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George Jackson Tom Saint
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Hydro Sub. John E./Nelson St.

The first hydro substation in Bradford was located on Nelson St. (south of John St. East). It was built in 1916 (or 1918) by Tom and Len Saint on a small piece of property owned by the foundry on Holland Street. (1, 2)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

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1 Holland Street West

The building located at 1 Holland St. West was originally built as a hotel (Central Hotel, Uneeda Hotel, H. Hulse Hotel). Tom and Len Saint worked on the construction of the building. George Webb ran the hotel for a while before he moved to Saskatchewan. Tom Bell was the manager for many years until he retired and moved to the east side of Simcoe Street. Around 1917 it became the Imperial Bank of Commerce. A large safe and living quarters for the bank staff were located upstairs. The entrance to the apartment was on the west side of the building. John McDowell and his family lived here in the 1930’s. The bank was robbed by the notorious “Boyd Gang” in the 1940’s. At one time the front offices were used by the police, and the back offices were used by Mr. Scanlon (a lawyer). The bank closed in 1972 and was moved further west on Holland Street. This building then became a real estate office, a convenience store, and as of 2014, the Coffee Culture Café. (1, 2)

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84 John Street East

The mid-block building located at 84 John St. East was built around 1920-1930’s in the Ontario Vernacular Cottage style. It was erected on property that was originally owned by Tom Saint and was the site of his storage lot (behind his business on Holland St. East). Tom was a noted stone mason, brick layer, and plasterer. He ran his own business from 1871-1925, at which point his son Leonard took over. A two-storey shed and horse stable (with loft above) stood on this lot originally. There was a 6’ wide and 7’ deep open ditch running from Barrie Street beyond Colborne Street. Tom had a large number of hard cement cloth bags that were used as abutments for a pole bridge. Tiles were eventually laid and the ditch was filled before World War II. The storage property was sold years later.
This 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. A box hall was typical for this style. It has a shallow-pitched, hip roof with dormer windows. The enclosed porch has a hip roof with a raised entrance, a single door opening, and windows on the three exposed sides. Its roof is supported on double, wood half-pilasters that are infilled with brick. There are large windows (with low floor to ceiling heights) to the primary rooms on each side of the porch and double-hung windows at the ground floor. The 2/2 windows appear to be original. They are set into rectangular openings with a brick, rowlock course above and concrete sills. The house has wood frame construction, brick siding and a parged, stone foundation. Aluminum siding is found on the dormers and porch. There is a single, brick masonry chimney at the centre of the house. According to the 2000 inventory, the one-storey rear addition and dormers do not appear to be original because of the style of windows, different roof types, and the shallowness of the main roof pitch. It also notes that some other building elements did appear to be original. (1, 2, 3)

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25 Bingham Street

This structure was originally a shed located on property owned by Tom Saint. It was moved to its current site at 25 Bingham St. (south of Centre Street) onto property owned by George “Duke” Lowe. After the shed was restored as a house, Duke married Mrs. Storey. Their four children (Clara, George, Dorothy and Betty) joined Mrs. Storey’s previous children (Charlie, Jack, Roy and Harvey). It later became the home of Ted and Clara Brockwell for a number of years after WWII. (1, 2)

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89 Holland Street East - Saint/Marks House

The two-storey, frame house located at 89 Holland St. East was the home of Tom and Mary (Harman) Saint for many years. The structure was moved across the river to this site from the Thompson Smith Saw Mill (at Amsterdam) after it closed. A crawl space under the back kitchen was replaced in 1936 by a cellar under the front part of the house. It was dug by Jim (Dummy) Peters, Donald Campbell, and Joe Saint using pick-shovels. They then poured an 8” concrete wall. An oil furnace was installed after the front cellar was completed. It replaced the wood-fueled cooking stove previously used as a heat source for the house. Tom owned the property from Holland St. through to John Street. There was a lane behind the house that led to a woodshed. At the bottom of the lot there was a shed for a wagon, buggy, implements, etc. Upstairs was a loft for hay and on the east side there was a horse stable. Tom was a stone mason, brick layer, plasterer, and cement layer. He used a horse to haul his materials. Six children (William, John, Sadie, Leonard, May and Jane) were raised in this house. Sadie married Walter Reeves, a lacrosse player and a one man/one dog police force. Sadie lived at home and Dorothy married Harvey Marks and stayed in the family till 1989. A front porch and a car port at the back were eventually added. The lot at the back was sold to William Smith. (1, 2)

