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The mid-block building located on the south side at 48 James St. was built in 1840-60 in the Ontario Vernacular style. The one-storey cottage was once the home of Mrs. Peterman.
It has a rectilinear plan, a medium-pitched, gable roof and an asymmetrical façade. There is no porch addition. The glazed entrance door has a transom above and a more recent awning addition. All the original windows have been replaced, but the plain, wood, lug sills and trim remain. The shutters are not original. Wood frame construction is covered by vinyl siding. The structure probably had wood cove siding originally. There is a parged, stone foundation. According to the 2000 inventory, this building is very old. (1, 3)

The Broughton House is a mid-block building located at 67 James Street. It was built pre-1900 in the Neoclassical Duplex style. This structure was the home of the Post Master (H.S. Broughton) many years ago.
The two-storey, rectangular building has a simple form with a shallow-pitched, gable roof and a centre hall plan. It has a four-bay organization. This is similar to typical, duplex arrangements with an even number of bays. The paired front doors (with transom above) are original. They are half glazed with decorative panelling below. Originally, the building had a wide, front verandah with a shed roof. The broad entrance has been remodelled and is now non-functional. First-floor windows were originally in the same pattern as those on the second floor. Metal siding and shutters conceal alterations to the original building. The original construction was probably wood frame with wood cove siding. There is a parged, stone foundation and a cellar. Originally, chimneys were placed symmetrically at each end of the gable roof. According to the 2000 inventory, other than the building’s basic form, few original features remain. (1, 3)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

The Old Presbyterian Manse is located at 129 James St. (on the northeast corner of James and Essa Streets). It was built around 1875 in the Neoclassical style. It was being used as a manse at the turn of the century and has since been converted into duplex units.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan and a medium-pitched, gable roof. It has large window openings, high floor to ceiling heights, and large, 6/6, double-hung windows. The original entrance probably had sidelights and a transom. There appears to have been a broad verandah at the front entrance and identical chimneys at both ends of the gable roof at one time. The building has sculptured, curvilinear, soffit brackets, solid brick construction (Flemish bond), and an exposed, stone foundation. According to the 2000 inventory, the existing entrance and many windows and doors do not reflect the original design intent. It also notes that the existing duplex unit arrangement suggests major interior modifications. (1, 3)

The mid-block building located at 147 and 149 James St. was built pre-1900 in the Ontario Vernacular style. The 1½-storey duplex has a medium-pitched, gable roof, a simple form, and a central entrance. An existing projecting, (enclosed) entrance porch is not original. The entrance doors may have had an awning roof projection at one time. There is a lack of decoration. The aluminum (replacement) windows may have been enlarged. Wood frame construction has vinyl siding and there is a parged, block foundation. According to the 2000 inventory, this modest building displays few historical features beyond the basic form. (1, 3)

Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family.
The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)

The mid-block building located on the north side at 15 John Street East was built around 1890 in the Eclectic Neoclassical style. It was the home of Miss Arnold, a well-respected member of the community, during WWI. Dick Saint had part of the house before and during WWII. The building is currently (in 2014) owned by Giuseppe (Joe) Campagnola. It has been his family’s home since the mid 1950’s.
The two-storey, rectangular building has symmetrical openings and a centre hall plan. A medium-pitched, hip roof with a curbed deck above is a Regency Revival feature. It is reminiscent of construction before a belvedere or cupola is added and it accentuates the horizontal roof-line. The upper-floor windows are narrower than the lower ones (neoclassical features). This suggests late nineteenth-century construction. The full-width, front verandah is another Regency Revival feature. Elaborately-carved, wood brackets and turned wood posts at the verandah are original. The typical low porch railing and wood newels at the stair railing are more Gothic Revival features. This building has rusticated, loadbearing, cement-block construction and a cement-block foundation. These blocks were made by William Turner during WWI. The block pattern is considered to be interesting. According to the 2000 inventory, this unique house has been well-maintained and many original features remain. It also notes that the ground-floor replacement windows with sliders, screen door, and window A/C unit are unsympathetic with the original design. (1, 2, 3)

