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This series of photographs depicts the demolition of the Van Voorst-Armstrong house on Line 6, next to Bradford Valley Nursing Home. Dave Chambers (of Bond Head) used some of the bricks from this site for an outdoor fireplace.
See related descriptions "No heritage designation for ca. 1850s home" for more information.

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 71 John St. East was built around 1900 in the Edwardian Classicism style. It was once the home of Sam Stein and his son and daughter. He was the owner of the Toronto Manufacturing Co. (maker of baby carriages and wicker furniture). His business was located on the northwest corner of Dissette St. until around 1929. After its end, the house was rented to a number of O.P.P. officers and their families, including Ivan Spence and Sam Irwin (a talented violin player). It was also the home of Joe Kanyo (a market gardener) and his family at one time. Leonard Saint built a large cement garage at the rear of the house. It had a basement for storing vegetables and a ground-level room for vehicles. The house was eventually sold and redesigned into rental apartments.
The large, 2½-storey house has a rectangular plan with a side hall, an asymmetrical façade and a simple, formal composition. It has a prominent, gable roof. The Classical roof form is expressed as a pediment with extended eaves and mixed with the Queen Anne texture of wood shingles. A raised, entrance portico with a flat roof and balustrade with access from the second- floor portico roof is set on a plain entablature ornamented with a band of dentils and set on double posts on brick piers. The single door is off-centre. There are large window openings with high floor to ceiling heights. Multi-paned, double-hung windows are reminiscent of the Queen Anne style. Ground and second-floor windows are set into segmented, arch openings with brick voussoirs and concrete, lug sills. The third-floor windows have wood entablature and plain, wood trim and sills. Wood frame construction is covered with smooth brick and wood-shingle cladding. There is a parged, stone foundation. The portico steps, foundation and balustrade, and entrance door are not original. According to the 2000 inventory, the house is in good condition. It also notes that the original form and many details are still intact. (1, 2, 3)

The mid-block structure located at 79 John St. East was built around 1860-1890’s in the Gothic Revival style. Originally, there was a shed and garage attached to the house at the rear and a vacant lot on the east side. This building was the home of Charles Aitcheson and his wife Carol for many years. He was a painter and decorator and he worked for Bill Sutton. Cyril Mestagh was the next owner of the house. He and his wife Jennie and their daughters (Vera and Gladys Irene) lived here. Cyril was a small, market gardener and a well-known grower. He hauled vegetables to the Toronto market. The house was sold when Cyril retired.
The 1½-storey structure has an ‘L’-shaped plan with a centre hall, a one-storey, rear, kitchen wing and a medium-pitched, gable roof. The asymmetrical façade has an off-centre, front gable above the façade projection. There is a raised, front porch with a shed roof set onto wood posts on brick. The steps, door, windows, and enclosing walls of the porch are not original. This building has small windows with high floor to ceiling heights. A wide, Regency-style, ground- floor window has a wide, centre opening flanked by narrow lights. It is set into a rectangular opening with a plain, wood frame and sill. An upper window is centred above the lower window in the projecting bay. It is also set into a rectangular opening with a plain, wood frame and sill. Only the 2/2 windows in the structure are original. The building has wood frame construction, vinyl siding (not original), and a parged, stone foundation. According to the 2000 inventory, some original details still remain. (1, 2, 3)

"Demolition of the old convent on Barrie Street was scheduled to begin this week. The site, north of Frederick Street, will be the home of a new multi-service facility. When it's done in March 1995, it will be 15,000 square feet in size and will accommodate a child-care facility for 150 children. Bill Bowden, property manager for the Barrie and District Association for People with Special Needs and project manager for the new building, indicated the old convent has been totally trashed and nothing remains of any salvageable value. And as yet, there's no official name. "The Common Roof was the local name for the group attempting to get this project under way. It sort of stuck, I doubt if that will be the final, official name of the building," he said. Bowden said the new structure will house a number of agencies providing child-care services such as a daycare, a nursery, PALS resource centre and a number of other social service agencies for the child and family in the Bradford area. The new building will cost in the neighbourhood of $1.5 million. Bowden said the centre will "service in the neighborhood of 150 children each day. Children will be coming and going. Some will be there all day. Some will be there only in the morning and some only in the afternoon." The demolition work marks the end of a lengthy process. The Bradford West Gwillimbury Local History Association is working with the architect for the new building to include part of the old convent building in the new structure.

