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The mid-block building on the north side at 107 John St. East was built around the 1880’s in the Gothic Revival Cottage style. The main house was moved to this site from the saw mill in Amsterdam during the early 1900’s. It was the home of Arthur “Mike” Saint and his wife Alice and children (Russell, Eric, Ralph, Zella, Rita and Archie). He had immigrated to Bradford from London, England in 1871 with his parents (William and Sarah) and siblings (Thomas, Harry, Frank, George, Annie and Maria). William died in 1875. All of his sons were in the building trade. Mike was a well-known brick layer and he also raised and showed chickens. There once was a 1½-storey frame barn at the back of the house that was used to store feed, a horse, and a cow. A chicken house was attached to the barn. A huge, old well was found (beyond the back fence) that was thought to belong to the first hotel (located on the only street) when Bradford was first founded.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. A porch with a hip roof supported on wood posts and brick pedestals was added after the building was relocated. The enclosed porch was open originally, with only the brick pedestals remaining visible. Small windows have high floor to ceiling heights. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The 2/2 windows are original. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s form is unmistakable despite the new cladding. (1, 2, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

This mid-block building is located on a sloping lot at 112 Frederick Street. The structure, which was once the home of the Chantler family, was built on a sloping lot pre-1900 in the Ontario Vernacular Cottage style. The existing Frederick Street appears to be built at a higher level than the lot, indicating that this house was built before the street was paved or town services were installed.
The one-storey, three-bay cottage has a square plan with a centre hall. A box hall was typical for this style. It has a saltbox roof, a symmetrical façade, and a single door at the grade-level entrance. There are small window openings with low floor to ceiling heights and plain, wood trim and sills. Double-hung windows are not original. Wood frame construction is covered with vinyl siding. The original siding was likely wood. There is a parged, stone foundation. According to the 2000 inventory, few of the existing building elements appear to be original. It also notes that this modest cottage probably had few decorative details originally. (1, 2, 3)

The house located mid-block at 115 Hurd St. was built around 1920-1940 in the Gothic Revival Cottage style. It was once the home of Aldie Robinson. The Waldruff family lived here years later.
The 1½-storey, three-bay ‘cottage’ has a symmetrical façade, a centre hall plan, a medium-pitched, gable roof and a steeply-pitched, gable dormer. The wide, ground-floor windows indicate twentieth-century construction. The openings are original, but the windows have been replaced more recently. They have cut-stone sills and steel lintels. There is a broad, brick header belt course. Long, narrow bricks which are not a standard shape are used. The house has brick veneer on wood stud construction. This indicates post-1920’s construction. There is a parged, block foundation and a wide, basement window with a window well. The use of a basement for ‘living’ space is a more modern concept related to improvements in waterproofing and insulation technologies. According to the 2000 inventory, this house incorporates modern-day construction materials, techniques, and detailing. It also notes that the entrance door and sidelight, metal awning, and wood porch are recent additions. (1, 3)

The house located mid-block at 116 Hurd St. was built pre-1890 in the Ontario Vernacular style. It was once the home of carpenter Arthur Moseley.
The two-storey, rectangular building has simple detailing. There is a centre hall, a single-storey rear addition and a medium-pitched, hip roof. It has medium-sized window openings. The 2/2 wood, sash windows have plain, wood lug sills and trim. Aluminum, storm windows and a door are more recent additions. Stucco covers the wood frame construction and there is a parged, stone foundation. The structure was probably clad in wood cove siding originally. According to the 2000 inventory, this house once had a verandah and a bay window on the left side. It also notes a lack of decoration or porch addition. (1, 3)

The Isaac Cobourn House is located mid-block at 117 James Street. It was built in the Arts and Crafts style in the 1920’s by a good carpenter for his family.
The 1½-storey bungalow has an asymmetrical, ‘L’-shaped plan. There are wide, window openings with low, floor to ceiling heights. The steeply-pitched, gable roof has some eclectic features. It extends down to reduce the scale of the building from the street. There is an off-centre, hall entrance from a covered, open porch. The roof over the porch is supported on wood posts. The porch is raised and has a simple, wood handrail. Wood lattice encloses the underside. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Wide, triple windows at the ground and second floors, and the front door are set into rectangular openings with plain, wood trim and sills. The second-storey windows are offset from the ground-floor windows. A mix of exterior cladding materials and the wood fascia band expressing the line of the floor structure between the ground and second floors is common to this style. There is a truncated, hip roof on the dormer over the front porch. The base of the dormer and front, bay window splay out at the bottom. There are returned eaves at the roof of the projecting, front bay. The house has wood frame construction with wood siding, and painted, wood shingles on the roof, dormer, and bay window. A concrete foundation is also painted. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 3)

The house located mid-block at 119 Barrie St. was one of seven houses begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the projects were completed by builder Art Saint. This house was built in the Edwardian Classicism style. Hewey Douglas and his wife lived here many years ago. He had a hardware store on the north side of Holland Street (west of the bank).
The two-storey building has a simple, formal composition. The square form is topped by a bell- cast, hip roof. A hip roof on the large, classically-inspired entrance porch is supported by half columns on brick piers. Simple, double-hung windows are balanced within the façade. The side-bay projection (with wood siding) adds visual interest. The rest of the exterior is solid, smooth brick construction with simple details. According to the 2000 inventory, the house has been maintained well. (1, 2, 3)

Construction of the house located mid-block at 123 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. The house was built in the Edwardian Classicism style. Archie and Minnie (Spence) Hammel moved up the street into this house. They ran a grocery store on the south side of Holland St. (in the second building from Drury St.) and they both died in this house. Minnie left a lot of the Spence records in the attic. These records dated back to 1900 when her father ran a lumber company in Bradford.
The two-storey structure has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof at the entrance porch is supported by painted, wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

Construction of the house located mid-block at 129 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. This house was built in the Edwardian Classicism style. Mr. Moore, who ran a store on the north side of Holland St., moved to this house from John Street. It was eventually bought and sold in the 1990’s by Murray Quinn and family.
The two-storey house has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof on the entrance porch is supported by painted wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the screening (added later to enclose the porch) does not detract from the building’s appearance. It also notes that the house is well-maintained. (1, 2, 3)

The Old Presbyterian Manse is located at 129 James St. (on the northeast corner of James and Essa Streets). It was built around 1875 in the Neoclassical style. It was being used as a manse at the turn of the century and has since been converted into duplex units.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan and a medium-pitched, gable roof. It has large window openings, high floor to ceiling heights, and large, 6/6, double-hung windows. The original entrance probably had sidelights and a transom. There appears to have been a broad verandah at the front entrance and identical chimneys at both ends of the gable roof at one time. The building has sculptured, curvilinear, soffit brackets, solid brick construction (Flemish bond), and an exposed, stone foundation. According to the 2000 inventory, the existing entrance and many windows and doors do not reflect the original design intent. It also notes that the existing duplex unit arrangement suggests major interior modifications. (1, 3)