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52 Simcoe Road

The mid-block building located at 52 Simcoe Road was built post-1900 (1902?) in the Gothic Revival Cottage style. The house, which is larger than other older cottages of a similar style in Bradford, was built on property owned by Charles Adams. Originally, there was a garden to the west and a barn on the lane. Later residents of this house included Joe Brown (a retired farmer from the 10th line) and Jessie, who lived here until he died. Joe was a noted gardener who raised his granddaughter Margaret Turner. Paul Margetiak and his wife and son also lived here at one time. He was a gardener, too, and he built a garage on the property. Len Saint did the cement work and added a closed-in porch. Eventually the property was bought by Gary Swagerman. He lived in the house with his wife and family and eventually had the barn remodelled to become the site of a dry cleaner. The garden was paved and used as a parking lot for the business.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. The medium-pitched, gable roof has a centre gable over the entrance. There are single windows to the primary rooms on each side of the covered entrance porch. A raised, open porch has a hip roof supported on simple, wood columns set directly on the porch base/foundation. The porch has a simple, wood handrail and balusters. A single entrance door is set into a segmented, arched opening. Windows are set into segmented, arched openings with brick voussoirs and concrete lug sills. The windows and door are not original. A second-storey window set halfway into the centre gable is a reference to the Gothic Revival style. Locally-made bricks were placed by Tom Saint on the wood frame construction. According to the 2000 inventory, the house is in good condition. (1, 2, 3)

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143 Barrie Street

This is the front view of the house located mid-block on the east side at 143 Barrie Street. It was the last house built by Art, Tom and Len Saint after WWI. The building was constructed in 1925 in the Arts and Crafts style. It became the home of many people, including Erv Hill and his wife. He worked for Dennis Nolan and was a noted (Ford) mechanic. Harold Seaurow and his wife (who came from Grand Valley) later bought and moved into this house. Harold was a car salesman and a partner with Wink Crake for a while. He then went with Jim (Catania) and Brad Walker.
The 1½-storey ‘bungalow’ has an asymmetrical façade and a rectilinear plan. A broad, medium-pitched, gabled hip roof extends down to reduce the scale of the building. The slightly-raised porch is entered from the front. The roof, horizontal siding, and a wide band of windows across the front of the porch emphasize the horizontal lines and massing of the style. There are wide window openings with low floor to ceiling heights. Multiple, double-hung windows are set into wide segmented, arched openings with 1/1 panes, lug sills of precast concrete, and brick voussoirs at the arches. The smaller, second-storey windows are offset from the ground floor windows. They are set into a gable and dormers and have plain, wood sills and trim. A bay window projects out from the south wall and has no foundation. The house has wood frame construction with masonry cladding, vinyl siding and a painted, concrete foundation. The original siding would have been wood. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. It also notes that the windows, shutters, and porch railing are not original. (1, 2, 3)

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143 Barrie Street

This is the front view of the house located mid-block on the east side at 143 Barrie Street. It was the last house built by Art, Tom and Len Saint after WWI. The building was constructed in 1925 in the Arts and Crafts style. It became the home of many people, including Erv Hill and his wife. He worked for Dennis Nolan and was a noted (Ford) mechanic. Harold Seaurow and his wife (who came from Grand Valley) later bought and moved into this house. Harold was a car salesman and a partner with Wink Crake for a while. He then went with Jim (Catania) and Brad Walker.
The 1½-storey ‘bungalow’ has an asymmetrical façade and a rectilinear plan. A broad, medium-pitched, gabled hip roof extends down to reduce the scale of the building. The slightly-raised porch is entered from the front. The roof, horizontal siding, and a wide band of windows across the front of the porch emphasize the horizontal lines and massing of the style. There are wide window openings with low floor to ceiling heights. Multiple, double-hung windows are set into wide segmented, arched openings with 1/1 panes, lug sills of precast concrete, and brick voussoirs at the arches. The smaller, second-storey windows are offset from the ground floor windows. They are set into a gable and dormers and have plain, wood sills and trim. A bay window projects out from the south wall and has no foundation. The house has wood frame construction with masonry cladding, vinyl siding and a painted, concrete foundation. The original siding would have been wood. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. It also notes that the windows, shutters, and porch railing are not original. (1, 2, 3)

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