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Advertisement for Dr. James Allen's practice on Barrie Street.

A photograph of William L. Campbell, a Bradford Druggist in-front of his home located on Barrie Street, taken in Winter 1940.

"Whatever becomes of this grand old lady, her colourful history will not be soon forgotten.

When the Recreation Facilities Committee was formed consisting of Chairperson Ann Currie, Jim Culbert, Steve Boland, Ellen MacKenzey, Bill Germayne and Sharon Sinclair, Director of Parks and Recreation, one of their first commitments was to find the "ideal" location to house the new Recreation and Cultural Complex. After a considerable amount of investigative work and discussion by this Committee, the favorite choice was the old convent.

While the convent certainly fits the "centralized" location criteria, an added attraction is the history which surrounds this 112-year old structure.

In 1876, John MacLean Stevenson built this masterpiece (named Masonic Lodge) and lived in it a short 10 months before selling it to the Robert Bingham family. This family stay was a little longer (16 years) before it, once again, changed hands. In 1893, James Boddy became the proud owner and renamed the house "Fairview". He resided there until 1903 when the property was purchased by Rev. Egerton Ryerson Young (noted missionary and publisher) who again renamed the house this time she was labeled "Algonquin Lodge". Upon the death of Rev. Young in 1910, his family sold the house to Sam Lukes who ran the Bradford Flour Mill. Lukes pet name for the home was "Luxalean". The house stayed in the Lukes family until Gilbert Lukes sold it in 1949. At the time of this sale, the plot of land was divided in two; on the plot south of the house was built St. Mary's Catholic School. The house was occupied by a group of teaching nuns of the Ursuline Order of the Diocese of London in Ontario.

In 1969, John and Maria Moniz bought the stately mansion and turned it into an apartment house. Contrary to the zoning by-laws, Town Council closed their eyes and allowed this grand home to be a multiple family dwelling for 12 years.

From the moment John Moniz' sale was accepted by Fred Picavet's cash offer, which in turn, nullified the offer made by the Town's agent, the convent had been cloaked in a shroud of controversy.

No sooner had the new deed owners, Fred and Betty Lou Picavet begun the extensive renovation work to the upstairs wings, than Bradford town council issued a "stop work order" and filed a Lis Pendents with the County Courts in Barrie (Feb. 26, 1981). This order was subsequently honoured by the County Court Office which necessitated an immediate halt on the renovation work by Picavet. While workmanship was in "pending", taxes continued to be paid by the owner (Picavet).

It wasn't until 1987 when an out-of-court settlement was reached between Fred Picavet and the Town that the convent became the legal property of the town of Bradford.

While the "legal hagglings" were underway, the old convent sat empty for five consecutive winters. Pampering can oft times help to slow down the natural aging process. Unfortunately, pampering the convent during that turbulent time was not a top priority item; henceforth, the building was vandalized on a fairly regular basis.

For someone like Jim Culbert, "the furniture doctor", it was nothing less than a mortal sin that such a fine building should have been so readily accessible to vandals. At the time Jim, personally, approached Town Council and Pat Storey to see if the building could be boarded up to discourage further destruction. He was basically told that the Safety Standards Bylaw which was in place to deal with this situation was unable to be looked after due to the lack of a by-law enforcement officer.

Incensed by that line of reasoning, Jim decided to "go to bat" for the convent. Through public awareness and letters to various newspapers, the convent was eventually boarded up which helped to minimize the continued vandalism.

With the endorsement of the Master Plan Recreation Study and the Facilities Committee, to renovate a part of the convent for the new Recreation and Cultural Complex, Jim Culbert is, once again, appealing to the town's people to "get on board" with regard to bringing this matter to the forefront. The decision on the fate of the convent has "gone on far too long" in Culbert's opinion. "Let's get it resolved one way or the other, either tear it down or renovate it and make it into a beautiful piece of property."

As Jim recalls, "A year ago Town Council promised a public meeting to discuss the convent issue which was never carried out. Hopefully, the newly-elected Council will stick to their electoral views on this issue."

A building with such Italianate design is rare in today's society. By restoring it, a two-fold purpose will be served; firstly, it will provide a complex to house programs such as the arts, drama, brownies, cubs, moms and tots etc. Secondly, and ideally, a room in the old wing of the house will be set aside for a "museum" of sorts to provide past history on the convent and Bradford itself".

IF RESTORED, this spectacular mansion will serve as a memorial to the previous owners."

