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The Gummerson House is located at 151 Church St. (on the southeast corner of Church and Queen Streets). It was built in the Gothic Revival Cottage style around the 1880’s. The Gummerson family moved to Bradford from Bond Head (on the southwest corner of Beeton Road) in 1886. This structure later became the home of Rose MacEwan. Sue and Philip Richards also lived here at one time.
The 1½-storey, three-bay ‘cottage’ has a one-storey and a 1½-storey rear additions. There was a barn at the rear originally. The house has a centre hall plan and a medium-pitched, gable roof with steeply-pitched dormers. It has dichromatic brickwork at the stylised quoins and a patterned belt course. There is an accent brick, diamond pattern at the dormer and gable peaks and at the curved, brick lintels at the openings. There are large window openings with high floor to ceiling heights. The house has four-pane, casement windows at the front and 2/2 wood, sash windows at the sides. Painted, wood, lug sills remain. The front dormer has a round-headed casement. Original windows and doors, loadbearing, brick masonry construction, and a stone foundation also remain. An inscription in a brick at the rear of the building reads: “Sept. 3, 1886 prayer meeting”. According to the 2000 inventory, the lack of Gothic Revival features (such as a porch and gingerbread trim) indicates a more modest, vernacular variation. It also notes that the house originally had three chimneys (one at each of the gable ends) and a barn at the rear. (1, 3)

The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The corner building located on the west side at 68 Essa St. was built pre-1900 in the Ontario Vernacular Cottage style. It was once the home of Alex Sutherland.
The one-storey, three-bay cottage has a rectangular plan with a centre hall. A box hall was typical for this style. It also has a symmetrical façade and a shallow-pitched, hip roof. The covered porch has a hip roof supported on simple, wooden posts. It is raised a few steps above grade. The entrance is simple with a single-door opening. There are single windows (with low floor to ceiling heights) to the primary rooms on each side of the porch. Ground-floor windows are double-hung. The house has wood frame construction, wood siding, and a parged, stone foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few building elements appear to be original. Existing James Street appears to be built at a higher level than this lot. This indicates that the house was built before the street was paved or town services were installed. (1, 3)

The mid-block building located on the north side at 79 Holland St. East was built in the 1890’s in the Eclectic Neoclassical style. The house was built by Mr. Watson for Ed Coombs, his wife and children (Walter, Victor and Evelyn). Ed had moved into town from a farm (on the southwest side of Concession 6) during WWII. He was on the town council and became a reeve. He ran a coal and wood business for years. After Ed’s death, the business was taken over by his son Victor. There was a garage for cars, but Ed did not drive. He had a horse stable and loft above for a single horse that was used to haul one ton of coal. Walter worked all his life for Rogers Coal Co. in Toronto. He lived in the Walker House Hotel until it was demolished.
The two-storey, three-bay house has a symmetrical façade, a centre hall plan, and a medium- pitched, hip roof with a wide overhang. There are large window openings with high floor to ceiling dimensions. The house has arched window heads with stylized keystones and narrow, second-floor windows. It also has a unique, stylized masonry treatment complete with belt course, corner mouldings, and window surrounds. The two-storey, central-bay element was modified in the twentieth century. There is pressed-block construction with replacement siding at the central bay and a parged, block foundation. According to the 2000 inventory, the house has been maintained well. It also notes that the ‘modern’, central bay with aluminum siding and soffits is not sympathetic with the original design. (1, 2, 3)

The building located at 79 Holland St. West (on the northeast corner of Holland and Church Streets) was built in the Gothic Revival style around 1890-1910. Wilton Johnson and Irwin Ray, retired farmers, once lived in this house. Wilton worked for years for the Clubines. The previous owner was a tombstone maker who sold tombstones throughout all of Simcoe County.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof with a gable dormer. This is a typical Gothic Revival feature. Uncharacteristically, however, the dormer eaves do not align with the main roof eaves. A broad, hipped, Regency-like porch roof is supported by an eclectic mixture of forms (including a broad cornice band and half, Doric columns on brick pilasters). The porch railing and stairs are not original. There is a coloured-glass, arched transom over the main-floor, gable-end window. The ground-floor windows are wider than those at the second floor. The house has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the building is an eclectic mixture of styles (suggesting early twentieth-century construction). It also notes that the modern door and railings are unsympathetic with the original design. (1, 2, 3)

