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The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The cement brick building (with an arch) that is located at 17 Barrie St. is not the original structure at this site. Originally, there was a large frame building (used to shelter horses, a stage coach, buggies, cutters, etc.) that was part of a livery stable owned by Dave Ogilvie many years ago. It was destroyed by fire shortly after Dave bought it and the building seen in the photo is a smaller replacement. Dave also ran a stage coach line (later a taxi service) to Newmarket to meet the Metropolitan street car. Travelling salesmen would use this stage line to bring their wares and samples to town. They would stay at the Queen’s Hotel, where they would take orders from customers. They then used the stage coach and livery to go to Middletown, Bond Head, Newton Robinson, Beeton, Cookstown, Fennell’s Corner and then back home. Dave also hauled mail from the train station to the local post office, as well as to Bond Head. When automobiles replaced horses, the stables were removed from the building and people rented storage there for their vehicles. In time, Dave added a small office, toilets and gas pumps. After he died, Gordon and Mac ran the business until it was sold to Fred Gregory. Fred ran a car repair shop and employed a mechanic. Fred had a rental apartment built upstairs. It had outside stairs to the laneway. When Fred got sick he rented the building to Ray O’Neil who later bought it. Ray sold the building to the European Bakery in 1994. (1, 2)

This building is located at 17 Centre Street. (1)

The Gib Lukes House is located mid-block on the west side at 170 Barrie Street. It was built post-1900 in the Edwardian Classicism style. The garage at the rear where Gib Lukes parked his Stanley Steamer automobile is currently the building at 123 Moore Street being used as the Bradford Food Bank.
The two-storey, rectangular building has a strong, simplistic underlying form. It has a two-storey projecting bay, hip roofs and projecting dormers. There is a classically-inspired entrance portico with a balcony above. The porch roof is supported on Doric colonnettes on brick piers. A pediment form highlights the entrance. The roof line has a dormer and substantial chimneys. Decorative soffit brackets surround the main eaves and dormer eaves. The house has a variety of window sizes. The brick window arch has a subtle ‘eyebrow’ detail. Transoms are found at the bay windows. The house has brick masonry construction and painted wood cornice, porch, balcony and dormer details. There is a stone foundation. According to the 2000 inventory, the house is maintained well. (1, 3)

The mid-block building located at 178 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay structure has a square plan and narrow window openings with low floor to ceiling heights. It also has a shallow-pitched, hip roof, a symmetrical façade, and a centre hall plan. A box hall was typical for this style. The raised entrance may have had a porch originally. The single door has a transom. Double-hung windows (not original) have plain, wood trim and sills. Wood frame construction is clad with vinyl siding. The original siding was probably wood. There is a stone foundation and a single, brick masonry chimney at the side of the house. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 3)

"The May Rally of the Barrie Presbyterian Women's Missionary Society held at the First Presbyterian Church, Collingwood, was attended by about 179 women. President Mrs. Forrest McKee, Collingwood, led using 'Let Your Light Shine' as her theme. The mediations were given by Mrs. Bernell McKay and Mrs. Mel Strachan of the the Central Oro group. Reports on the Synodical meetingg held at the Kingsway Church in Islington, were given. Mrs. R. H. McKee, Collingwood, gave ideas to everyone on how to create interest in their own congregations during her talk on Christian concerns. The ladies of the hosting church served a salad luncheon. Rev. Douglas Wilson of the First Presbyterian Church, took the afternoon session beginning with a communion service. Mrs.Stanley Bloss, area secretary of the Toronto-Kinston synodical, was the guest speaker. In her address, she pointed out that faith and truth make for a beautiful life; they wipe out all doubts. Tea and fruit breads were served at the close of the meeting."

