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This series of photographs depicts the demolition of the Van Voorst-Armstrong house on Line 6, next to Bradford Valley Nursing Home. This photograph shows the stone floor and foundation of the house prior to demolition.
See related descriptions "No heritage designation for ca. 1850s home" for more information.

This series of photographs depicts the demolition of the Van Voorst-Armstrong house on Line 6, next to Bradford Valley Nursing Home. Dave Chambers (of Bond Head) used some of the bricks from this site for an outdoor fireplace.
See related descriptions "No heritage designation for ca. 1850s home" for more information.

Working to Preserve Convent's History

Bradford - A lot of people are interested in seeing the empty building known as the old convent on Barrie Street saved, says one Bradford resident who is determined to do his part.

Jim Culbert, known to those who have had him repair or finish furniture as The Furniture Doctor, has made the fate of the convent a personal concern.

His interest in the convent has resulted in several newspaper articles citing him as someone who knows a lot about the building's past, and every time one is published he gets calls of support from others, he says.

If, as is likely, a committee is struck to determine how the convent will be converted into a recreation complex, (as is recommended in the master recreation plan) Mr. Culbert says he wants to be on the committee.

"The entrance hall is large enough for a reception area," he said, in an interview at his Bradford home. "And the games room, living room and dining room could all be used without changing them."

Mr. Culbert's interest in the building isn't just as an observer. He has toured the building since it was left empty a few years ago when it was sold to the town by Fred Picavet.

The video tape he made of the building has been joined with a film of the April 1986 council meeting where council decided to end a long simmering court battle with Mr. Picavet and bought the convent for $125,000.

(The purchase was agreed to in conjunction with signing a subdivision approval for Mr. Picavet, a situation that Reeve Sandy Hudson said, "stinks," but it was approved on a vote of 4-2; Deputy-reeve Bill Dykie also voted against; councillor Gary Lamb was absent.)

Now, also on that tape, is last week's master recreation plan meeting. The subject of the convent was not discussed at the meeting, but the recommendations of the report include a suggestion that the convent be partly renovated and turned into a recreation complex.

Mr. Culbert said he plans to edit and complete the tape when the convent reaches its next evolution. Then, he will give one copy to the library, and one to the town, he said, in the hopes that the building's history can stay alive.

He is also working on a booklet on the convent's history, which now includes news clippings, letters and photographs.

He has tried to contact some of the former residents or their families, and has been somewhat successful. Although he could not get any information from the Ursuline Nuns who once resided in the building, he did contact the grandson of Samuel Lukes, owner of the building from 1910 to 1929, when it went to his son Gilbert.

Tom Lukes wrote from Wales about his memories as a young adult.

Mr. Culbert said he also received a phone call from the grandson of missionary Egerton Ryerson Young, who owned it from 1903 to 1910.

"He was quite indignant," Mr. Culbert said, about a news article that referred to the building as a grand old house, and home to the wealthy and prominent.

"His grandfather was not a rich person," Mr. Culbert said.

Although he objected to the view of the building as a mansion, he said he wanted to see it preserved, and told Mr. Culbert he would donate some money if fundraising were done.

Mr. Culbert said once he finishes his history of the convent, he would like to see it, or some other indication of the buildings history, in the entranceway of the building when it is reopened.

Chronology

(As compiled, in part, by Jim Culbert)

Aug. 2, 1871 - John MacLean Stevenson bought three acres of land on the east of Barrie Street, between Letitia and Moore Streets, from John and Eliza Armstrong, for $1,200.

June 29, 1876 - Mr. Stevenson, reeve from 1871-1877, borrowed $3,957.50 to start construction on plans he brought back from Scotland, for a castle with an Italianate flavor.

April 10, 1877 - the house was sold to Robert Bingham for $5,500. The family lived there for 16 years, until Robert's death. April 20, 1893 - Caroline Bingham sold the home to James and Emily Boddy for $2,000, the price lowered by the depression. James Boddy, Reeve from 1894-96, lived in "Fairview," until November 24, 1903, when it was sold under power of sale for $1,900 to Charlotte Jeffs, and quickly resold for $2,300 to Rev. Egerton Ryerson Young.

"Algonquin Lodge" was home to the world-famed reverend until his death in 1910.

April 10, 1910 - sold to Samuel Lukes by Rev. Young's widow Libbie Bingham, for $3,600.

Renovations including new verandahs, were made to 'Luxalean."

