Showing 124 results

The Thorpe House is located at 33 Joseph St. (on the northeast corner of Joseph and Moore Streets). It was built pre-1900 in the Ontario Vernacular style. The two-storey, two-bay house has a simple, rectangular plan, a side hall, and a medium-pitched, hip roof. A large addition has been added to the rear. The original, wood trim is still apparent around the replacement windows and door. Wood frame construction is clad with vinyl siding. The original cladding was shiplap siding. According to the 2000 inventory, the modern, metal awning over the entrance is not sympathetic with the remainder of the building. It also notes that this modest house probably had few decorative details originally and that few existing building elements (other than the building’s form) appear to be original. (1, 3)

The house located mid-block at 34 John St. East was built in the Ontario Vernacular style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). McClary (a high school teacher) once lived here. Bert and Margaret Hunt raised their children (Phyllis, Art, Oscar, George and Lorna) here. Bob Veale, a WWI veteran and banker, lived here after WWII until his death.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hipped ‘Pedlar’ metal roof. An enclosed, entrance porch with a shallow, gable roof was added after the house was moved to Bradford. It is raised slightly above grade and has a single door and windows on three sides. The house has small window openings and double-hung windows (not original) with plain, wood trim and sills. Wood frame construction is covered with horizontal metal siding and there is a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the house likely had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original (1, 2, 3)

The mid-block building located at 37 Holland St. East was built in the Gothic Revival style in the 1880-1890’s. Originally, the left side on the ground floor contained an office occupied by grain buyers. It had a front door and a small window. The remainder of the building was used as living quarters for several families over the years, including Art Hand (a painter and decorator) and his wife (Sawyer), and later their son Orville and his wife Helen (Noble). It was eventually sold to Mr. Glass, a merchant.
The 1½-storey house has an ‘L’-shaped plan with a centre hall. It also has an asymmetrical façade, an off-centre front gable at the façade projection, and a medium-pitched, gable roof. There is a raised, open porch. The existing roof, supports, and railing are not original. Its wide door opening suggests that the original had a transom and sidelights. The door itself is not original. There are small windows with high floor to ceiling heights. Wide windows set into rectangular openings in the projecting bay are not original and the variation in the brick suggests that the original openings were partially bricked in. The windows in the receding bay are set into segmented, arch openings with brick voussoirs and concrete, lug sills. None of the existing windows are original. The building has wood frame construction with brick cladding and a textured, concrete foundation. According to the 2000 inventory, there are few original details remaining in the building. (1, 2, 3)

The Thompson Fisher House is located at 37 Queen St. (on the northeast corner of Queen and Rebecca Streets). It was built around 1880 in the Eclectic Neoclassical style. It belonged to J.C. Wood in the 1950’s. He was the principal at the original, adjacent Bradford High School.
The two-storey, rectangular building has a symmetrical façade and a centre hall plan (Neoclassical features). A medium-pitched, hip roof with a wide overhang and a full-width, awning roof at the porch are Regency Revival features. The house has large window openings with high floor to ceiling heights. Ground-floor windows and the entrance door have transom lights. The arched shutters may be original. Decorative details at the porch columns, a busy verge board, and paired, soffit brackets (over new metal soffits) appear to be twentieth-century additions. The house has solid brick construction as well as the original wood banister, doors, and 12” baseboards. According to the 2000 inventory, the decorative trim is excessive and without precedent in the community. It also notes that while some degree of eclecticism is not out of place, the total effect on this well-maintained building is unconvincing. (1, 3, 5)

The structure located at 38 Holland St. West (on the southwest corner of Holland and Drury Streets) was built around 1900 in the Ontario Vernacular style. B.B. “Ben” Collings lived upstairs with his wife (a Waldruff), and children Bernice, Kathleen and Norman. Both daughters became school teachers and Norman (“Dodger”) was a professional hockey player who helped his father and later took over the business. Ben’s workshop was also located here and there was a horse stable at the rear of the property many years ago. The back end of the building was destroyed by fire in the 1920’s. Ben Collings was involved in several businesses. He was also known as an organizer and sports manager. At one time this building was the site of the Collings’ mattress factory. Ben also cut marsh hay and hauled it down the river on a scow. Sometimes the hay was stacked for winter baling. The horses wore four wooden boots and wouldn’t get off the scow until they were applied. Ben was a furniture maker and an undertaker. His first experience as an undertaker was with the body of his own father. He bought Jack Spence’s fishing business (including nets, reels, pulleys, ropes and the fish shanty at the mouth of the river on the east side opposite the 8th Line). His largest catch of fish was five tons of carp. He fished in the spring and fall and put nets under the ice in winter. Carp was caught (when in season) and had to be kept alive for the Jewish market. He employed about eight men all year round. Later he had old cars cut down to make tractors. Ben and another man broke (worked?) Col. Bar’s marsh land at the north end of Federal Farms Rd. (Bathurst Street). The Newmarket Canal started and died on this property.
The two-storey, commercial ‘row’ building has second floor offices (or living space), a wide, rectangular plan with symmetrical organization, and a flat, built-up, tar and gravel roof. The ‘Main Street’ frontage with a typical, storefront façade is located at the street line. The Drury Street façade on the north portion of the building (fronting Holland Street) has a more informal façade with openings placed as required to suit the building’s requirements. The Drury Street building has a plain, symmetrical façade and is dominated by a wide, segmented, arch entrance raised slightly above the sidewalk. A loading door to the rear portion of the Holland Street building has a segmented, arch opening and a concrete sill raised above street level. The existing doors and windows are not original. There are several window openings with segmented, arch openings and concrete lug sills. Several basement windows (all topped with segmented arches) have been fully, or partially, blocked in. This suggests that the building was built before the existing road or town services were installed. The building has masonry construction, brick cladding, and a parged, stone foundation. According to the 2000 inventory, this modest, commercial building is in good condition with some original details. (1, 2, 3)

