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The Grand Old Dame of Bradford

The Grand Old Dame of Bradford

It's been a convent and home for the rich in the past 111 years.

It stands like a grand old lady on Bradford's main street, its ancient facade belonging to a bygone era.

But time has chipped the regal bearing of the building, wrinkling its paint and the once shiny windows that surveyed a street filled with horses and carriages are now broken and empty.

Originally a home for the town's wealthy and prominent, the 1876 mansion was also used as a convent and as an apartment building.

The building was stripped of the last vestiges of stateliness in the last five years when the Town of Bradford and its owners were embroiled in a legal controversy over ownership.

Plagued by Vandals

Left in limbo, the house was plagued by vandals and disuse. It was then that Bradford resident Jim Culbert launched his one-man crusade to have the home returned to its former glory.

The town council wanted to tear the house down to make way for a library, but now as the dispute with owner Fred Picavet is settled and the town takes possession under a new council, the future of The Old Convent is once again up in the air.

While Mayor Bill DePeuter says it isn't economically feasible to retain the complete house, he plans to hold a public meeting for residents' input into the building's fate.

But 36-year-old Culbert insists the town landmark should be preserved intact and renovated "as a tribute to those men and women who gave us our historical heritage."

He spent many an hour in libraries and registry offices and spoke to past owners in an effort to trace the heritage of the historic house.

The building is steeped in the town's history, back in 1871 when John and Eliza Armstrong sold their three-acre parcel of land bound by Letitia, Barrie and Moore streets to John MacLean Stevenson for $1,200.

Stevenson wanted a unique design for his dream house and on returning from a trip to Scotland, the Bradford lawyer brought back plans based for a Scottish castle.

At that time, English aristocrats, and later the wealthy in Ontario, were copying the design of Queen Victoria's and Prince Albert's country retreat on the Isle of Wight.

It soon became apparent to curious onlookers that the home under construction in 1876 was to emulate this popular Italianate style.

Topping the majestic home was a widow's walk or Italian campanile, an octagonal tower with windows on each side that provided a breathtaking view of Bradford and the surrounding countryside.

Inside the house, an enormous, graceful staircase spirals upwards, from the large foyer. The cherrywood that it is made of borders doors and windows throughout the house.

Off the entrance lies the formal living room with its three large windows, separated by pockets doors from a games room with oak panels, fireplace mantel and broad ceiling beams.

Beautiful Interior

A mahogany fireplace and large picture window grace the music room at the front, connected by an arched doorway to the sun room.

The back of the mansion houses the large dining room and kitchen with wainscotted walls. Behind the kitchen lies a storage room for food and meat curing. Stairways lead to the basement and second floor.

On the second floor, a distinctively etched window once separated the stair landing from the hallway, but was recently smashed by vandals. That window was the sole source of natural light for the hallway.

The upstairs landing and hallway floors are made of oak with intricate designs. Three bedrooms, two bathrooms and a dressing room complete the second floor.

Another spiral staircase leads up to the tower landing and widow's walk from where the climber can see the lake to the northeast, Newmarket to the southeast, the marsh to the south and Bradford to the north.

It is this that Culbert is fighting to keep from becoming a memory, lost in the name of progress.

The dignified house was resided in by Stevenson, the reeve until 1877. Later that year it was sold to Robert Bingham for $5,500.

Seventeen years later, Robert's widow Caroline sold the home for $2,000 during a depression. James Boddy, the reeve from 1894 to 1896, took over the house, calling it Fairview.

The deed passed through several hands until famed Canadian missionary and author Rev. Egerton R. Young of Bradford bought the house for $2,300 in 1903.

Renamed Algonquin Lodge, the minister made it his home shortly after marrying one of Bradford's most attractive ladies, Libbie Bingham. After his death in 1910, the house was again sold, going to Samuel Lukes for $3,600.

Renovations

The Lukes family, which operated the busy Bradford Flour Mill on Holland Street, made several repairs to their house, replacing the verandas with one large one.

