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The following set of photographs were taken from the Bradford Witness August 21, 1957 edition, highlighting the Bradford Centennial parade and celebrations.
This Centennial float was made by the Bradford Council of 1957.

"The annual Carrot Fest in Bradford is a longtime summer tradition. Clockwise from above: Strolling accordion player Klaus Wehrenberg entertains; Sofia Gomez, 3, enjoys a day out; Gwilly, the mascot poses with a fan for a 'selfie'; the crowds enjoy the vendors on Holland Street; Hilary Whittaker (left) and Jane Pound, owners of the Bradford School of Dance, have some fun. To see more photographs from the event, go to thetopic.ca."

The grave markers of the cemetery have been placed in these two areas for preservation. Some parts of the gravestones are illegible because of missing/broken sections or erosion.

The grave markers of the cemetery have been placed in these two areas for preservation.

A page from an 1890 program for a novelty concert in Bradford. Libbie Campbell daughter of William Campbell (the grain dealer) was one of the performers in the concert and is listed in the programme.

Photograph of what was the farmhouse of Joseph Martin (1873-1946) and Elizabeth Martin (nee Spiers) (abt. 1883-unknown).

Joseph was the son of Thomas Martin (1840-1919) and Elizabeth Martin (nee Lee) (1850-1936). Elizabeth Lee was the daughter of Thomas Lee (1794-1868) and Ann Lee (nee Graham) (abt. 1825-1903).

Photograph of the Convent demolition

Allan (“Wink”) Crake, a nephew of Dick Crake, owned the one-storey building located at 31 Barrie Street. When Wink retired, Bradford Public Utilities bought the building and opened its offices here. There was a laneway behind Reuben Tindall’s house to the back entrance for the residents of John Street. (1, 2)

The Thorpe House is located mid-block on the west side at 184 Barrie Street. It was built post-1900 in the Eclectic Edwardian style. Miss St. Clair lived in this house many years ago.
The two-storey, ‘L’-shaped building has a projecting, two-storey, angled bay with a wide, pediment-like gable. More Edwardian features include the classically-inspired entrance porch with a balcony above. The balcony is supported on slender Doric colonnettes set on brick piers. This porch appears to be a replacement. There are large windows and the principal windows have rectangular transom lights decorated with small squares of coloured glass. The gable window also has coloured glass inserts. A broad, hip roof, roof curb and wide eaves overhang are Italianate features. The house has brick masonry construction and a stone foundation. According to the 2000 inventory, metal siding conceals the original wood trim at the gable and soffit. It also notes that although the replacement porch columns, balcony railing, and the altered porch roof are not of the same proportions as the original design, the original character of the building is still maintained. (1, 3)

The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)