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The Professor Day House is located at 162 Barrie St. (on the northwest corner of Barrie and Queen Streets). It was built in the early 1880’s in the Gothic Revival Cottage style. Stables were originally located in the rear yard. Mrs. Creighton, a daughter of Dr. Stevenson, once lived here. A granddaughter, Gretchen Dewhurst, was still living here in 1996.
The 1½-storey, three-bay cottage has a 1½-storey, rear ‘kitchen’ wing. It also has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof with a centre gable over the entrance. An open porch with a gable roof is supported on plain wood posts with an open railing. The house has large window openings with high floor to ceiling heights. There are large double-hung, multi-paned windows at the ground floor and smaller, double-hung windows at the second floor. Shallow, pediment-shaped trim is found over the ground floor windows as well as plain, wood trim on the sides with wood slip sills. There are shutters at the windows on the front façade. The house has wood frame construction with painted, stucco cladding and a stone-rubble foundation and cellar. A stone chimney and fireplace were added in the 1950’s by Reverend Creighton. According to the 2000 inventory, the house is in excellent condition with many original features (including doors and windows). It also notes that the changes that have been made to the house are in keeping with its original character. (1, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The two-storey, wood frame house located on the west side at 196 Barrie St. was built more than one hundred years ago. The original farmhouse did not have the front addition (as seen in the photo) and it was clad with white stucco (not vinyl). This building was once the home of the Tupling family, including Ed (crate factory). At that time (1940’s), there was still a shed containing a cistern at the back. Years later it was the home of Bob Petrie (father of Ev).
The house was purchased by the Kulcsar family in 2001. During the various stages of the restoration, thick, stone foundation walls were discovered. These walls were reinforced with 1’-square timbers fastened together with wooden pegs and square-headed nails (likely produced by a local blacksmith). Segments of horsehair-plastered walls and cascading ceilings were also found. (1, Letter by S. Jacqueline Kulcsar)

The mid-block building located on the west side at 214 Barrie St. was built around 1880 in the Gothic Revival style. The 1½-storey, rectangular building has a medium-pitched, gable roof. There are large window openings with high floor to ceiling heights and a projecting bay window. Also noteworthy are the large, 4/4 double-hung windows. The house has dichromatic brick quoins, brick lintels and a gable decoration. There is a wide entrance with sidelights and a transom. The building has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the replacement porch (with a deep support beam, concrete floor slab and stylized bracket decoration) is an unconvincing substitute for the original. It also notes that the property has been maintained well. (1, 3)

The Stoddart House is located at 250 Barrie Street. It was built around 1870 in the Eclectic Neoclassical style. Some of the early settlers in the Bradford area were members of the Stoddard/Stoddart family. John Stoddard settled along the Bond Head Road in 1829. In later times, Major George W. Stoddart was the reeve of Bradford.
The two-storey building has a rectangular form and a centre hall plan. There is a symmetry in the large window openings (with high floor to ceiling heights). The double-hung windows with painted-wood lug sills are also neoclassical features. The medium-pitched, hip roof, wrap-around porch (with original turned wood post supports), and remaining wood brackets and decorative trim are Regency Revival features. A projecting, bay window at the ground-floor living (or dining) room is a Gothic Revival feature. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the metal screen door at the entrance is unsympathetic to the original design. It was also notes that the porch needed repair. (1, 3)

This building is located at 43 Centre Street. (1)

The original Trinity Anglican Church (located at 60 Church Street) was built in 1851 and then destroyed by fire in 1900. Eight months later, the current structure (built in the Gothic Revival style) was opened for service under the Rev. Canon George Benjamin Morley.
The structure has a cruciform plan, 1½ storeys, and a steeply-pitched, gable roof with a steeple. The main entrance is through an enclosed narthex dominated by a large, gothic, arched opening. It has large, rectangular, double doors with a multi-foiled transom light above (not original). Shallow buttresses support the side walls and steeple. Three narrow, gothic, arched windows are set into wide, rectangular openings to light the nave. The windows are narrow with a vertical emphasis. There are concrete lintels and lug sills. The three-part, gothic, arched windows refer to the Trinity. The building has wood frame construction with brick cladding and a cut-stone foundation. According to the 2000 inventory, the church is in excellent condition with most of its original features.
In 2004, Trinity Anglican Church purchased the adjacent former Presbyterian Church building and land. The vacant building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 5, Trinity Anglican Church Bradford website)

The building that is located at 67 Church St. (on the southeast corner of Church and James Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was moved to this site many years ago. The Robinson family once lived in this house. Mr. Robinson worked for Spence Lumber and he belonged to the Band. He had a daughter named Jean.
The one-storey, three-bay cottage has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, hip roof. The enclosed porch (added after the house was moved to this location) has a hip roof with a grade level entrance. It has a simple entrance with a single door opening to one side of the porch. Single windows to the primary rooms are found on each side of the porch. Double-hung, 2/2 windows appear to be original. The building has wood frame construction, wood shiplap siding, and a parged, stone foundation. There is a single, brick, masonry chimney at the exterior south wall. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. Existing James Street appears to be built at a higher level than this lot. This indicates that the house was moved here before the street was paved or town services were installed. (1, 3)

The building that is located at 67 Church St. (on the southeast corner of Church and James Streets) was built pre-1900 in the Ontario Vernacular Cottage style. It was moved to this site many years ago. The Robinson family once lived in this house. Mr. Robinson worked for Spence Lumber and he belonged to the Band. He had a daughter named Jean.
The one-storey, three-bay cottage has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, hip roof. The enclosed porch (added after the house was moved to this location) has a hip roof with a grade level entrance. It has a simple entrance with a single door opening to one side of the porch. Single windows to the primary rooms are found on each side of the porch. Double-hung, 2/2 windows appear to be original. The building has wood frame construction, wood shiplap siding, and a parged, stone foundation. There is a single, brick, masonry chimney at the exterior south wall. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It notes that other than the building’s form, few existing building elements appear to be original. Existing James Street appears to be built at a higher level than this lot. This indicates that the house was moved here before the street was paved or town services were installed. (1, 3)

The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)