Feb. 26, 1929 Samuel's son Gilbert took over the home on his father's death and made alterations to the front and side, including additions of the sunroom. The outside was stuccoed for warmth.

June 1945, Nov. 1947, July 1949 - three parcels of land were severed from the property and sold to neighbours.

Oct. 26, 1949 - sold to the Roman Catholic Archdiocese of Toronto for $19,000, and again sold Dec. 10, 1950 to the Ursulina Order of the Diocese of London, a group of teaching nuns, for $14,000, which excluding the land to the south, where St. Mary's Catholic School was built.

July 4, 1969 - sold to John and Maria Moniz for $28,000. It was renovated to an apartment building (contrary to zoning bylaws).

Feb. 10, 1981 - The deed was acquired by Fred and Betty Lou Picavet, who began removing the stucco and interior plaster, with plans to renovate and live in the home.

Feb. 26, 1981 - Bradford Council brought a stop to work order and a certificate of Lis Pendents, and the ownership of the building went before the courts.

The building lay empty, and began deteriorating as each side said they were the rightful owners.

April 16, 1986 - Bradford Council signed an agreement to purchase the building for $125,000 from the Picavets.

The building has been boarded up since then, awaiting a decision on its fate. The master recreation plan, released in draft form March 10, 1987, suggests it be partially demolished, partially renovated to form part of a new recreation and leisure complex on the site.

The stately house located at 108 Moore Street (on the northwest corner of Moore and Frederick Streets) was built around 1880 in the Eclectic Gothic Revival style. Originally, it was the home of the Andrew Thompson family. He was the owner of a hardware business. There were extensive sheds (used to house their horses, buggies and feed) to the north of the house years ago. These sheds were eventually demolished and a two-car garage was built. In later years, this structure was the home of Lorne (Paul?) West and his family. They were followed by Norman (Dodger) and Jean Collings, who lived here for many years. This house was listed on the Bradford Heritage Registry in 2014.
The two-storey, ‘L’-shaped building has a medium-pitched, gable roof, an asymmetrical entrance, and large, asymmetrical window openings. There is a projecting, ground-floor bay window. The dropped finial at the front gable is another Gothic Revival feature. A simple and elegant portico with Doric columns and a projecting entablature is a neoclassical feature. There is a round-headed, sash window beneath the front gable and original, 2/2 wood, sash windows at the second floor. Replacement windows are found at the ground floor. The shutters are original. There is a projecting brick belt course and recessed brick panels (bay window), loadbearing, brick masonry construction, and a parged, stone foundation. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 71 John St. East was built around 1900 in the Edwardian Classicism style. It was once the home of Sam Stein and his son and daughter. He was the owner of the Toronto Manufacturing Co. (maker of baby carriages and wicker furniture). His business was located on the northwest corner of Dissette St. until around 1929. After its end, the house was rented to a number of O.P.P. officers and their families, including Ivan Spence and Sam Irwin (a talented violin player). It was also the home of Joe Kanyo (a market gardener) and his family at one time. Leonard Saint built a large cement garage at the rear of the house. It had a basement for storing vegetables and a ground-level room for vehicles. The house was eventually sold and redesigned into rental apartments.
The large, 2½-storey house has a rectangular plan with a side hall, an asymmetrical façade and a simple, formal composition. It has a prominent, gable roof. The Classical roof form is expressed as a pediment with extended eaves and mixed with the Queen Anne texture of wood shingles. A raised, entrance portico with a flat roof and balustrade with access from the second- floor portico roof is set on a plain entablature ornamented with a band of dentils and set on double posts on brick piers. The single door is off-centre. There are large window openings with high floor to ceiling heights. Multi-paned, double-hung windows are reminiscent of the Queen Anne style. Ground and second-floor windows are set into segmented, arch openings with brick voussoirs and concrete, lug sills. The third-floor windows have wood entablature and plain, wood trim and sills. Wood frame construction is covered with smooth brick and wood-shingle cladding. There is a parged, stone foundation. The portico steps, foundation and balustrade, and entrance door are not original. According to the 2000 inventory, the house is in good condition. It also notes that the original form and many details are still intact. (1, 2, 3)

This house is located on the south side at 156 John St. West. It was originally a garage built by Merle Woodcock on his property. The structure was on the laneway that went to Holland Street. This laneway was a popular spot for sleigh rides when the Moore family had creek property many years ago. (1, 2)

