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The two-storey house located at 205 Simcoe Road was bought and renovated by Mr. Bruce around 1928. Len Saint did the cement work and the plastering. William Ward and his family lived here later. He raised dogs and had a greenhouse and a garden at the back. He moved to James St. after he retired. (1, 2)

This two-storey, frame and cement-clad house is located south of the “Y” at 223 Simcoe Road. Mr. Bruce bought this house and the land (which extended south to the town limits and over the canal) many years ago. A marsh laneway ran east and there was a bridge across the canal for the road to the marsh. The lane circled the house and came out on Simcoe Road. There was a large barn east of the entrance to the property. It had a basement for animals and chickens. Albert Readman and his family (Mildred, Albert Jr., Olive, and Tom) lived in this house for a number of years. Mike Kasik (a market gardener) eventually bought the property. Len Saint built a cement garage and a storage building south of the house on the end of the bank and the lane. (1, 2)

The one-storey structure located at 56 Toronto St. was the home of Orville Hand for many years. (1)

An animal footprint in a building brick. The brick is displayed on a wood mount with a gold plaque. The item was recovered by Bill Patton during the demolition of the Convent in August 1994.

This portrait is of Samuel Lukes, businessman and mill owner of Bradford. At the time of this edition, he was a successful owner of the Bradford Flouring Mills and lived on Holland Street. Later, he would own the Algonquin Lodge (now known as the Convent).

This is Algonquin Lodge, later known as the Convent. it was the residence of Rev. Egerton R. Young in 1906.

"Farm home owned by Frank and Mima Ritchie. This picture was taken during the 1930's by their son-in-law, Reginald Coker. The farm was owned by the Ritchie family and was worked and operated as a dairy farm first by father Frank Ritchie, and then by his son Milton Ritchie. The farm consisited of 188 acres of land and during the Ritchie era was worked mainly with horses. In 1954, the farm was sold by Milton Ritchie to Elmer Stong. The house was built by Davis Stoddart in 1879. Off the main hall there was an oak circular staircase with an oak banister, which was fun to slide down on in the morning for us kids. There were approximately twenty-five rooms in the home with twelve foot ceilings. It was heated with wood and at time coal, but needless to say, in the real winter of yester year, one always wore sweaters indoors. Window shutters kept it cool in the hot summer months. Inside plumbing was not part of the home during the Ritchie era. The floors of the home were maple. The parlour hosted many events from Saturday night dances to weddings, wakes and funerals. Located off the main upstairs hall, stained glass double doors opened to a balcony overlooking the flower gardens adorning the front exposure. Many garden parties were held in the gardens during June, July and August. Sadly, the buildings fell into disarray after Mr. Stong sold the farmland to developers in 1971. The dairy barn built by Frank Ritchie in 1918 burned in the early 1980's and the house was allowed to deteriorate until it became only the shadow of what it had once been, which is now portrayed in some paintings. Mercifully, it was finally put to rest a few short years ago and another chapter of Bradford West Gwillimbury history became a distant memory." Written by their grandson, Alan Ritchie.

This series of photographs depicts the demolition of the Van Voorst-Armstrong house on Line 6, next to Bradford Valley Nursing Home.
See related descriptions "No heritage designation for ca. 1850s home" for more information.

This series of photographs depicts the demolition of the Van Voorst-Armstrong house on Line 6, next to Bradford Valley Nursing Home.
See related descriptions "No heritage designation for ca. 1850s home" for more information.

Article features local news, such as the reflection of the life of the publisher, and Bradford's housing situation which is reflecting in the weekly editions of The Witness.