The mid-block building located on the south side at 48 James St. was built in 1840-60 in the Ontario Vernacular style. The one-storey cottage was once the home of Mrs. Peterman. It has a rectilinear plan, a medium-pitched, gable roof and an asymmetrical façade. There is no porch addition. The glazed entrance door has a transom above and a more recent awning addition. All the original windows have been replaced, but the plain, wood, lug sills and trim remain. The shutters are not original. Wood frame construction is covered by vinyl siding. The structure probably had wood cove siding originally. There is a parged, stone foundation. According to the 2000 inventory, this building is very old. (1, 3)
The house located at 61 John St. East was built on what was originally the west lot of Miss Hayes’ property. It was built in 1949 by Vic Turner. He was a retired farmer from the Scotch Settlement. The structure became the home of Vic and his wife (Irene) in February, 1949. Vic sold fertilizer and worked for Holland River Gardens. The small, 1½-storey, frame house had a garage underneath on the east side of Nelson Street. (1, 2)
The structure located at 98 John St. East was the home of the Collings family years ago. The large, two-storey, frame and stucco-clad house has a long shed at the back that was once used for automobile storage (and later as a utilities room). Before World War II, there was a small building used for repairs and a blacksmith shop located east of the house. Along the lane fence at the south end of the property was a large, one-storey building used for storing marsh hay. South of the main house was a cement sidewalk that led to Holland Street. There was a garden (and later, grass) on each side of the house. Originally, the family owned a horse stable located at 100 John St. East. Bill Peters and his wife were housekeepers for Ernie Collings Sr. when he lived here around 1907. Ernie owned marshland on the west side of the Holland River at the 10th Line. Years later the house was bought by James Armstrong and his wife Jane (Saint). Jim was a marsh hay worker and he owned land above the 10th Line on the west side of the river. Jim was an implement sales man on Holland Street (around the time of WWII) after marsh haying was finished. He also ran a garage at 11 Holland St East with Fred Gregory after Dennis Nolan closed his garage. Jim and Jane raised their daughters in this house. Daughter Shirley and her husband Bill Watson remained in the house after Jim and Jane died, but it was eventually sold. (1, 2)
The mid-block building located on the north side at 101 John St. East was built pre-1900 in the Gothic Revival Cottage style. Originally, there was a woodshed across the back. It was the home of Mrs. Leduc or Mrs. Paul Courier, a French descendant from the old lumber mills. She wove rugs and blankets and repaired clothing. After her death the house was rented. Howard Robson and his wife lived here with part of their family, namely, Alvin, Garret and Phyllis. The building then became the home of Henry Pringle and his wife Joan. He was a retired railroad section man and owner of a garage on Holland Street. It was still the home of Joan Pringle when this photo was taken in 1995. The 1½-storey, three-bay house has a rectangular plan, a centre hall, and a symmetrical façade. Its medium-pitched, gable roof has a centre gable over the entrance. The building has small windows with low floor to ceiling heights. There are double-hung windows in rectangular openings with plain, wood frames and sills. The entrance porch, its windows, screen door, and the metal awnings are not original. A brick chimney at the exterior wall is also a recent reconstruction. The building has wood frame construction, vinyl siding and a parged stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s basic form is camouflaged by the later additions. (1, 2, 3)
The first hydro substation in Bradford was located on Nelson St. (south of John St. East). It was built in 1916 (or 1918) by Tom and Len Saint on a small piece of property owned by the foundry on Holland Street. (1, 2) Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.
The building located at 27 John St. West (on the northeast corner of John and Moore Streets) was built around 1890 in the Gothic Revival style. It was the home of John Lee (a retired farmer from north of Bradford) for many years. After World War II, it was the home of Mildred Peelar and her family. Walter Mundy later lived here before the house was sold. The 1½-storey, ‘L’-shaped, main building has a medium-pitched, gable roof with a steeply-pitched, gable dormer. These are Gothic features. There are round-head, coloured transom lights over several ground-floor windows that are structurally supported above by arched, brick voussoirs. There is also a rectangular transom over the entrance door. Windows of various sizes (indicating post-1880 construction) have the original, wood lug sills. The structure has brick, masonry construction and a rusticated, stone foundation. According to the 2000 inventory, the replacement porch varies from the original design intent. (1, 2, 3)
This house was once located at 89 John St. West. It was probably built pre-Confederation and it was considered to be one the best examples of the Regency Cottage style of building in Bradford. The one-storey, stucco, square building had an addition at the rear that contained a couple of rooms. There also was a long wooden shed behind the house. Mr. Robinson lived here in early 1930’s. Later it became the home of Bill Hounsome and his wife, Lena, and son Allen. Sam Caen (?) and his wife Daisy and their sons lived here after World War II. In its final years this building was the home of the Everitt family. It was demolished on April 11, 2014 (Bradford Times, April 24, 2014). (1, 2)
This house is located on the south side at 96 John St. West. It was considered to be “new” when this photo was taken in 1995. Many years previously, this property was owned by Bill and Mae Fuller. (1, 2)