The Morton House is located mid-block on the south side at 18 John St. East (between Barrie and Nelson Streets). There is a common laneway adjacent to the lot on the south side. The house was built around the 1860-80’s in the Gothic Revival Cottage style. It was the home of Miss Morton, an Anglican Church Sunday School teacher. George Morton, who was born in Holland Landing, served overseas in WWI. When the second Bradford Post Office was built in 1935-36, he became the Post Master and held that position until he died.
The 1½-storey, three-bay cottage has a two-storey, rear wing that originally contained a two-storey stable and loft above. It was attached to the bake shop’s stable. There was also a large verandah on the laneway side. The garden on the east side of the house eventually became the location of a house built by Emery Belfry.
The 2000 inventory noted that the house has a modified rectangular plan and a centre entrance hall. There is a medium-pitched, gable roof with a centre gable over the entrance and a symmetrical façade. The existing porch and second-floor balcony railing replace the original verandah. The original half sidelights (with lower wood panelling) and transom at the entrance door still remain. The house has narrow window openings. Ground-floor windows are double-hung with 2/2 panes and round-arched, decorated, wood trim. A bay window on the west side (at the ground floor) has a shallow, hip roof set on a plain, wood cornice. The second-floor windows and sliding door are not original. There is a single, exterior chimney on the west side. The house has wood frame construction with painted, stucco cladding. The inventory also notes that some original details are overshadowed by the newer porch addition. (1, 2, 3)

This mid-block structure is located at 23 and 25 John St. East. It was built around 1830-1860 in the Neoclassical Duplex style. Lewis Algeo, one of the first Irish settlers in West Gwillimbury and a retired farmer, once lived in the west side of the building. T. S. Graham lived in the east side in the early 1900’s. James Glynn lived here around 1916. He left it to James Nolan, son of Denis and Catherine Nolan (reeve of West Gwillimbury), his wife Clare(a piano teacher), and their son, Dennis. The east side was also once the home of Miss Dora Noble, a nurse at the new hospital in Newmarket. She lived here with her retired father (James Noble) until he passed away.
The two-storey, six-bay, semi-detached structure has a rectangular plan with a side hall entrance. It has a two-storey, ‘L’-shaped, rear extension and a medium-pitched, gable roof with chimneys set into each gable end. The formal, symmetrical façade has a series of openings arranged equally across the front. It has paired, entrance doors with side halls along the common, party wall. The raised entrances are set close to the street with side stairs and railings that are not original. Each door has a high transom light set into a plain, rectangular opening. There are large window openings with high floor to ceiling heights. Equal-sized ground and second-floor windows with high sills are set into rectangular openings with plain, wood frames and lug sills. The windows are not original. Wood frame construction is covered with vinyl siding and the building has a cut-stone foundation with a basement. Originally, the cladding was stucco. According to the 2000 inventory, few original details remain other than the building’s form. It also notes that the chimney is not original. An aggressive fire damaged much of the structure on April 6, 2015. Several residents were left homeless as a result of the fire (Bradford Times, April 7, 2015). The structure has since been demolished. (1, 2, 3)

The house located mid-block at 28 John St. East was built in the Edwardian Classicism style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). This structure was the home of Stewart and Ina McKenzie (editors of the Bradford Witness newspaper) in the 1930-60’s.
The rectangular, two-storey building with a centre hall plan has simple details and a hipped, ‘Pedlar’ metal roof (made by Oshawa Roofing). The original porch was significantly altered after the move from Amsterdam. The simple form and composition of the house was then highlighted with a large, classically-inspired porch that has a pediment-type, porch roof addition. A space between the brick pedestals at the porch has been infilled and the original half columns have been replaced by glazing and infill framing. The house has large window openings and the windows are metal replacements. Shutters on the second-floor are not original. The smooth, brick veneer on the wood frame construction was also added after the house was moved from Amsterdam. There is a parged, block foundation. According to the 2000 inventory, the building is well-maintained l. (1, 2, 3)