Showing 20 results

The mid-block building located on the north side at 57 Holland Street West was built in the Eclectic Edwardian style in 1900-1920. It has been the home of many people over the years, including Ken Sawdon (who later moved to Mt. Pleasant), Dr. R.H. Judge, and Steve and Margaret Molokach and son John (market gardeners across the tracks behind the Bradford Bureau Kiosk).
The two-storey, ‘L’-shaped building with a hipped roof has a simple, smooth, brick form with broad, extended eaves and large, symmetrically-placed, window openings. Large windows with stained glass in the transoms at the main floor windows are another Edwardian feature. The contrasts between the rusticated stone base, the smooth-brick surface above, and the textured wood shingles at the gable are Queen Anne features. The hipped roof with a top, curb cap is an Italianate feature. This building has brick, masonry construction and a rusticated-block foundation. According to the 2000 inventory, the single-storey entrance and the narrow shutters are modern additions. (1, 2, 3)

The building located on the north side at 61 Holland St. West was built in the Romanesque Revival style around the 1880’s. The Scanlon Law Offices building was originally constructed to house the law practice of the two Scanlon brothers. Albert "Ab" Scanlon, a lawyer, and Mrs. Frank (Ethel) Woods, a widow and retired farmer (from the 8th Line) both resided here at one time.
The one-storey building has a rectangular plan, small window openings with high floor to ceiling heights, and a flat roof. The symmetrical façade has a simple, solid form. Round arches are reminiscent of the Roman Empire and rich, decorative details. Originally, there were two entrances contained unobtrusively in simple, rectangular openings on either side of the centre window. This is atypical of the Romanesque Revival style, where the entrance door was more frequently the most prominent element of the façade. The second entrance door to the west of the centre window has been “bricked in”, but its flat, arch opening is still visible by the line of the brick voussoirs. There is a wood-panelled door with an upper, glass light and also a rear entrance. The centre, ground-floor window is a prominent feature. It is exaggerated by the arch form set into the parapet above and subdivided vertically into three parts. Smaller windows to each side are set into segmented, arch openings with brick voussoirs. The windows are double-hung with stone (or concrete) lug sills. A major feature is the heavy parapet with an insert panel decorated richly with brick set in a basket weave pattern. The segmented arch extends the window form into the parapet panel. A cornice line along the bottom of the parapet is decorated with a line of brick dentils. The building has masonry construction, brick cladding, and a cut-stone foundation. According to the 2000 inventory, the structure is in good condition with many, original details remaining. (1, 2, 3)

The Standard Bank is located at 65 and 67 Holland St. West. It was built in the Romanesque Revival style around 1860-1900. O.M. Seim, previous owner of the Bradford Witness newspaper (1916-1932), and his family (Gordon, Ken, Marjorie, Maurice and Betty) once lived here. Dr. McMichael, a dentist, lived on John St. but had his practice here many years ago. Aubrey Stewart (and her son Bruce) at one time had an Insurance company here and the living quarters were rented. The building was eventually converted into apartments.
The commercial building (67 Holland St. W.) is set close to the street. Originally, there was a large, walk-in vault at the rear of the building on the ground floor. Residential quarters were on the second floor. The two-storey building has tall window openings with high floor to ceiling heights and an asymmetrical façade with a simplified ‘temple’ form. There is a medium-pitched, ‘pediment’ gable roof facing the front and a tympanum with a rose window. Brick pilasters support a plain cornice and frieze at both the ground and second floors to create the image of a classical Greek temple (combined with the more Roman arch form). The commercial entrance is contained within one of the two corbelled arches and is raised slightly. A double-panelled door is topped by a multi-paned transom light. The ground floor bank window is set into a corbelled arch opening with a transom light and stone or concrete lug sills. Upper windows are set into rectangular openings with transom lights. The cornice and frieze at the ground and second floors are ‘supported’ on corbelled brick brackets. This building has brick masonry construction and a cut-stone foundation.
The residential wing (65 Holland St. West) is set further back from the street to provide greater privacy to the living quarters. It takes a more recessive form with an open verandah at the ground floor and an enclosed porch on the upper floor running the full width of the house. There is a hipped roof on the residential wing. The entrance door to the house also a transom light, but like the rest of the residential wing, it does not have the rich texture or detail found on the more public portion of the building. The residential porch posts, railing, door, and windows are not original. According to the 2000 inventory, the structure is in good condition with many original details remaining. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

