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The house located mid-block on the west side at 226 Barrie St. was built around 1880 in the Gothic Revival style. It is a 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights. The house has a medium-pitched, gable roof, an asymmetrical plan, and a wrap-around porch. Original 2/2 wood, sash windows with wood lug sills have modern aluminum storm windows. The large, ground-floor window is a replacement. There is elaborately-carved bargeboard trim at the front gable and brackets at the porch. The house has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the balcony handrail, replacement doors and windows, and the garage addition are unsympathetic with the original design. (1, 3)

This mid-block structure is located at 23 and 25 John St. East. It was built around 1830-1860 in the Neoclassical Duplex style. Lewis Algeo, one of the first Irish settlers in West Gwillimbury and a retired farmer, once lived in the west side of the building. T. S. Graham lived in the east side in the early 1900’s. James Glynn lived here around 1916. He left it to James Nolan, son of Denis and Catherine Nolan (reeve of West Gwillimbury), his wife Clare(a piano teacher), and their son, Dennis. The east side was also once the home of Miss Dora Noble, a nurse at the new hospital in Newmarket. She lived here with her retired father (James Noble) until he passed away.
The two-storey, six-bay, semi-detached structure has a rectangular plan with a side hall entrance. It has a two-storey, ‘L’-shaped, rear extension and a medium-pitched, gable roof with chimneys set into each gable end. The formal, symmetrical façade has a series of openings arranged equally across the front. It has paired, entrance doors with side halls along the common, party wall. The raised entrances are set close to the street with side stairs and railings that are not original. Each door has a high transom light set into a plain, rectangular opening. There are large window openings with high floor to ceiling heights. Equal-sized ground and second-floor windows with high sills are set into rectangular openings with plain, wood frames and lug sills. The windows are not original. Wood frame construction is covered with vinyl siding and the building has a cut-stone foundation with a basement. Originally, the cladding was stucco. According to the 2000 inventory, few original details remain other than the building’s form. It also notes that the chimney is not original. An aggressive fire damaged much of the structure on April 6, 2015. Several residents were left homeless as a result of the fire (Bradford Times, April 7, 2015). The structure has since been demolished. (1, 2, 3)

The mid-block building located at 23 Church St. was built pre-1900 in the Neoclassical style. The two-storey, five-bay structure has a rectangular, centre-hall plan and a medium-pitched, gable roof. There are chimneys at either end of the gable. The openings are symmetrically located, but the size, configuration, and material of the windows have been altered from the original. A Regency-like porch has been completely infilled. Originally, it would have been open and supported by simple wood columns. The house has wood frame construction with vinyl siding. The original siding was probably wood. According to the 2000 inventory, alterations to the front façade are unsympathetic with the original building. It also notes that few existing building elements appear to be original other than the building’s base form. (1, 3)

The mid-block building located at 23 John St. West was built pre-1900 in the Ontario Vernacular Cottage style. It was the home of retired farmer Walter King (during and after the war) until his death.
The one-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a gable roof. It had a kitchen at the rear originally. There are single windows (with low floor to ceiling heights) to the primary rooms on each side of the porch at the front. The wood trim is original, but the windows and the door are replacements. Metal supports for the porch roof are not original, but the roof itself may be authentic. The house has wood frame construction with vinyl siding. The original wood siding is probably still under the newer cladding. According to the 2000 inventory, few existing building elements appear to be original other than the building’s form. It also notes that this modest cottage probably had few decorative details originally. (1, 2, 3)

This house is located at 232 Barrie St. (on the southwest corner of Barrie and Fletcher Streets). It was built around 1890 in the Eclectic Gothic Revival style. The two-storey, ‘L’-shaped building has a medium-pitched, gable roof and large, symmetrically-placed openings. The basic form is a Gothic Revival feature. The front corner porch with slender Doric columns and a decorative front pediment is a Classic Revival feature. There are coloured-glass transom lights above the main-floor, end gable windows. The structure has loadbearing, brick masonry construction and a parged, stone foundation. According to the 2000 inventory, the replacement doors and aluminum storm windows, as well as the porch floor, foundation and railing are unsympathetic with the original design. (1, 3)