The mid-block building located on the north side at 93 John Street East was built pre-1900 in the Gothic Revival Cottage style. A large horse stable and a barn for storing marsh hay once stood behind the house. A fence also ran across the length of the rear of the property. Brunnetto Caesar lived here with his wife Grace (Stamper). He worked on the marsh harvesting marsh hay and as a teamster. He later bought a tractor and did custom work (draining and breaking marshland). Bill Wilson and his wife bought the house after World War II. He worked on the railway and retired here. He had a large garden at the rear, as well as a barn. Bill eventually sold the house to Ferrara and moved away.
The 1½-storey, three-bay house has a rectangular plan with a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. The entrance porch does not appear to be original because the peak and eaves of the hip roof of the porch interfere with the ground and second-floor windows. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The house has wood frame construction, stucco cladding, and a parged, stone foundation. According to the 2000 inventory, the main-floor windows, screen door, and the two-storey addition at the rear are not original. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The structure located at 98 John St. East was the home of the Collings family years ago. The large, two-storey, frame and stucco-clad house has a long shed at the back that was once used for automobile storage (and later as a utilities room). Before World War II, there was a small building used for repairs and a blacksmith shop located east of the house. Along the lane fence at the south end of the property was a large, one-storey building used for storing marsh hay. South of the main house was a cement sidewalk that led to Holland Street. There was a garden (and later, grass) on each side of the house. Originally, the family owned a horse stable located at 100 John St. East.
Bill Peters and his wife were housekeepers for Ernie Collings Sr. when he lived here around 1907. Ernie owned marshland on the west side of the Holland River at the 10th Line. Years later the house was bought by James Armstrong and his wife Jane (Saint). Jim was a marsh hay worker and he owned land above the 10th Line on the west side of the river. Jim was an implement sales man on Holland Street (around the time of WWII) after marsh haying was finished. He also ran a garage at 11 Holland St East with Fred Gregory after Dennis Nolan closed his garage. Jim and Jane raised their daughters in this house. Daughter Shirley and her husband Bill Watson remained in the house after Jim and Jane died, but it was eventually sold. (1, 2)

This two-storey structure is located at 218 Simcoe Road. It is the fourth house on the west side (south of the “Y” in Simcoe Road). Robert Stewart, his wife, and family lived here many years ago. His son George, who married Ethel Waldruff, played lacrosse and was a painter and paper hanger for Billie Sutton. Robert owned 75 acres of land and worked as the town clerk for 25 years. He also farmed (and later rented) his land. Ed Cave and his wife (Ida) and daughter (Violet) moved to this area from Newton Robinson and eventually bought and worked a farm. He delivered milk and had a dairy in town. Ed was a staunch Orangeman who played King Billie riding his white horse at the 12th of July parade. There was a gravel pit on the property. He eventually sold his farm to Mike Sklencar, John Kulha, Steve Brinkos and John Kashmere. They divided the remaining land and sold the lots along Simcoe Road. The large house was converted into four apartments that were used as their living quarters while they each built a house. The structure was still being used as an apartment building in 1995. (1, 2)

Article features local news, such as the reflection of the life of the publisher, and Bradford's housing situation which is reflecting in the weekly editions of The Witness.

The mid-block building located at 89 John St. East is set well back from street. It was built around 1860-1880’s in the Ontario Vernacular Cottage style. John Edwin (or Harry) Cerswell, a retired gentleman, lived here at one time before selling the house. Dave Mundy and Walter moved here from their farm on the 10th line. Dave worked for Holland River Gardens and Walter worked for the Spence Lumber Co. Walter built a garage at the back of the house. When Dave died the house was sold. Years later, a small house was built along the back fence to provide housing for marsh workers. Joe McMillan and his daughter rented it, as did Dick Roberts and Wilma. Lorne Campbell and his wife also lived here after World War II. It was later demolished.
The one-storey, three-bay cottage seen in this photo from 1995 has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, gable roof. There is a simple entrance with a single door set into a rectangular opening. It opens directly into the house from slightly above grade level. No porch or weather protection shelters the entrance. The house has small windows with low floor to ceiling heights. There are double-hung windows on either side of the entrance. The 2/2 windows appear to be original. Windows are set into simple, rectangular openings with plain, wood frames and sills. The building has wood frame construction, vinyl siding, a stone-rubble foundation, and a basement with window openings. Originally, the siding was wood. A one-storey addition at the side of house is not original and it has different foundation material. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)