Miss Sinclair’s House is a mid-block building located on the south side at 92 Holland Street West. It was built in the 1890’s in the Italianate style. Miss Bertha Sinclair lived in this house for many years. When she died, her nieces Kay and Isabel (daughters of Robert Spence) moved into the house. They were hairdressers. Isabel later moved and part of the house was rented to George and Ethel Stewart. The building was eventually sold to a real estate agent. The office of Dr. Fitzsimmons was also here at one time. Next to this structure was a vacant lot belonging to the Sinclair family. Many years ago there was a Temperance Hall and a church located there.
The two-storey, rectangular, main building has a single-storey, rear addition, a symmetrical façade, and a moderately-pitched, hip roof with a central chimney. The grand, Italianate scale is reflected in the large window openings, high floor to ceiling heights, and the large, 6/6 sash windows. There are deep, projecting eaves with ornately-decorated, paired cornice brackets and ‘false quoins’ (wood detailing meant to resemble masonry). The window cornices are exaggerated. According to the 2000 inventory, the stone foundation, wood frame construction, horizontal, wood-sided exterior finish (resembling masonry), and painted, exterior, wood trim are maintained well. (1, 2, 3).

Miss Sinclair’s House is a mid-block building located on the south side at 92 Holland Street West. It was built in the 1890’s in the Italianate style. Miss Bertha Sinclair lived in this house for many years. When she died, her nieces Kay and Isabel (daughters of Robert Spence) moved into the house. They were hairdressers. Isabel later moved and part of the house was rented to George and Ethel Stewart. The building was eventually sold to a real estate agent. The office of Dr. Fitzsimmons was also here at one time. Next to this structure was a vacant lot belonging to the Sinclair family. Many years ago there was a Temperance Hall and a church located there.
The two-storey, rectangular, main building has a single-storey, rear addition, a symmetrical façade, and a moderately-pitched, hip roof with a central chimney. The grand, Italianate scale is reflected in the large window openings, high floor to ceiling heights, and the large, 6/6 sash windows. There are deep, projecting eaves with ornately-decorated, paired cornice brackets and ‘false quoins’ (wood detailing meant to resemble masonry). The window cornices are exaggerated. According to the 2000 inventory, the stone foundation, wood frame construction, horizontal, wood-sided exterior finish (resembling masonry), and painted, exterior, wood trim are maintained well. (1, 2, 3)

The mid-block building located on the north side at 15 John Street East was built around 1890 in the Eclectic Neoclassical style. It was the home of Miss Arnold, a well-respected member of the community, during WWI. Dick Saint had part of the house before and during WWII. The building is currently (in 2014) owned by Giuseppe (Joe) Campagnola. It has been his family’s home since the mid 1950’s.
The two-storey, rectangular building has symmetrical openings and a centre hall plan. A medium-pitched, hip roof with a curbed deck above is a Regency Revival feature. It is reminiscent of construction before a belvedere or cupola is added and it accentuates the horizontal roof-line. The upper-floor windows are narrower than the lower ones (neoclassical features). This suggests late nineteenth-century construction. The full-width, front verandah is another Regency Revival feature. Elaborately-carved, wood brackets and turned wood posts at the verandah are original. The typical low porch railing and wood newels at the stair railing are more Gothic Revival features. This building has rusticated, loadbearing, cement-block construction and a cement-block foundation. These blocks were made by William Turner during WWI. The block pattern is considered to be interesting. According to the 2000 inventory, this unique house has been well-maintained and many original features remain. It also notes that the ground-floor replacement windows with sliders, screen door, and window A/C unit are unsympathetic with the original design. (1, 2, 3)

The mid-block building located at 71 John St. East was built around 1900 in the Edwardian Classicism style. It was once the home of Sam Stein and his son and daughter. He was the owner of the Toronto Manufacturing Co. (maker of baby carriages and wicker furniture). His business was located on the northwest corner of Dissette St. until around 1929. After its end, the house was rented to a number of O.P.P. officers and their families, including Ivan Spence and Sam Irwin (a talented violin player). It was also the home of Joe Kanyo (a market gardener) and his family at one time. Leonard Saint built a large cement garage at the rear of the house. It had a basement for storing vegetables and a ground-level room for vehicles. The house was eventually sold and redesigned into rental apartments.
The large, 2½-storey house has a rectangular plan with a side hall, an asymmetrical façade and a simple, formal composition. It has a prominent, gable roof. The Classical roof form is expressed as a pediment with extended eaves and mixed with the Queen Anne texture of wood shingles. A raised, entrance portico with a flat roof and balustrade with access from the second- floor portico roof is set on a plain entablature ornamented with a band of dentils and set on double posts on brick piers. The single door is off-centre. There are large window openings with high floor to ceiling heights. Multi-paned, double-hung windows are reminiscent of the Queen Anne style. Ground and second-floor windows are set into segmented, arch openings with brick voussoirs and concrete, lug sills. The third-floor windows have wood entablature and plain, wood trim and sills. Wood frame construction is covered with smooth brick and wood-shingle cladding. There is a parged, stone foundation. The portico steps, foundation and balustrade, and entrance door are not original. According to the 2000 inventory, the house is in good condition. It also notes that the original form and many details are still intact. (1, 2, 3)

