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The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)

The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)

The William Melbourne House is located at 97 Church St. (at the corner of Church and Frederick Streets). It was built in the Gothic Revival style in the 1870-80’s by Bill Curry. The 1½-storey, three-bay ‘cottage’ has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is a centre gable over the entrance. The building has a rectangular plan and a centre entrance hall. A ‘Regency Style’ entrance has arched tracery in the multi-paned transom and sidelights. The shallow pediment, entablature, and pilasters framing the entrance indicate a neoclassical influence. The bay windows at the ground floor have three-sided, angular projections and a hip roof. A semi-circular, arched window with a transom of multi-paned fanlights is located fully within the centre gable at the second floor as well as decorative gingerbread along the eaves and verges. There is a wood ‘drop’ or pendant suspended from the mid-point of the centre gable. The finial was originally above the gable. The cornice around the roof of the bay windows is decorated with dentils. Paired brick chimneys (with stacks set on the diagonal) are found at each side of the house. The house has wood frame construction with painted stucco cladding (1933) on the original wood cove siding. It has a stone foundation. The double-hung windows and storm entrance door are not original. According to the 2000 inventory, the house is in excellent condition with many original features. The gingerbread trim was removed and the stucco was replaced with vinyl siding after the inventory. (1, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

The George Green House is a corner building located at 130 Church Street. It was built in the Gothic Revival style in the 1890’s. Originally, there was a barn located in the rear yard. The two-storey, two-bay house has a one-storey kitchen addition at the rear. It also has a rectangular plan, a side hall, and narrow window openings with high floor to ceiling heights. The building has a medium-pitched, gable roof. An asymmetrical façade has an open, covered, entrance porch with a hip roof that is raised slightly above grade. The porch roof is supported on turned posts with decorative, ‘gingerbread’ trim. There is a Regency entrance door with a transom and sidelights. The double-hung windows are not original. Plain, wood trim and sills still remain. The house has wood frame construction, wood shiplap siding, a stone foundation, and a cellar under the main portion of the house. The original siding was stucco and the chimney and shutters are later additions. According to the 2000 inventory, the house is in good condition with some original features. (1, 3)

The house located at 131 Church St. (on the southeast corner of Church and Hurd Streets) was built pre-1900 in the Gothic Revival style. It was once the home of the Taylor family.
The 1½-storey, three-bay ‘cottage’ has a centre-hall plan and a medium-pitched, gable roof. There is a gable dormer centered in the main, gable roof. At the time of the 2000 inventory, the house had aluminum siding on wood stud framing. The original cladding was wood cove siding. It was notes that only the basic form gives some clue as to the age of the structure. Many historical features are concealed by the use of modern cladding, the replacement windows, and the many trees on the property. (1, 3)

The Gummerson House is located at 151 Church St. (on the southeast corner of Church and Queen Streets). It was built in the Gothic Revival Cottage style around the 1880’s. The Gummerson family moved to Bradford from Bond Head (on the southwest corner of Beeton Road) in 1886. This structure later became the home of Rose MacEwan. Sue and Philip Richards also lived here at one time.
The 1½-storey, three-bay ‘cottage’ has a one-storey and a 1½-storey rear additions. There was a barn at the rear originally. The house has a centre hall plan and a medium-pitched, gable roof with steeply-pitched dormers. It has dichromatic brickwork at the stylised quoins and a patterned belt course. There is an accent brick, diamond pattern at the dormer and gable peaks and at the curved, brick lintels at the openings. There are large window openings with high floor to ceiling heights. The house has four-pane, casement windows at the front and 2/2 wood, sash windows at the sides. Painted, wood, lug sills remain. The front dormer has a round-headed casement. Original windows and doors, loadbearing, brick masonry construction, and a stone foundation also remain. An inscription in a brick at the rear of the building reads: “Sept. 3, 1886 prayer meeting”. According to the 2000 inventory, the lack of Gothic Revival features (such as a porch and gingerbread trim) indicates a more modest, vernacular variation. It also notes that the house originally had three chimneys (one at each of the gable ends) and a barn at the rear. (1, 3)