This mid-block building located at 24 Queen St. was built pre-1880 in the Gothic Revival style. The one-storey cottage has an ‘L’-shaped plan with a centre hall. It has an asymmetrical façade, a medium-pitched, gable roof and off-centre gables at the front and side façades. A covered, open porch extends beyond the façade projection to shelter the entrance at street level. It has a shallow, hip roof supported on narrow, wood posts with decorative gingerbread brackets and a plain, wood railing. The centre entrance is set into a simple, rectangular opening. Narrow, double-hung windows with low floor to ceiling heights are set into rectangular openings with plain, wood frames and sills. There is an angular, bay-window projection on the north side that has a truncated, hip roof. The 2/2 windows are original. Decorative, painted, wood half-timbers are found on the exterior walls (at both the front and side gables) and the centre, brick chimney is original. Wood frame construction has stucco cladding and there is a parged, stone foundation. According to the 2000 inventory, the concealed foundation indicates that the house was built prior to the construction of the existing street and town services. It also notes that the house is in good condition with many original details. (1, 3)

The mid-block building located at 25 Joseph St. was built pre-1900 in the Ontario Vernacular style. The 1½-storey, three-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall. It has low and medium-pitched, gable roofs. The enclosed porch was probably open originally. There are discontinuous eaves line. The entrance is raised slightly above grade level and the steps are not original. Originally, there was probably only a single entrance door via a porch. An entrance door with metal awning may be a later modification. The building’s 2/2 sash windows with plain, wood trim may be original, but the metal awnings at the windows and the door are not. Wood frame construction is covered with vinyl siding. The original cladding was probably wood cove siding. This structure has a parged, stone foundation. According to the 2000 inventory, the modest house has had cosmetic, and some minor, organizational modifications over time. (1, 3)

The Stoddart House is located at 250 Barrie Street. It was built around 1870 in the Eclectic Neoclassical style. Some of the early settlers in the Bradford area were members of the Stoddard/Stoddart family. John Stoddard settled along the Bond Head Road in 1829. In later times, Major George W. Stoddart was the reeve of Bradford.
The two-storey building has a rectangular form and a centre hall plan. There is a symmetry in the large window openings (with high floor to ceiling heights). The double-hung windows with painted-wood lug sills are also neoclassical features. The medium-pitched, hip roof, wrap-around porch (with original turned wood post supports), and remaining wood brackets and decorative trim are Regency Revival features. A projecting, bay window at the ground-floor living (or dining) room is a Gothic Revival feature. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the metal screen door at the entrance is unsympathetic to the original design. It was also notes that the porch needed repair. (1, 3)

The building located at 27 John St. West (on the northeast corner of John and Moore Streets) was built around 1890 in the Gothic Revival style. It was the home of John Lee (a retired farmer from north of Bradford) for many years. After World War II, it was the home of Mildred Peelar and her family. Walter Mundy later lived here before the house was sold.
The 1½-storey, ‘L’-shaped, main building has a medium-pitched, gable roof with a steeply-pitched, gable dormer. These are Gothic features. There are round-head, coloured transom lights over several ground-floor windows that are structurally supported above by arched, brick voussoirs. There is also a rectangular transom over the entrance door. Windows of various sizes (indicating post-1880 construction) have the original, wood lug sills. The structure has brick, masonry construction and a rusticated, stone foundation. According to the 2000 inventory, the replacement porch varies from the original design intent. (1, 2, 3)

The house located mid-block at 28 John St. East was built in the Edwardian Classicism style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). This structure was the home of Stewart and Ina McKenzie (editors of the Bradford Witness newspaper) in the 1930-60’s.
The rectangular, two-storey building with a centre hall plan has simple details and a hipped, ‘Pedlar’ metal roof (made by Oshawa Roofing). The original porch was significantly altered after the move from Amsterdam. The simple form and composition of the house was then highlighted with a large, classically-inspired porch that has a pediment-type, porch roof addition. A space between the brick pedestals at the porch has been infilled and the original half columns have been replaced by glazing and infill framing. The house has large window openings and the windows are metal replacements. Shutters on the second-floor are not original. The smooth, brick veneer on the wood frame construction was also added after the house was moved from Amsterdam. There is a parged, block foundation. According to the 2000 inventory, the building is well-maintained l. (1, 2, 3)