The mid-block building located on the south side at 126 John St. West was built in the 1880’s in the Gothic Revival Cottage style. Originally, there was a back lane for Jim Woods' house and barn next to this house. Pratt lived here many years ago with his wife and two sons. Elgar Houghton bought this house around the time of World War II. He lived there for a time and then he had the house converted into four apartments which were rented. He later sold the building.
The 1½-storey, five-bay cottage has a rectangular plan with a centre hall, an asymmetrical façade with an off-centre gable over the entrance, and a medium-pitched, gable roof. There is a simple, rectangular entrance (at grade level) with windows to the primary rooms on each side. The existing roof over the entry is not original. Small windows at the ground and second floors are not original. They are set into segmented, arch openings with plain, wood frames and painted, stone lug sills. Brick, masonry construction is clad with stucco (not original) and the structure has a parged, stone foundation. According to the 2000 inventory, this modest house has few original details other than the building’s form. (1, 2, 3)

The Dr. Clement House is located at 41 Simcoe Road (on the southeast corner of Simcoe Road and Centre Street). It was built around 1830-1860 (1840’s?) in the Classic Revival style. Dr. Clement lived and died here after practising in the 1870-80’s. He was buried in Clement Cemetery on the 2nd Line in Innisfil (east of Highway 11). His wife Rachel lived here until her death. The house was then rented to Walton, a railroad man for the C.N.R. The barn and garden behind the building ran to William St. (as did all the properties on the east side). Sam Catania and his wife Sarah lived here in later years. They converted the house into two apartments and had a dry cleaning business in the garage that was eventually destroyed by fire. Sam sold the house to Bruce and Barbara Verney. They were still living here when this photo was taken in 1995. Bruce was a chiropractor. A building used as a dry cleaner was constructed later on the property. Jack Pong (a restaurant owner on Holland St.) built a house on the back of this property that extended to Centre Street.
The street level has apparently been raised considerably around this house as the current 1½-storey, two-bay house was originally 2½ storeys. It has an asymmetrical façade and entrance, a simplified ‘temple’ form, and a medium-pitched, gable roof. The pediment roof shape has return eaves facing the front. A hip roof on the raised entrance portico is supported on wood beams with decorative, wood dentils. The corner columns have wooden ‘flutes’ and are mounted on brick pedestals. A wood-panelled door is flanked by narrow sidelights and is topped by a transom light. The house has small window openings with low floor to ceiling heights. Small, upper-floor windows are set into rectangular openings with plain, wood frames and sills. A ground-floor, bay window is an angled projection with a hip roof. The brick masonry foundation appears to be a replacement. A horizontal belt line at the top of the foundation is expressed with wood trim. The structure has wood frame construction with stucco cladding and a cut-stone foundation. Bricks found at the bay window foundation and at the entrance porch are probably not original. According to the 2000 inventory, the house is in good condition with many original details. (1, 2, 3, 4)

The mid-block building located at 47/49 Simcoe Road was built around 1830-1860 in the Neoclassical Duplex style. Originally, there was a long, one-storey, frame house located at this site. It had a verandah on the northwest side, a picket fence along the street, a large barn on the south side of the house, a garden at the back and it was the home of Lew McConkey Sr. (a grain and seed merchant), his wife, and son. Lew had an office on the north side of Holland Street. New owner Paul Sadlon had Len Saint build a garage and a storage building at the back. Paul and his wife were market gardeners. Their son owned Bruce Sadlon Motors. The house was later converted into two apartments. Jack Gibney and his wife (Sadie Copeland) and their three daughters (Doris, Joyce and Muriel) lived here at one time. He was a horse trainer and worked for Dick Crake for many years. Jack replaced Alfred Payne (a bachelor who lived at the Queen’s Hotel). The current duplex was built on the same property after the house was demolished. Harold Gwyn, owner of a plumbing and heating business, was the owner of this newer building at the time this photo was taken in 1996.
The two-storey, four-bay, semi-detached house has a rectangular plan, a formal, symmetrical façade, and a medium-pitched, gable roof that has a central chimney (not original). Slightly-raised, separated, side-hall entrances are located at either end of the façade. This gives greater privacy than paired entrances, but it places habitable rooms along the party wall. The doors are set into plain, rectangular openings and are not original. There are large window openings with low floor to ceiling heights. Equal-sized, ground-floor and second-floor windows (not original) with high sills are set into plain, rectangular openings. The openings have plain, wood frames and sills. Similar window openings above the entrance doors may have once existed and then been covered. The building has wood frame construction with vinyl siding (not original), a cut- stone foundation, and a basement. According to the 2000 inventory, few original details remain other than the building’s form. It also notes that the slightly-sagging roof suggests insufficient structural supports in the centre of each house. (1, 2, 3)