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"Police search for clues in death of popular couple

BOND HEAD - A family and a community are struggling to understand why Bill Burton would kill his wife and then himself. Police say Burton, a 44-year-old agricultural supply representative, shot his wife Heather, 43, to death on Monday before turning the gun on himself." ...

Description : Naunheimer, and to Zima, who donated approximately 1 acre of land to be added to the property, for lawn bowling, bocce ball and similar activities. Both Naunheimer and Zima received standing ovations.
There was also praise for Sylvia Luxton, who advocated for a seniors' leisure centre; for Steering Committee members who helped plan and organize; the new Bradford West Gwillimbury Seniors' Association; Bradford West Gwillimbury Parks & Recreation; and members of Council.
Luxton noted that in the 6 years since she had retired, "I have discovered that we have some of the most generous, hard-working volunteers."
Among the donation - a large screen television set from Shoppers Drug Mart, a Billiard table from Jamie Vins of Vins Plastics, an organ from the Newmarket Seniors Meeting Place, and 100 packs of playing cars, donated by Casino Rama.
The Scottish Evening, organized by Sandra Hudson on April 3rd, raised $1500 for the operations of the new Leisure Centre, which will be "run by seniors, for seniors."
"We have to take one step at a time. This place will grow and develop into the kind of place you want it to be," Luxton said. "You are the people who have built Bradford and put it together, and we felt you deserve it."
In addition to Mayor and Council, invited guests included MP Aileen Carroll, who described the sense of celebration that came with "accomplishing vision, accomplishing dreams but first you have to dare to dream," and MPP Joe Tascona.

First part of an interview with Tom Fuller & John Wist on October 29, 1996. George Jackson is the interviewer. The men discuss their families and memories of the area (specifically the Holland Marsh). See the Related Descriptions below for the summary.

Due to length, the audio is split into three parts (see related descriptions below for links).

Second part of an interview with Tom Fuller & John Wist on October 29, 1996. George Jackson is the interviewer. The men discuss their families and memories of the area (specifically the Holland Marsh). See the Related Descriptions below for the summary.

Due to length, the audio is split into three parts (see related descriptions below for links).

Transcript of George Jackson's interview with John West.

Second part of Gord Church's second interview on October 25, 1996. He and George Jackson discuss the Holland Marsh. See the Related Descriptions for summary.

Due to length, the audio is split into two parts (see related descriptions below for links).

First part of Gord Church's second interview on October 25, 1996. He and George Jackson discuss the Holland Marsh. See the Related Descriptions for summary.

Due to length, the audio is split into two parts (see related descriptions below for links).

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

Dr. Gilbert Blackwell’s House is located on the southwest corner of Barrie and Joseph Streets at 72 Barrie Street. His office faced Joseph Street. The structure was built in 1935 by builder Art Saint in the Arts and Crafts style.
The simple form has an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, bell-cast roof with a centre dormer extends down to reduce the scale of the building from the street. It also covers the original front porch (which has been enclosed). The structure has wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The original arched openings in the front porch have been infilled and new windows have been installed. Brackets support the cornice at the roof and there is a central, brick chimney. The house has wood frame construction, stucco cladding and a painted, concrete foundation. A mix of exterior cladding materials is common to this style. The windows, awnings, and the one-storey, rear addition are not original. According to the 2000 inventory, the house is in good condition with some original features. (1, 3)

The Gib Lukes House is located mid-block on the west side at 170 Barrie Street. It was built post-1900 in the Edwardian Classicism style. The garage at the rear where Gib Lukes parked his Stanley Steamer automobile is currently the building at 123 Moore Street being used as the Bradford Food Bank.
The two-storey, rectangular building has a strong, simplistic underlying form. It has a two-storey projecting bay, hip roofs and projecting dormers. There is a classically-inspired entrance portico with a balcony above. The porch roof is supported on Doric colonnettes on brick piers. A pediment form highlights the entrance. The roof line has a dormer and substantial chimneys. Decorative soffit brackets surround the main eaves and dormer eaves. The house has a variety of window sizes. The brick window arch has a subtle ‘eyebrow’ detail. Transoms are found at the bay windows. The house has brick masonry construction and painted wood cornice, porch, balcony and dormer details. There is a stone foundation. According to the 2000 inventory, the house is maintained well. (1, 3)