The house located at 39 Drury St. (at the southeast corner of Drury and Thomas Streets) was built pre-1900 in the Ontario Vernacular Cottage style. Bob (“Red”) Armstrong, a bachelor, once lived here. Jim Webb eventually bought the property and rented the structure to Victor Hunter (a carpenter) and his family. Frank Park (a handyman) kept his horse in the small barn on the property. Charles Hounsome (a railway section man) also lived here at one time. Lloyd Houston (a butcher) and his wife Jean lived here after the wars.
The one-storey, three-bay cottage has a shallow-pitched, gable roof, a symmetrical façade, and a rectangular plan with a centre hall. A box hall was typical for this style. The simple entrance has a single door set into a rectangular opening. It opens directly into the house from grade level and there is no porch (or weather protection) to shelter the entrance. The windows have low floor to ceiling heights. There are double-hung, 2/2 windows on either side of the entrance that appear to be original. They are set into simple, rectangular openings with plain, wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was wood. The house has a parged, stone foundation. There is a single, brick masonry chimney at the centre of house. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It also notes that the concrete block chimney on the exterior south wall is a later addition. (1, 2, 3)

The Dr. Clement House is located at 41 Simcoe Road (on the southeast corner of Simcoe Road and Centre Street). It was built around 1830-1860 (1840’s?) in the Classic Revival style. Dr. Clement lived and died here after practising in the 1870-80’s. He was buried in Clement Cemetery on the 2nd Line in Innisfil (east of Highway 11). His wife Rachel lived here until her death. The house was then rented to Walton, a railroad man for the C.N.R. The barn and garden behind the building ran to William St. (as did all the properties on the east side). Sam Catania and his wife Sarah lived here in later years. They converted the house into two apartments and had a dry cleaning business in the garage that was eventually destroyed by fire. Sam sold the house to Bruce and Barbara Verney. They were still living here when this photo was taken in 1995. Bruce was a chiropractor. A building used as a dry cleaner was constructed later on the property. Jack Pong (a restaurant owner on Holland St.) built a house on the back of this property that extended to Centre Street.
The street level has apparently been raised considerably around this house as the current 1½-storey, two-bay house was originally 2½ storeys. It has an asymmetrical façade and entrance, a simplified ‘temple’ form, and a medium-pitched, gable roof. The pediment roof shape has return eaves facing the front. A hip roof on the raised entrance portico is supported on wood beams with decorative, wood dentils. The corner columns have wooden ‘flutes’ and are mounted on brick pedestals. A wood-panelled door is flanked by narrow sidelights and is topped by a transom light. The house has small window openings with low floor to ceiling heights. Small, upper-floor windows are set into rectangular openings with plain, wood frames and sills. A ground-floor, bay window is an angled projection with a hip roof. The brick masonry foundation appears to be a replacement. A horizontal belt line at the top of the foundation is expressed with wood trim. The structure has wood frame construction with stucco cladding and a cut-stone foundation. Bricks found at the bay window foundation and at the entrance porch are probably not original. According to the 2000 inventory, the house is in good condition with many original details. (1, 2, 3, 4)

The William Campbell House is located mid-block on the north side at 43 John Street East. It was built around 1880 in the Gothic Revival style. This structure was once the home of William H. Campbell Sr. (a grain merchant) and his wife Bessie (Sutherland). His son Lewis was a doctor, and William L. (Billie) was a druggist. His daughter (Elizabeth/Libby) was born close to the day of the great fire of 1871 (Libby was born 15 May 1871 while the fire began on 25 May). She never married, though she took over her father's business after his death and remained in this house until her own. Dr. S. Hecking and his family purchased the house in the 1950’s and had it remodeled. He had one son (Stephen Jr.) and one daughter. As of 1995, Doctor Hecking was retired, training horses, and still riding occasionally.
The 1½-storey, ‘L’-shaped main building has a one-storey, rear addition. It also has a medium-pitched, gable roof with tall chimney stacks. An elaborately-carved bargeboard and brackets support the wrap-around porch. The wide entrance has sidelights and a transom. There are large window openings, high floor to ceiling heights, and large windows (4/4 sash windows at the ground floor). The structure has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, additions, replacement doors and the second-floor windows on the well-maintained house stray from the original design intent. (1, 2, 3, 5)

The mid-block building located at 43 and 45 Drury St. was built in the Neoclassical Duplex style in the 1860-1880’s. Leonard Saint bought the building in 1909 from Mrs. Garrett (mother of E. Garrett who owned the Bradford Witness newspaper). Len was in the building trade and he was a brick layer, a plasterer, and a cement worker in Bradford. In 1911, he moved the building twenty feet back from the street, raised it, and put in a cellar as well as a parged, stone foundation. He also added two rear kitchens. There was a garage on the back lot facing Elizabeth Street. The south side of the house was rented to various people. The building stayed in the Saint family until the 1980’s.
The two-storey, four-bay, semi-detached house has a simple form with separated, side-hall entrances in the formal, symmetrical façade. It has a shallow-pitched, gable roof and gable end chimneys. The upper portion of the original, wood-panelled doors is glazed and has multiple lights at the top. This is reminiscent of the transom found in a more ‘’upscale” home of this period. There are large window openings with high floor to ceiling heights. Large, 6/6 wood sash windows at the ground floor are original. The upper-floor window openings align with the ground-floor openings and the windows have plain wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was stucco on wood lath. According to the 2000 inventory, this building is a modest example of workers’ housing. It also notes that it is in good condition with some original details remaining. (1, 2, 3)

The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)