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The structure located at 38 Holland St. West (on the southwest corner of Holland and Drury Streets) was built around 1900 in the Ontario Vernacular style. B.B. “Ben” Collings lived upstairs with his wife (a Waldruff), and children Bernice, Kathleen and Norman. Both daughters became school teachers and Norman (“Dodger”) was a professional hockey player who helped his father and later took over the business. Ben’s workshop was also located here and there was a horse stable at the rear of the property many years ago. The back end of the building was destroyed by fire in the 1920’s. Ben Collings was involved in several businesses. He was also known as an organizer and sports manager. At one time this building was the site of the Collings’ mattress factory. Ben also cut marsh hay and hauled it down the river on a scow. Sometimes the hay was stacked for winter baling. The horses wore four wooden boots and wouldn’t get off the scow until they were applied. Ben was a furniture maker and an undertaker. His first experience as an undertaker was with the body of his own father. He bought Jack Spence’s fishing business (including nets, reels, pulleys, ropes and the fish shanty at the mouth of the river on the east side opposite the 8th Line). His largest catch of fish was five tons of carp. He fished in the spring and fall and put nets under the ice in winter. Carp was caught (when in season) and had to be kept alive for the Jewish market. He employed about eight men all year round. Later he had old cars cut down to make tractors. Ben and another man broke (worked?) Col. Bar’s marsh land at the north end of Federal Farms Rd. (Bathurst Street). The Newmarket Canal started and died on this property.
The two-storey, commercial ‘row’ building has second floor offices (or living space), a wide, rectangular plan with symmetrical organization, and a flat, built-up, tar and gravel roof. The ‘Main Street’ frontage with a typical, storefront façade is located at the street line. The Drury Street façade on the north portion of the building (fronting Holland Street) has a more informal façade with openings placed as required to suit the building’s requirements. The Drury Street building has a plain, symmetrical façade and is dominated by a wide, segmented, arch entrance raised slightly above the sidewalk. A loading door to the rear portion of the Holland Street building has a segmented, arch opening and a concrete sill raised above street level. The existing doors and windows are not original. There are several window openings with segmented, arch openings and concrete lug sills. Several basement windows (all topped with segmented arches) have been fully, or partially, blocked in. This suggests that the building was built before the existing road or town services were installed. The building has masonry construction, brick cladding, and a parged, stone foundation. According to the 2000 inventory, this modest, commercial building is in good condition with some original details. (1, 2, 3)

The structure located at 38 Holland St. West (on the southwest corner of Holland and Drury Streets) was built around 1900 in the Ontario Vernacular style. B.B. “Ben” Collings lived upstairs with his wife (a Waldruff), and children Bernice, Kathleen and Norman. Both daughters became school teachers and Norman (“Dodger”) was a professional hockey player who helped his father and later took over the business. Ben’s workshop was also located here and there was a horse stable at the rear of the property many years ago. The back end of the building was destroyed by fire in the 1920’s. Ben Collings was involved in several businesses. He was also known as an organizer and sports manager. At one time this building was the site of the Collings’ mattress factory. Ben also cut marsh hay and hauled it down the river on a scow. Sometimes the hay was stacked for winter baling. The horses wore four wooden boots and wouldn’t get off the scow until they were applied. Ben was a furniture maker and an undertaker. His first experience as an undertaker was with the body of his own father. He bought Jack Spence’s fishing business (including nets, reels, pulleys, ropes and the fish shanty at the mouth of the river on the east side opposite the 8th Line). His largest catch of fish was five tons of carp. He fished in the spring and fall and put nets under the ice in winter. Carp was caught (when in season) and had to be kept alive for the Jewish market. He employed about eight men all year round. Later he had old cars cut down to make tractors. Ben and another man broke (worked?) Col. Bar’s marsh land at the north end of Federal Farms Rd. (Bathurst Street). The Newmarket Canal started and died on this property.
The two-storey, commercial ‘row’ building has second floor offices (or living space), a wide, rectangular plan with symmetrical organization, and a flat, built-up, tar and gravel roof. The ‘Main Street’ frontage with a typical, storefront façade is located at the street line. The Drury Street façade on the north portion of the building (fronting Holland Street) has a more informal façade with openings placed as required to suit the building’s requirements. The Drury Street building has a plain, symmetrical façade and is dominated by a wide, segmented, arch entrance raised slightly above the sidewalk. A loading door to the rear portion of the Holland Street building has a segmented, arch opening and a concrete sill raised above street level. The existing doors and windows are not original. There are several window openings with segmented, arch openings and concrete lug sills. Several basement windows (all topped with segmented arches) have been fully, or partially, blocked in. This suggests that the building was built before the existing road or town services were installed. The building has masonry construction, brick cladding, and a parged, stone foundation. According to the 2000 inventory, this modest, commercial building is in good condition with some original details. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The William Curry House is a mid-block building located at 73 Holland St. West. It was built in the Gothic Revival style around the 1890’s. Bill Curry, a carpenter, and his wife and children (Harvey and Jessie) moved here from the 14th Line, West Gwillimbury. Members of the Curry family have lived in this house for many decades.
The two-storey, ‘L’-shaped building has large window openings, high floor to ceiling heights, and a medium-pitched, gable roof. The shutters (but probably not the colour) may be original. A wrap-around entrance porch is original and has Regency overtones. Although the windows and doors have been replaced, the original wood, lug sills remain. The building has brick veneer on wood frame construction. Window awnings and attic vents are twentieth-century alterations. The soffit infill, if original, has an altered eaves detail. According to the 2000 inventory, the building is surrounded by a well-maintained, landscaped yard. (1, 2, 3)