The mid-block structure located at 79 John St. East was built around 1860-1890’s in the Gothic Revival style. Originally, there was a shed and garage attached to the house at the rear and a vacant lot on the east side. This building was the home of Charles Aitcheson and his wife Carol for many years. He was a painter and decorator and he worked for Bill Sutton. Cyril Mestagh was the next owner of the house. He and his wife Jennie and their daughters (Vera and Gladys Irene) lived here. Cyril was a small, market gardener and a well-known grower. He hauled vegetables to the Toronto market. The house was sold when Cyril retired.
The 1½-storey structure has an ‘L’-shaped plan with a centre hall, a one-storey, rear, kitchen wing and a medium-pitched, gable roof. The asymmetrical façade has an off-centre, front gable above the façade projection. There is a raised, front porch with a shed roof set onto wood posts on brick. The steps, door, windows, and enclosing walls of the porch are not original. This building has small windows with high floor to ceiling heights. A wide, Regency-style, ground- floor window has a wide, centre opening flanked by narrow lights. It is set into a rectangular opening with a plain, wood frame and sill. An upper window is centred above the lower window in the projecting bay. It is also set into a rectangular opening with a plain, wood frame and sill. Only the 2/2 windows in the structure are original. The building has wood frame construction, vinyl siding (not original), and a parged, stone foundation. According to the 2000 inventory, some original details still remain. (1, 2, 3)

"Demolition of the old convent on Barrie Street was scheduled to begin this week. The site, north of Frederick Street, will be the home of a new multi-service facility. When it's done in March 1995, it will be 15,000 square feet in size and will accommodate a child-care facility for 150 children. Bill Bowden, property manager for the Barrie and District Association for People with Special Needs and project manager for the new building, indicated the old convent has been totally trashed and nothing remains of any salvageable value. And as yet, there's no official name. "The Common Roof was the local name for the group attempting to get this project under way. It sort of stuck, I doubt if that will be the final, official name of the building," he said. Bowden said the new structure will house a number of agencies providing child-care services such as a daycare, a nursery, PALS resource centre and a number of other social service agencies for the child and family in the Bradford area. The new building will cost in the neighbourhood of $1.5 million. Bowden said the centre will "service in the neighborhood of 150 children each day. Children will be coming and going. Some will be there all day. Some will be there only in the morning and some only in the afternoon." The demolition work marks the end of a lengthy process. The Bradford West Gwillimbury Local History Association is working with the architect for the new building to include part of the old convent building in the new structure.

The mid-block building located on the north side at 93 John Street East was built pre-1900 in the Gothic Revival Cottage style. A large horse stable and a barn for storing marsh hay once stood behind the house. A fence also ran across the length of the rear of the property. Brunnetto Caesar lived here with his wife Grace (Stamper). He worked on the marsh harvesting marsh hay and as a teamster. He later bought a tractor and did custom work (draining and breaking marshland). Bill Wilson and his wife bought the house after World War II. He worked on the railway and retired here. He had a large garden at the rear, as well as a barn. Bill eventually sold the house to Ferrara and moved away.
The 1½-storey, three-bay house has a rectangular plan with a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. The entrance porch does not appear to be original because the peak and eaves of the hip roof of the porch interfere with the ground and second-floor windows. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The house has wood frame construction, stucco cladding, and a parged, stone foundation. According to the 2000 inventory, the main-floor windows, screen door, and the two-storey addition at the rear are not original. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The structure located at 98 John St. East was the home of the Collings family years ago. The large, two-storey, frame and stucco-clad house has a long shed at the back that was once used for automobile storage (and later as a utilities room). Before World War II, there was a small building used for repairs and a blacksmith shop located east of the house. Along the lane fence at the south end of the property was a large, one-storey building used for storing marsh hay. South of the main house was a cement sidewalk that led to Holland Street. There was a garden (and later, grass) on each side of the house. Originally, the family owned a horse stable located at 100 John St. East.
Bill Peters and his wife were housekeepers for Ernie Collings Sr. when he lived here around 1907. Ernie owned marshland on the west side of the Holland River at the 10th Line. Years later the house was bought by James Armstrong and his wife Jane (Saint). Jim was a marsh hay worker and he owned land above the 10th Line on the west side of the river. Jim was an implement sales man on Holland Street (around the time of WWII) after marsh haying was finished. He also ran a garage at 11 Holland St East with Fred Gregory after Dennis Nolan closed his garage. Jim and Jane raised their daughters in this house. Daughter Shirley and her husband Bill Watson remained in the house after Jim and Jane died, but it was eventually sold. (1, 2)