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The mid-block building located on the north side at 111 John St. West was built around 1880 in the Neoclassical style. It was known locally as “The Edmanson Home”. Thomas Edmanson was an undertaker and a businessman who lived here for many years. The house became the home of Charles Soper and his wife Eva (Edmanson) and daughters Doris and Caroline before World War II.
The two-storey, rectangular building has a one-storey rear addition that was originally the summer kitchen. It also has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof. The original entrance probably had sidelights, a transom, and a roof with a steeper slope. It may also have been wider. The house has large window openings with high floor to ceiling dimensions and large, double-hung windows. Second-floor windows are slightly smaller than those at the ground floor (a local vernacular modification). The original windows would have been multi-paned. Wood frame construction has replacement exterior siding and there is a parged, stone foundation. The existing chimney is also a replacement. Chimneys originally located at the roof peak have been demolished. According to the 2000 inventory, the existing entrance, porch, and many windows and doors do not reflect the original design intent. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The former Presbyterian Manse is located at 123 John St. West (on the northeast corner of John and Essa Streets). It was built around 1880 in the Eclectic Neoclassical style. Presbyterian ministers lived here in the 1920-1930’s. Rev. McLaren and his wife and daughter lived here in the 1930’s. Jim and Aida Catania later lived here for a number of years. They were followed by Bill Nesbitt and his family after World War II.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a wide entrance with sidelights and a transom. Large window openings with high floor to ceiling heights and the large, 6/6 sash windows (with painted, wood lug sills and shutters) are all Neoclassical features. The monumental pilasters with stepped-brick, stylized bases and capitals, and elaborate, wood soffit detail that accentuate the pilaster capital are Classic Revival features. A medium-pitched, hip roof with a wide overhang and the original veranda (demolished) which extended across the full width of the front façade are Regency Revival features. Dichromatic brickwork at the pilasters is a Gothic Revival feature. The house has solid-brick construction (Flemish bond pattern), a brick foundation, and metal roof cladding. According to the 2000 inventory, the metal awning, the metal screen door at the entrance, and the garage addition are unsympathetic with the original building. It also notes that the façade is unique and handsome. (1, 2, 3)

The mid-block building located on the south side at 126 John St. West was built in the 1880’s in the Gothic Revival Cottage style. Originally, there was a back lane for Jim Woods' house and barn next to this house. Pratt lived here many years ago with his wife and two sons. Elgar Houghton bought this house around the time of World War II. He lived there for a time and then he had the house converted into four apartments which were rented. He later sold the building.
The 1½-storey, five-bay cottage has a rectangular plan with a centre hall, an asymmetrical façade with an off-centre gable over the entrance, and a medium-pitched, gable roof. There is a simple, rectangular entrance (at grade level) with windows to the primary rooms on each side. The existing roof over the entry is not original. Small windows at the ground and second floors are not original. They are set into segmented, arch openings with plain, wood frames and painted, stone lug sills. Brick, masonry construction is clad with stucco (not original) and the structure has a parged, stone foundation. According to the 2000 inventory, this modest house has few original details other than the building’s form. (1, 2, 3)

The mid-block duplex located at 13 and 15 John St. West was built pre-1900 in the Neoclassical Duplex style. During the 1920’s, the building was moved back from the street and onto new concrete foundations that were built by Leonard Saint. The building was a rental property that was possibly owned by Jim Webb at one time.
The 1½-storey, rectilinear building has a shallow, gable roof and paired entrances at the centre of the building. Window and door openings are not original and they have been significantly altered. The chimneys and shutters are also not original. Bevelled, vinyl siding conceals alterations to the structure beneath. Originally, the cladding may have been wood cove siding over the wood frame construction. According to the 2000 inventory, apart from the building’s form, little of the original building remains (including the parged-stone foundation). Additions and alterations, such as the front metal awning, entrance doors with side panels, and the windows are unsympathetic with the original character of the building. (1, 2, 3)

The mid-block building located at 19 John St. West was built pre-1900 in the Ontario Vernacular style. Frank Adamson, who ran a gas station, lived in this house after World War II. It later became the home of Henry Bell and Phyllis for a short time.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a shallow-pitched, gable roof. It has a kitchen at the rear and a simple porch at the front. Wood frame construction has brick veneer cladding which is not original. The structure has a parged, stone foundation. According to the 2000 inventory, apart from the modest form, little of the original building is apparent. It notes that the (replacement) entrance canopy, windows, and cladding successfully hide clues regarding the structure beneath. (1, 2, 3)