Photograph of the Convent demolition

Photograph of the Convent demolition

The Methodist Manse is located at 96 Barrie St. on the southwest corner of Barrie and Frederick (formerly known as Letitia) Streets. It was built around 1885 in the neoclassical style. The building was used as the Methodist Manse until 1970. It later became a nursing home.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof. The two-storey, rear portion is a modern addition. A broad entrance has sidelights and a transom. There are large, 6/6 double-hung windows with wood sills and high floor to ceiling dimensions. Eaves and cornice returns are found at the end gable walls. The porch, as well as the stepped-cornice moulding with quatrefoil decoration and drop finials (a Gothic Revival detail), appear to be twentieth-century additions. Colour variations are seen in the solid-brick construction because of the different batches of brick that were used. The building has a stone foundation. According to the 2000 inventory, additions to the rear of the building over time have been somewhat ad-hoc and are stylistically inconsistent. (1, 3)

The Professor Day House is located at 162 Barrie St. (on the northwest corner of Barrie and Queen Streets). It was built in the early 1880’s in the Gothic Revival Cottage style. Stables were originally located in the rear yard. Mrs. Creighton, a daughter of Dr. Stevenson, once lived here. A granddaughter, Gretchen Dewhurst, was still living here in 1996.
The 1½-storey, three-bay cottage has a 1½-storey, rear ‘kitchen’ wing. It also has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof with a centre gable over the entrance. An open porch with a gable roof is supported on plain wood posts with an open railing. The house has large window openings with high floor to ceiling heights. There are large double-hung, multi-paned windows at the ground floor and smaller, double-hung windows at the second floor. Shallow, pediment-shaped trim is found over the ground floor windows as well as plain, wood trim on the sides with wood slip sills. There are shutters at the windows on the front façade. The house has wood frame construction with painted, stucco cladding and a stone-rubble foundation and cellar. A stone chimney and fireplace were added in the 1950’s by Reverend Creighton. According to the 2000 inventory, the house is in excellent condition with many original features (including doors and windows). It also notes that the changes that have been made to the house are in keeping with its original character. (1, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

Allan (“Wink”) Crake, a nephew of Dick Crake, owned the one-storey building located at 31 Barrie Street. When Wink retired, Bradford Public Utilities bought the building and opened its offices here. There was a laneway behind Reuben Tindall’s house to the back entrance for the residents of John Street. (1, 2)

The Thorpe House is located mid-block on the west side at 184 Barrie Street. It was built post-1900 in the Eclectic Edwardian style. Miss St. Clair lived in this house many years ago.
The two-storey, ‘L’-shaped building has a projecting, two-storey, angled bay with a wide, pediment-like gable. More Edwardian features include the classically-inspired entrance porch with a balcony above. The balcony is supported on slender Doric colonnettes set on brick piers. This porch appears to be a replacement. There are large windows and the principal windows have rectangular transom lights decorated with small squares of coloured glass. The gable window also has coloured glass inserts. A broad, hip roof, roof curb and wide eaves overhang are Italianate features. The house has brick masonry construction and a stone foundation. According to the 2000 inventory, metal siding conceals the original wood trim at the gable and soffit. It also notes that although the replacement porch columns, balcony railing, and the altered porch roof are not of the same proportions as the original design, the original character of the building is still maintained. (1, 3)

Bradford United Church is located at 66 Barrie St. The structure in this photo was built in 1865 in the Gothic Revival style. There was an original church built on this site in 1851.
The 1½-storey building has a rectangular plan, tall and narrow window openings, and a steeply-pitched, gable roof. The enclosed narthex is a recent addition. It is not considered to be consistent with the original style. Tall, gothic-style, trefoil arched openings light the nave. A round, rose window (with muntins set in the shape of a cross) is set into the gable portion of the façade. These cross-shaped muntins replace the original four-leaf clover muntins. The vergeboard has small, gothic arches. Octagonal pinnacles are found at each of the four corners. These pinnacles were originally topped with ornamental spires. Shallow buttresses extending the full height of the façade divide it into three parts. The trefoil arch and the three-part façade refer to the Trinity. There is brick masonry construction with stucco cladding and a parged, stone foundation. The original dichromatic brick cladding is concealed under the stucco cladding. Originally, the underlying red brick walls had buff-coloured brick buttresses and framing at the door and window openings. According to the 2000 inventory, the building is in good condition with some original features. (1, 3, 4)