The Turner House is located at 185 Holland Street West (on the northwest corner of Holland and Toronto Streets). It was built in the 1880’s in the Eclectic Gothic Revival style. The two-storey, ‘L’-shaped building has an asymmetrical façade. The gable roofs above the front façade projection and at the centre of the façade facing Toronto Street are Gothic Revival features. A medium-pitched, hipped main roof with curb detail and wide eaves are Italianate features. The entrance is from an enclosed, asymmetrical porch with a shallow-pitched roof. The porch may originally have been open. Double-hung windows (of various sizes) are set into rectangular openings with plain, wood frames and sills. Painted, wood half-timbers decorate the front and side façades below the gables. There is a discontinuous eaves line, post and beam construction, and a parged, stone foundation. The stucco cladding has been replaced with insulbrick siding. According to the 2000 inventory, some original wood siding is visible below the gables. It also notes that other than the form and some details, there are few original features. (1, 3)

The Morton House is located mid-block on the south side at 18 John St. East (between Barrie and Nelson Streets). There is a common laneway adjacent to the lot on the south side. The house was built around the 1860-80’s in the Gothic Revival Cottage style. It was the home of Miss Morton, an Anglican Church Sunday School teacher. George Morton, who was born in Holland Landing, served overseas in WWI. When the second Bradford Post Office was built in 1935-36, he became the Post Master and held that position until he died.
The 1½-storey, three-bay cottage has a two-storey, rear wing that originally contained a two-storey stable and loft above. It was attached to the bake shop’s stable. There was also a large verandah on the laneway side. The garden on the east side of the house eventually became the location of a house built by Emery Belfry.
The 2000 inventory noted that the house has a modified rectangular plan and a centre entrance hall. There is a medium-pitched, gable roof with a centre gable over the entrance and a symmetrical façade. The existing porch and second-floor balcony railing replace the original verandah. The original half sidelights (with lower wood panelling) and transom at the entrance door still remain. The house has narrow window openings. Ground-floor windows are double-hung with 2/2 panes and round-arched, decorated, wood trim. A bay window on the west side (at the ground floor) has a shallow, hip roof set on a plain, wood cornice. The second-floor windows and sliding door are not original. There is a single, exterior chimney on the west side. The house has wood frame construction with painted, stucco cladding. The inventory also notes that some original details are overshadowed by the newer porch addition. (1, 2, 3)

The William Campbell House is located mid-block on the north side at 43 John Street East. It was built around 1880 in the Gothic Revival style. This structure was once the home of William H. Campbell Sr. (a grain merchant) and his wife Bessie (Sutherland). His son Lewis was a doctor, and William L. (Billie) was a druggist. His daughter (Elizabeth/Libby) was born close to the day of the great fire of 1871 (Libby was born 15 May 1871 while the fire began on 25 May). She never married, though she took over her father's business after his death and remained in this house until her own. Dr. S. Hecking and his family purchased the house in the 1950’s and had it remodeled. He had one son (Stephen Jr.) and one daughter. As of 1995, Doctor Hecking was retired, training horses, and still riding occasionally.
The 1½-storey, ‘L’-shaped main building has a one-storey, rear addition. It also has a medium-pitched, gable roof with tall chimney stacks. An elaborately-carved bargeboard and brackets support the wrap-around porch. The wide entrance has sidelights and a transom. There are large window openings, high floor to ceiling heights, and large windows (4/4 sash windows at the ground floor). The structure has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, additions, replacement doors and the second-floor windows on the well-maintained house stray from the original design intent. (1, 2, 3, 5)

The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)

The mid-block building located on the north side at 93 John Street East was built pre-1900 in the Gothic Revival Cottage style. A large horse stable and a barn for storing marsh hay once stood behind the house. A fence also ran across the length of the rear of the property. Brunnetto Caesar lived here with his wife Grace (Stamper). He worked on the marsh harvesting marsh hay and as a teamster. He later bought a tractor and did custom work (draining and breaking marshland). Bill Wilson and his wife bought the house after World War II. He worked on the railway and retired here. He had a large garden at the rear, as well as a barn. Bill eventually sold the house to Ferrara and moved away.
The 1½-storey, three-bay house has a rectangular plan with a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. The entrance porch does not appear to be original because the peak and eaves of the hip roof of the porch interfere with the ground and second-floor windows. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The house has wood frame construction, stucco cladding, and a parged, stone foundation. According to the 2000 inventory, the main-floor windows, screen door, and the two-storey addition at the rear are not original. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.