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The Old Presbyterian Manse is located at 129 James St. (on the northeast corner of James and Essa Streets). It was built around 1875 in the Neoclassical style. It was being used as a manse at the turn of the century and has since been converted into duplex units.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan and a medium-pitched, gable roof. It has large window openings, high floor to ceiling heights, and large, 6/6, double-hung windows. The original entrance probably had sidelights and a transom. There appears to have been a broad verandah at the front entrance and identical chimneys at both ends of the gable roof at one time. The building has sculptured, curvilinear, soffit brackets, solid brick construction (Flemish bond), and an exposed, stone foundation. According to the 2000 inventory, the existing entrance and many windows and doors do not reflect the original design intent. It also notes that the existing duplex unit arrangement suggests major interior modifications. (1, 3)

The Dr. Lewis Campbell House is a mid-block building located at 33 John St. East. It was built in 1900 in the Eclectic Edwardian style. Dr. Lewis H. Campbell was a well-known physician, athlete, and field lacrosse player. He travelled with the local lacrosse team to Australia (where they were undefeated). The team continued playing in India and Europe before coming back home. He had the house (and his office) built here the summer he got married. He married a nurse after his first wife’s early death and continued to live and practise here until his own death. The house was then sold to another doctor. Originally there was a full, two-storey horse stable with a loft behind the house. On the south-west corner there was a room for storing harnesses, blankets, etc. This faced the back lane and was clapboard with a peaked, metal roof. At the rear of the house there was also a brick, one-storey garage and storage for a cutter, buggy, etc. It was on the north side of the laneway and was later made into a small house with a verandah closed in on the south side for Kowalchuch (a small market gardener) and his family of two girls.
The 2½-storey house has an ‘L’-shaped plan (a Gothic feature). The steeply-pitched, hip roof has a large, hipped dormer. There is a large, projecting, second-floor bay window with a balanced window opening at the ground floor. Classically-inspired colonnettes on brick and stone piers at the porch entrance are another Edwardian feature. The eaves line is not consistent. Front, projecting roof eaves are higher than at the rear of house. This is more typical of an Arts and Crafts detail. The entrance door has sidelights and the double-hung windows have decorative, multi-pane, upper-sash windows. There are rusticated stone highlights at the belt course, ground floor window sills and porch colonnettes bases at the front façade. The house has brick masonry construction. A balcony infill above the porch does not appear to be original. The roof skylight and replacement entrance stairs and railing are also modern additions. According to the 2000 inventory, the house is unique and grand, with an eclectic mix of many original details. It also notes that it was difficult to see the structure due to the surrounding trees. (1, 2, 3)

The mid-block building located at 84 John St. East was built around 1920-1930’s in the Ontario Vernacular Cottage style. It was erected on property that was originally owned by Tom Saint and was the site of his storage lot (behind his business on Holland St. East). Tom was a noted stone mason, brick layer, and plasterer. He ran his own business from 1871-1925, at which point his son Leonard took over. A two-storey shed and horse stable (with loft above) stood on this lot originally. There was a 6’ wide and 7’ deep open ditch running from Barrie Street beyond Colborne Street. Tom had a large number of hard cement cloth bags that were used as abutments for a pole bridge. Tiles were eventually laid and the ditch was filled before World War II. The storage property was sold years later.
This 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. A box hall was typical for this style. It has a shallow-pitched, hip roof with dormer windows. The enclosed porch has a hip roof with a raised entrance, a single door opening, and windows on the three exposed sides. Its roof is supported on double, wood half-pilasters that are infilled with brick. There are large windows (with low floor to ceiling heights) to the primary rooms on each side of the porch and double-hung windows at the ground floor. The 2/2 windows appear to be original. They are set into rectangular openings with a brick, rowlock course above and concrete sills. The house has wood frame construction, brick siding and a parged, stone foundation. Aluminum siding is found on the dormers and porch. There is a single, brick masonry chimney at the centre of the house. According to the 2000 inventory, the one-storey rear addition and dormers do not appear to be original because of the style of windows, different roof types, and the shallowness of the main roof pitch. It also notes that some other building elements did appear to be original. (1, 2, 3)

