ‘L’-shaped building has a projecting, two-storey, angled bay with a wide, pediment-like gable. More Edwardian features include the classically-inspired entrance porch with a balcony above. The balcony is supported on slender Doric colonnettes set on brick piers. This porch appears to be a replacement. There are large windows and the principal windows have rectangular transom lights decorated with small squares of coloured glass. The gable window also has coloured glass inserts. A broad, hip roof, roof curb and wide eaves overhang are Italianate features. The house has brick masonry construction and a stone foundation. According to the 2000 inventory, metal siding conceals the original wood trim at the gable and soffit. It also notes that although the replacement porch columns, balcony railing, and the altered porch roof are not of the same proportions as the original design, the original character of the building is still maintained. (1, 3)