The mid-block building located at 23 John St. West was built pre-1900 in the Ontario Vernacular Cottage style. It was the home of retired farmer Walter King (during and after the war) until his death.
The one-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a gable roof. It had a kitchen at the rear originally. There are single windows (with low floor to ceiling heights) to the primary rooms on each side of the porch at the front. The wood trim is original, but the windows and the door are replacements. Metal supports for the porch roof are not original, but the roof itself may be authentic. The house has wood frame construction with vinyl siding. The original wood siding is probably still under the newer cladding. According to the 2000 inventory, few existing building elements appear to be original other than the building’s form. It also notes that this modest cottage probably had few decorative details originally. (1, 2, 3)

The building located at 27 John St. West (on the northeast corner of John and Moore Streets) was built around 1890 in the Gothic Revival style. It was the home of John Lee (a retired farmer from north of Bradford) for many years. After World War II, it was the home of Mildred Peelar and her family. Walter Mundy later lived here before the house was sold.
The 1½-storey, ‘L’-shaped, main building has a medium-pitched, gable roof with a steeply-pitched, gable dormer. These are Gothic features. There are round-head, coloured transom lights over several ground-floor windows that are structurally supported above by arched, brick voussoirs. There is also a rectangular transom over the entrance door. Windows of various sizes (indicating post-1880 construction) have the original, wood lug sills. The structure has brick, masonry construction and a rusticated, stone foundation. According to the 2000 inventory, the replacement porch varies from the original design intent. (1, 2, 3)

The Neilly House is located mid-block on the north side at 51 John Street West. It was built around 1900 in the Eclectic Edwardian style. The structure was designed by the same architect who was responsible for designing Bradford’s Anglican Church. This house was built for jeweler Andy Neilly. His business was on Holland St. (across from the Queen’s Hotel). He was a good hunter and sportsman and belonged to the Neilly Rifle Club. The club members met at Eagle Hill on the 13th Line (at the canal on the end of Back and Bingham Streets). This building was later the home of Mac Tobias and his wife. They ran a clothing store on Holland St. (in the second building east of the Queen’s Hotel) before moving to Toronto after World War II. Dr. McMichael, a dentist, lived and had his office here until he moved to Barry’s Bay. Merle and Shirley Woodcock and their family eventually bought, repaired, and remodeled the house.
The two-storey, ‘L’-shaped building with gable roofs has a smooth, brick exterior. There is full height projection with a projected, gable roof above. A textured, wood-shake finish at the flared front gable and the elaborate trim and decoration at the gable window are also Edwardian features. The house has precast voussoirs above the semi-oval transom at the main front window and precast, lug sills. It has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the new front addition is unsympathetic with the original building. A new, cedar-shingle roof with copper valley flashing was also noted. It considers the building to be well-maintained. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The Bradford Presbyterian Church was once located at 81 John St. West (on the northwest corner of Church and John Streets). A Presbyterian church in Bradford dates back to 1856. The original frame building was built on this site and used until 1893. At that time it was sold to the Anglican Church and moved a short distance north to be used as the Parish Hall. The structure seen in this photo (from 1996) was designed in the Romanesque style by Siddell Baker Architects in Toronto. It was constructed in 1893 for $5,000 by local builder Dougald (George) MacDonald. George was able to do short-hand blueprints and he was also the Sunday school teacher. The church pipe organ was installed in 1915 (with a portion of it funded by the Carnegie Foundation). A seven-foot section of interior, cornice molding fell off and crashed through some front seating and the floor and landed in the basement in 1937. It was rediscovered years later in George MacDonald’s barn.
The 1½-storey building had a modified, cruciform plan with an apse, narthex, and square and polygonal entrance towers. There was a steeply-pitched, gable roof with pyramidal and polygonal roofs on the towers. This structure was a complex massing of heavy, simple forms, each of which had a clear function. The main entrance was through a large, round-arched doorway with a crescent-shaped transom light and a heavy, panelled, wood door. It was set into a high, square tower at the southeast corner of the church and it marked the site as a landmark within the town. Tall, narrow, window openings had thin windows with a vertical emphasis. Some secondary windows were set in rectangular openings (but with the same narrow proportions). Windows having round-arched openings of various sizes in groups, and as singles, lit the nave. The simplicity of this church and the lack of typical Romanesque Revival details such as heavy, stone stringcourses and lintels gave the church a Norman feel with its squared tower and massive walls. Square pinnacles topped the four corners of the entrance tower. The building had masonry construction with brick cladding and a cut-stone foundation. Len Saint, a local stone mason and brick layer, did the plastering for the church. There were metal panels on the steeple and tower roofs. According to the 2000 inventory, the church was in excellent condition with many original features.
The congregation moved to St. John’s Presbyterian Church which was located on the Middleton Sideroad (circa 2004). Trinity Anglican Church purchased the old Presbyterian Church building and land in 2004 and the building was demolished in 2005 to provide additional parking for the congregation of Trinity Anglican Church. (1, 3, 4, Trinity Anglican Church Bradford website)