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The John Cook House is located mid-block on the east side at 65 Moore Street. It is set well back and was built around 1880 in the Gothic Revival style. The building was owned by the Cook family for many years. Originally, a series of sheds ran along the south side of Joseph Street from Moore Street almost to the houses on Barrie Street. These sheds were owned by John (Jack) Cook. He ran the local livery business and he was also a seed merchant. Fred (the son of Jack) lived in this house after his father’s death. Fred was an insurance agent, town politician, school board member, and a lay minister. The Fred C. Cook Elementary School in Bradford is named after him.
The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is an elegant, shallow-pitched, hip roof at the porch. It has elaborately-carved, wooden brackets at the support posts. There are (replacement) sash windows with wide, wood trim and projected, wooden hood moulding above the windows. The entrance door has the original transom and sidelight. Wood frame construction is clad with stained board and batten siding and the house has a stone foundation. The original cladding was stucco. According to the 2000 inventory, the house has been maintained well and it is pleasingly renovated. It also notes that although the shutters are not original, they are a tasteful (and not inappropriate) addition. (1, 2, 3)

The mid-block building located at 51 Moore Street was built post-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay ’cottage’ has a rectangular plan and a medium-pitched, gable roof. It has a simple form with a symmetrical façade and a centre hall plan. There is a simple, gabled awning above the entrance door. The 2/2 wood, sash windows have plain, wood lug sills and trim. Metal storm windows, the door, and the shutters are later additions. The cornice return at the gable ends may be an original detail. Wood frame construction is covered with shiplap siding and the structure has a parged, stone foundation. A one-storey addition was built at a later time. According to the 2000 inventory, this modest dwelling has been maintained well. (1, 3)

The Thorpe House is located at 33 Joseph St. (on the northeast corner of Joseph and Moore Streets). It was built pre-1900 in the Ontario Vernacular style. The two-storey, two-bay house has a simple, rectangular plan, a side hall, and a medium-pitched, hip roof. A large addition has been added to the rear. The original, wood trim is still apparent around the replacement windows and door. Wood frame construction is clad with vinyl siding. The original cladding was shiplap siding. According to the 2000 inventory, the modern, metal awning over the entrance is not sympathetic with the remainder of the building. It also notes that this modest house probably had few decorative details originally and that few existing building elements (other than the building’s form) appear to be original. (1, 3)

The mid-block building located at 25 Joseph St. was built pre-1900 in the Ontario Vernacular style. The 1½-storey, three-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall. It has low and medium-pitched, gable roofs. The enclosed porch was probably open originally. There are discontinuous eaves line. The entrance is raised slightly above grade level and the steps are not original. Originally, there was probably only a single entrance door via a porch. An entrance door with metal awning may be a later modification. The building’s 2/2 sash windows with plain, wood trim may be original, but the metal awnings at the windows and the door are not. Wood frame construction is covered with vinyl siding. The original cladding was probably wood cove siding. This structure has a parged, stone foundation. According to the 2000 inventory, the modest house has had cosmetic, and some minor, organizational modifications over time. (1, 3)

The mid-block building located at 21 Joseph St. was built around 1880 in the Gothic Revival style. It is a 1½-storey, ‘L’-shaped building with a steeply-pitched, gable roof. The house has large window openings with high floor to ceiling heights and large replacement windows. It has wood frame construction and new, board and batten siding. The original cladding was stucco. According to the 2000 inventory, all early wood siding in Bradford was either cove or shiplap siding. This new siding is not historically accurate and it would have been painted a colour. A replacement porch, while generally in keeping with the original building style, does not reflect historically-accurate detailing and finishing. It also notes that little of the original building is visible except for the basic form. (1, 3)

The original Trinity Anglican Church (located at 60 Church Street) was built in 1851 and then destroyed by fire in 1900. Eight months later, the current structure (built in the Gothic Revival style) was opened for service under the Rev. Canon George Benjamin Morley.
The structure has a cruciform plan, 1½ storeys, and a steeply-pitched, gable roof with a steeple. The main entrance is through an enclosed narthex dominated by a large, gothic, arched opening. It has large, rectangular, double doors with a multi-foiled transom light above (not original). Shallow buttresses support the side walls and steeple. Three narrow, gothic, arched windows are set into wide, rectangular openings to light the nave. The windows are narrow with a vertical emphasis. There are concrete lintels and lug sills. The three-part, gothic, arched windows refer to the Trinity. The building has wood frame construction with brick cladding and a cut-stone foundation. According to the 2000 inventory, the church is in excellent condition with most of its original features.
In 2004, Trinity Anglican Church purchased the adjacent former Presbyterian Church building and land. The vacant building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 5, Trinity Anglican Church Bradford website)

The mid-block building located on the south side at 126 John St. West was built in the 1880’s in the Gothic Revival Cottage style. Originally, there was a back lane for Jim Woods' house and barn next to this house. Pratt lived here many years ago with his wife and two sons. Elgar Houghton bought this house around the time of World War II. He lived there for a time and then he had the house converted into four apartments which were rented. He later sold the building.
The 1½-storey, five-bay cottage has a rectangular plan with a centre hall, an asymmetrical façade with an off-centre gable over the entrance, and a medium-pitched, gable roof. There is a simple, rectangular entrance (at grade level) with windows to the primary rooms on each side. The existing roof over the entry is not original. Small windows at the ground and second floors are not original. They are set into segmented, arch openings with plain, wood frames and painted, stone lug sills. Brick, masonry construction is clad with stucco (not original) and the structure has a parged, stone foundation. According to the 2000 inventory, this modest house has few original details other than the building’s form. (1, 2, 3)

The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)

The mid-block building located on the north side at 111 John St. West was built around 1880 in the Neoclassical style. It was known locally as “The Edmanson Home”. Thomas Edmanson was an undertaker and a businessman who lived here for many years. The house became the home of Charles Soper and his wife Eva (Edmanson) and daughters Doris and Caroline before World War II.
The two-storey, rectangular building has a one-storey rear addition that was originally the summer kitchen. It also has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof. The original entrance probably had sidelights, a transom, and a roof with a steeper slope. It may also have been wider. The house has large window openings with high floor to ceiling dimensions and large, double-hung windows. Second-floor windows are slightly smaller than those at the ground floor (a local vernacular modification). The original windows would have been multi-paned. Wood frame construction has replacement exterior siding and there is a parged, stone foundation. The existing chimney is also a replacement. Chimneys originally located at the roof peak have been demolished. According to the 2000 inventory, the existing entrance, porch, and many windows and doors do not reflect the original design intent. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.