The structure located at 18 Holland St. West is a unique, infill building. It was built in the Boomtown style around the 1890’s on a narrow lot that was originally a laneway the two adjacent buildings. It had a side entrance to the Queen’s Hotel so that teamsters and buggy patrons could get their drinks from the Queen’s after work. The owner of the building erected at this site only has the title to the ceilings, floors, and front and rear walls. The side walls belong to the neighbouring buildings. The one-storey storefront has a ‘false’ façade and a narrow, rectangular plan with an asymmetrical organization. An asymmetrical façade with a ‘boomtown’ front was common to small, rural, commercial buildings. The flat roof (built-up tar and gravel) with a high parapet was intended to make the façade appear more imposing and substantial. A recessed, grade-level entrance provides shelter for the doorway. The original entrance had a transom light over the door which was later covered with solid panelling. The entrance door is not original. A large, storefront, window bay dominates the façade at street level and maximizes the amount of area available to display merchandise. The window is not original. When the building was inventoried in 2000, a decorated parapet had a double band of brick corbelling near the top with two recessed panels of decorative brick below. The building had masonry construction with brick cladding and roof spans between the exterior side walls of the adjacent buildings. The panelling above the front window replaced the original signage panel. It noted that and the original brick would have been unpainted and that the building is in good condition.
Several businesses have been located here over the years, including a smoke shop run by Fred “Colly” Collings (and later, by Oswald Davey). Mr. Willoughby, a tailor, and his son Vincent moved to the area from Sutton. He worked for Al Hemock. Lorne Fines later took possession of the building and ran a jewellery shop here until he retired. Jack McKay, a veterinarian, then bought the structure and had his practice here. In more recent years, it became an ice cream parlour. (1, 2, 3)

The Morton House is located mid-block on the south side at 18 John St. East (between Barrie and Nelson Streets). There is a common laneway adjacent to the lot on the south side. The house was built around the 1860-80’s in the Gothic Revival Cottage style. It was the home of Miss Morton, an Anglican Church Sunday School teacher. George Morton, who was born in Holland Landing, served overseas in WWI. When the second Bradford Post Office was built in 1935-36, he became the Post Master and held that position until he died.
The 1½-storey, three-bay cottage has a two-storey, rear wing that originally contained a two-storey stable and loft above. It was attached to the bake shop’s stable. There was also a large verandah on the laneway side. The garden on the east side of the house eventually became the location of a house built by Emery Belfry.
The 2000 inventory noted that the house has a modified rectangular plan and a centre entrance hall. There is a medium-pitched, gable roof with a centre gable over the entrance and a symmetrical façade. The existing porch and second-floor balcony railing replace the original verandah. The original half sidelights (with lower wood panelling) and transom at the entrance door still remain. The house has narrow window openings. Ground-floor windows are double-hung with 2/2 panes and round-arched, decorated, wood trim. A bay window on the west side (at the ground floor) has a shallow, hip roof set on a plain, wood cornice. The second-floor windows and sliding door are not original. There is a single, exterior chimney on the west side. The house has wood frame construction with painted, stucco cladding. The inventory also notes that some original details are overshadowed by the newer porch addition. (1, 2, 3)

The Thorpe House is located mid-block on the west side at 184 Barrie Street. It was built post-1900 in the Eclectic Edwardian style. Miss St. Clair lived in this house many years ago.
The two-storey, ‘L’-shaped building has a projecting, two-storey, angled bay with a wide, pediment-like gable. More Edwardian features include the classically-inspired entrance porch with a balcony above. The balcony is supported on slender Doric colonnettes set on brick piers. This porch appears to be a replacement. There are large windows and the principal windows have rectangular transom lights decorated with small squares of coloured glass. The gable window also has coloured glass inserts. A broad, hip roof, roof curb and wide eaves overhang are Italianate features. The house has brick masonry construction and a stone foundation. According to the 2000 inventory, metal siding conceals the original wood trim at the gable and soffit. It also notes that although the replacement porch columns, balcony railing, and the altered porch roof are not of the same proportions as the original design, the original character of the building is still maintained. (1, 3)

The Turner House is located at 185 Holland Street West (on the northwest corner of Holland and Toronto Streets). It was built in the 1880’s in the Eclectic Gothic Revival style. The two-storey, ‘L’-shaped building has an asymmetrical façade. The gable roofs above the front façade projection and at the centre of the façade facing Toronto Street are Gothic Revival features. A medium-pitched, hipped main roof with curb detail and wide eaves are Italianate features. The entrance is from an enclosed, asymmetrical porch with a shallow-pitched roof. The porch may originally have been open. Double-hung windows (of various sizes) are set into rectangular openings with plain, wood frames and sills. Painted, wood half-timbers decorate the front and side façades below the gables. There is a discontinuous eaves line, post and beam construction, and a parged, stone foundation. The stucco cladding has been replaced with insulbrick siding. According to the 2000 inventory, some original wood siding is visible below the gables. It also notes that other than the form and some details, there are few original features. (1, 3)