The building located at 120 Holland St. West in this photo from 1995 replaces one built by Watson (a cement block and sidewalk builder) just before, or during, WWI. That structure had a barn and shed for stock and chickens at the back. The Slothin family moved here from Toronto around the time of the Depression. They had one daughter and a son named Max. At one time Elgar Houghton and his wife lived here with their daughter (Muriel) and sons (Gordon and Lloyd). He drove a team (before he got a truck) and delivered gas for Imperial Oil. Paul Gres, his wife, and family (market gardeners) lived here years later. This house and property (around 25 acres) was still owned by the Gres family in 1995. (1, 2)

The mid-block building located on the south side at 48 James St. was built in 1840-60 in the Ontario Vernacular style. The one-storey cottage was once the home of Mrs. Peterman.
It has a rectilinear plan, a medium-pitched, gable roof and an asymmetrical façade. There is no porch addition. The glazed entrance door has a transom above and a more recent awning addition. All the original windows have been replaced, but the plain, wood, lug sills and trim remain. The shutters are not original. Wood frame construction is covered by vinyl siding. The structure probably had wood cove siding originally. There is a parged, stone foundation. According to the 2000 inventory, this building is very old. (1, 3)

This one-storey house is located at 68 James Street. (1)

This house is located at 103 James Street. (1)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

The house located mid-block at 28 John St. East was built in the Edwardian Classicism style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). This structure was the home of Stewart and Ina McKenzie (editors of the Bradford Witness newspaper) in the 1930-60’s.
The rectangular, two-storey building with a centre hall plan has simple details and a hipped, ‘Pedlar’ metal roof (made by Oshawa Roofing). The original porch was significantly altered after the move from Amsterdam. The simple form and composition of the house was then highlighted with a large, classically-inspired porch that has a pediment-type, porch roof addition. A space between the brick pedestals at the porch has been infilled and the original half columns have been replaced by glazing and infill framing. The house has large window openings and the windows are metal replacements. Shutters on the second-floor are not original. The smooth, brick veneer on the wood frame construction was also added after the house was moved from Amsterdam. There is a parged, block foundation. According to the 2000 inventory, the building is well-maintained l. (1, 2, 3)

The Tindall House is located at 7 John St. East (on the northeast corner of John and Barrie Streets). It was built by Isaac Coburn around 1910-20 in the Dutch Colonial Revival style. The house was built for Reuben Tindall (an implement dealer), his wife, and daughter Ida Evelyn (a school teacher). Dr. S. Hecking bought the property after WWII. He moved here from the northeast corner of Barrie and Holland Streets. His office was also in this structure. Its address was 47 Barrie Street. The building was eventually sold (in 1994) to Giuseppe (Joe) Campagnola. He has leased the doctor’s office since then and still owns the building in 2014.
The 1½-storey, two-bay house has a simple form with an asymmetrical façade and a rectilinear plan. The building has a steeply-pitched, gambrel roof with a gambrel-roofed dormer. The one-storey wings (reminiscent of the Classical Revival style) are reinterpreted here more modestly as entrance porches. There is an off-centre, hall entrance from an enclosed, front entrance porch. The raised porch has a shallow hip roof and is entered from the front. It has frame construction and is clad and finished as part of the main portion of the house (rather than a separate, attached structure). There are wide window openings with low floor to ceiling heights. The double window and door are set into rectangular frames of plain wood. The ground-floor and basement windows and the front door are set into segmented, arched openings with concrete sills. Second-storey dormer windows and a bay window are centred within the gambrel form and are offset from the ground-floor openings. This creates a more informal composition common to twentieth-century buildings. The original, multi-paned windows have plain, wood sills and trim. Front, ground-floor and second-floor windows are not original. The roof material appears to be a siding on the steep, roof slope. A wood fascia band, expressing the line of the floor structure between the foundation and ground floors, is common to this style. The house has wood frame construction, vinyl siding, and a textured, concrete-block foundation. The original siding was wood. According to the 2000 inventory, the building is in excellent condition with many well-maintained, original features. (1, 2, 3)