The mid-block building located at 19 John St. West was built pre-1900 in the Ontario Vernacular style. Frank Adamson, who ran a gas station, lived in this house after World War II. It later became the home of Henry Bell and Phyllis for a short time.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a shallow-pitched, gable roof. It has a kitchen at the rear and a simple porch at the front. Wood frame construction has brick veneer cladding which is not original. The structure has a parged, stone foundation. According to the 2000 inventory, apart from the modest form, little of the original building is apparent. It notes that the (replacement) entrance canopy, windows, and cladding successfully hide clues regarding the structure beneath. (1, 2, 3)

The mid-block building located at 25 Joseph St. was built pre-1900 in the Ontario Vernacular style. The 1½-storey, three-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall. It has low and medium-pitched, gable roofs. The enclosed porch was probably open originally. There are discontinuous eaves line. The entrance is raised slightly above grade level and the steps are not original. Originally, there was probably only a single entrance door via a porch. An entrance door with metal awning may be a later modification. The building’s 2/2 sash windows with plain, wood trim may be original, but the metal awnings at the windows and the door are not. Wood frame construction is covered with vinyl siding. The original cladding was probably wood cove siding. This structure has a parged, stone foundation. According to the 2000 inventory, the modest house has had cosmetic, and some minor, organizational modifications over time. (1, 3)

The building located mid-block at 123 Moore Street was built pre-1900 in the Gothic Revival style. It stood behind the grand, Italianate villa (The Convent) that was once located at 118 Barrie Street and was the home of the Lukes’ family. Originally, the structure was built to be a two-car garage to house Gibb Lukes’ vehicles (particularly his Stanley Steamer). The garage was eventually converted into a dwelling. At the time of this photo (1995), it was being used as the Bradford Food Bank.
The one-storey, three-bay cottage has an “L”-shaped plan with a side hall. There is an asymmetrical façade with a front gable above the façade projection and a medium-pitched, gable roof. The front wall below the gable is inset slightly to provide shelter for the front entrance. It is set into a simple, rectangular opening. Small windows that are not original have low floor to ceiling heights. They are set into rectangular openings with plain, wood frames and sills. The building has wood frame construction with stucco cladding and a parged, stone foundation. According to the 2000 inventory, this modest cottage has few original details other than the building’s form. (1, 2, 3)

The mid-block structure located on the east side at 87 Toronto Street was built around the 1870’s in the Ontario Vernacular style. It faces the lane and was once the home of Harry Bugler.
The 1½-storey, rectangular building has a one-storey rear addition, a centre hall, and a medium-pitched, gable roof. Its front porch was open originally. The replacement windows have the original, plain, wood lug sills and trim. Metal storm windows and the door are also later additions. There is vinyl siding over the wood frame construction. The original cladding was probably wood cove siding. The structure has a parged, stone foundation. According to the 2000 inventory, little of the original building is apparent other than the form. (1, 3)

The mid-block building located on the west side at 150 Toronto St. (on the corner of Toronto and Queen Streets) was built around 1890-1910 in the Gothic Revival style. The 1½-storey, original farmhouse has a recent, two-storey addition, a simple rectangular form and a medium-pitched, gable roof. The original brick masonry construction was totally reclad with new brick veneer in the 1980’s. Replacement windows and doors may, or may not, be the original size and/or at the original locations. A new, parged-block foundation covers the existing stone foundation. According to the 2000 inventory, little of the original building is apparent apart from the form. It also notes that the new, brick cladding with dichromatic quoining, belt course, and window heads are not a convincing replication of the old-style detailing. The side-wing addition was thought to relate minimally to the main house. (1, 3)

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

The Nesbitt House is located mid-block on the west side at 88 Barrie Street. The two-storey, ‘L’-shaped building with a hip roof was built around 1920 in the Eclectic Edwardian style. The shallow, two-storey bay with a wide projecting gable roof is a classical, pediment-like form. The porch roof and balcony above are supported by rectangular colonnettes on brick piers. Other Edwardian features are the large, double-hung windows with shorter, upper-sash windows that are proportioned to resemble rectangular transoms. The wood-shingle texture at the exposed gable is an Italianate feature and the roof curb is reminiscent of an Italianate motif. There are precast lug sills and column bases. The house has load-bearing, brick masonry construction, a stone foundation, and painted-wood porch details. According to the 2000 inventory, the house has been maintained well. (1, 3)