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This photo (from 1995) shows the remains of the foundation wall of a large, natural-ice skating rink that was once located on the southeast corner of Moore (Lovers’ Lane) and 20 John St. West. The rink, built in 1910, was owned by Thompson Fisher. It was run by Fred McKay and Bethel Sawyer. The ice surface was also used as a curling rink. There were seats for spectators and the ticket office was on the east side. There was a men’s change room and hoses for watering the ice behind the rink (where snow was piled). A lunch room, ladies’ change room, and toilets were on the west side. Overhead was a viewing platform and an organ provided skating music. There was a very large water tank in front for fighting fires and making ice. The rink was well-patronized before the war and skating to band music was also very popular. The entrance fee was 15 or 25 cents. The curling surface was used by quite a number of older people. Horse shows were held here in the summer. The cleanup man was “Sank” Lowe. He wore a white uniform and used a two-wheeled barrel, broom, and shovel for picking up manure. Box lacrosse was also played here. The facility was demolished after the war and the property became a town parking lot. (1, 2)

The Neilly House is located mid-block on the north side at 51 John Street West. It was built around 1900 in the Eclectic Edwardian style. The structure was designed by the same architect who was responsible for designing Bradford’s Anglican Church. This house was built for jeweler Andy Neilly. His business was on Holland St. (across from the Queen’s Hotel). He was a good hunter and sportsman and belonged to the Neilly Rifle Club. The club members met at Eagle Hill on the 13th Line (at the canal on the end of Back and Bingham Streets). This building was later the home of Mac Tobias and his wife. They ran a clothing store on Holland St. (in the second building east of the Queen’s Hotel) before moving to Toronto after World War II. Dr. McMichael, a dentist, lived and had his office here until he moved to Barry’s Bay. Merle and Shirley Woodcock and their family eventually bought, repaired, and remodeled the house.
The two-storey, ‘L’-shaped building with gable roofs has a smooth, brick exterior. There is full height projection with a projected, gable roof above. A textured, wood-shake finish at the flared front gable and the elaborate trim and decoration at the gable window are also Edwardian features. The house has precast voussoirs above the semi-oval transom at the main front window and precast, lug sills. It has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the new front addition is unsympathetic with the original building. A new, cedar-shingle roof with copper valley flashing was also noted. It considers the building to be well-maintained. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)

The property located at 149 John St. West was once the site of a small, one-storey frame building with shiplap siding. It had a shed at the rear. Mr. Robinson lived here. He was crippled and played the violin on his knees. He particularly loved to play for his children. The house sat idle for many years after his death. After World War II, Al Dimock removed that original structure and built the house seen in this photo from 1995. Al lived there until he died. (1, 2)

This house is located on the south side at 156 John St. West. It was originally a garage built by Merle Woodcock on his property. The structure was on the laneway that went to Holland Street. This laneway was a popular spot for sleigh rides when the Moore family had creek property many years ago. (1, 2)

This bungalow located at 157 John St. West originally had a woodshed on the east side. It was once owned by Bill Semenuk, until he and his family moved to Barrie. He was considered to be a good electrical, radio, and watch repairman. The house was also owned by Harold Iceton, who purchased it after his time serving in the military during WWII. Harold Iceton spent five years in various hospitals, including Sunnybrook where he contributed to the hospital paper, which helped fund the purchase of the home. Joe Leblanc completed most of the renovations after this purchase. Additionally, it is notable that the house was the main building of the Kirkpatrick estate, that encompassed the area west to Toronto street.

The house located at 95 Moore Street on the southeast corner of Moore and Letitia (later Frederick) Streets was built pre-1900 in the Ontario Vernacular Cottage style. George Ogilvie (a tailor) once lived here. A three-foot high, picket fence originally ran along the east side of Moore Street from this corner to Joseph Street.
The one-storey, three-bay cottage has a symmetrical façade, a rectangular plan, and a centre hall. A box hall was typical for this style. It also has a one-storey, rear addition. There is a shallow-pitched, gable roof on the main portion and a shed roof on the rear addition. The covered, front porch has a gable roof supported on brackets. A simple entrance is raised above grade level and it has a single door in a rectangular opening. There are small, single windows to the primary rooms on each side of the porch. The porch stairs are a recent addition and the double-hung windows are also not original. Windows are set into simple, rectangular openings and have plain, wood surrounds and sills. Wood frame construction is covered with insulbrick (asphalt) and aluminum siding. The original cladding was probably wood cove siding. There is a stone-rubble foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 52 Simcoe Road was built post-1900 (1902?) in the Gothic Revival Cottage style. The house, which is larger than other older cottages of a similar style in Bradford, was built on property owned by Charles Adams. Originally, there was a garden to the west and a barn on the lane. Later residents of this house included Joe Brown (a retired farmer from the 10th line) and Jessie, who lived here until he died. Joe was a noted gardener who raised his granddaughter Margaret Turner. Paul Margetiak and his wife and son also lived here at one time. He was a gardener, too, and he built a garage on the property. Len Saint did the cement work and added a closed-in porch. Eventually the property was bought by Gary Swagerman. He lived in the house with his wife and family and eventually had the barn remodelled to become the site of a dry cleaner. The garden was paved and used as a parking lot for the business.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. The medium-pitched, gable roof has a centre gable over the entrance. There are single windows to the primary rooms on each side of the covered entrance porch. A raised, open porch has a hip roof supported on simple, wood columns set directly on the porch base/foundation. The porch has a simple, wood handrail and balusters. A single entrance door is set into a segmented, arched opening. Windows are set into segmented, arched openings with brick voussoirs and concrete lug sills. The windows and door are not original. A second-storey window set halfway into the centre gable is a reference to the Gothic Revival style. Locally-made bricks were placed by Tom Saint on the wood frame construction. According to the 2000 inventory, the house is in good condition. (1, 2, 3)

The mid-block building located at 61 Simcoe Road was built around 1850-1880 in the Classic Revival style. Emerson Glover and his wife and children (Betty, Wilma, Joe and Mary) moved to this house from Coulson’s Hill. He had Len Saint build a cement garage for the trucks he used in his general trucking business. There was a large garden at the back. Andy Simurda (a gardener) bought the house when the Glovers moved to Toronto. He also used the garage for his trucks and for vegetable storage. The garage was eventually demolished. In 1925, Billie Ward, his wife Evelyn, and children (Gwen and Connie) lived here. He worked for Spence Lumber Co. and was a master machinist as well as a clock maker. This structure later became the home of Gwen (Ward) Kilkenny for many years.
The 1½-storey, two-bay house has a rectangular, simplified, ‘temple’ plan with an off-centre entrance and a medium-pitched, gable roof. The pediment roof shape is facing the front and there is a central chimney. A hip roof on the grade-level, entrance-porch verandah is supported on wood half-posts on a solid, wood railing. The roof supports are not original. A door set into a plain, rectangular opening is also not original. There are small window openings with low floor to ceiling heights. A single, ground-floor window and the smaller, upper-floor windows are set into plain, rectangular openings. They are not original. The small, upper-floor windows are offset from the ground-floor openings. The house has 4” poured-in-place, concrete construction with vertical, metal siding. It was originally clad in stucco. According to the 2000 inventory, there are no original details remaining other than the building’s form. (1, 2, 3)