In 1929, Samuel's son Gilbert continued alterations, adding a sun room, changing the location of the driveway and entrance steps as well as stuccoing the home for warmth.

Artie Saint. the town's popular house and barn builder, was commissioned to do the renovations, converting a bedroom into a dressing room and building the unique bathroom with bidet, shower, bath and toilet that still stands today. A garage and stable were added to the rear of the house.

Lukes began selling off parcels of land surrounding the house in 1945, and in 1949, a For Sale sign went up again on the front lawn of what was then called Luxalean.

The Roman Catholic Episcopal Corporation for the Diocese of Toronto bought the house for $19,000 but soon sold it to the Ursuline Order of the Diocese of London, a group of teaching nuns.

However, the plot of land south to the house was retained and St. Mary's Catholic School was built.

The stately mansion passed through on era of grandeur and spacious living, the huge terraced gardens becoming a concrete driveway and then in 1969, it was converted into an apartment house by John and Maria Moniz.

Despite town bylaws prohibiting such use, it was used as a multiple family dwelling for 12 years until 1981 when the 105-year-old building was sold to Fred and Betty-Lou Picavet for $90,000.

The Picavets hoped to restore the house but had only stripped plaster from the inner and outer walls, in tending to insulate for a warm and comfortable home, when they were halted by a certificate of lis pendents filed by the town in February, 1981.

The town had issued a stop-work order and Picavets in turn sued the town.

Mayor DePeuter said although the town had offered to buy the house and placed a deposit, the Picavets stepped in with the cash.

An agreement was reached this month, ending the lawsuits, and the town will purchase the house from the Picavets.

The mayor said council will discuss ways that the building can be used by residents, adding the neighbouring old St. Mary's school is well-used as a nursery school and community meeting hall.

While DePeuter says he realizes some residents will want the building retained for historical reasons, he feels it would cost too much. Instead, certain parts such as the facade or tower could be kept, he adds.

Community Uses

The dispute over ownership was of little concern to Culbert, a self-admitted antique lover and owner of The Furniture Doctor. He only wishes to see the house restored without the loss of its original character.

Culbert says the house could have a number of community uses, adding if elevators were installed, it would make a beautiful library.

He estimated the 111-year-old house would need about $250,000 in repairs including new plumbing, drywall, insulation and doors and windows.

"It may be in disrepair but it's never sagged," he says. "It still is standing."

The mayor says council isn't in a hurry to make a decision about the building but will likely decide its fate by the end of the year.

Until then, like any grand old lady, the house patiently waits, accepting the ravages of time and age with stoicism while memories dance inside.

This newspaper article is from the Bradford Womens Institute Scrapbooks.

Debbie Blair

Tenders Wanted

"Tenders will be received by the undersigned up to the 20th July, 1908, for the erection of a new School House in S.S. No. 6, West Gwillimbury. For plans and specifications apply to T.D. Stoddart."

Bradford Witness

79 Barrie Street - The Davey House

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

George Jackson

10 Joseph Street (72 Barrie Street) - Dr. Blackwell's House

Dr. Gilbert Blackwell’s House is located on the southwest corner of Barrie and Joseph Streets at 72 Barrie Street. His office faced Joseph Street. The structure was built in 1935 by builder Art Saint in the Arts and Crafts style.
The simple form has an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, bell-cast roof with a centre dormer extends down to reduce the scale of the building from the street. It also covers the original front porch (which has been enclosed). The structure has wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The original arched openings in the front porch have been infilled and new windows have been installed. Brackets support the cornice at the roof and there is a central, brick chimney. The house has wood frame construction, stucco cladding and a painted, concrete foundation. A mix of exterior cladding materials is common to this style. The windows, awnings, and the one-storey, rear addition are not original. According to the 2000 inventory, the house is in good condition with some original features. (1, 3)

George Jackson

96 Barrie Street - The Methodist Manse

The Methodist Manse is located at 96 Barrie St. on the southwest corner of Barrie and Frederick (formerly known as Letitia) Streets. It was built around 1885 in the neoclassical style. The building was used as the Methodist Manse until 1970. It later became a nursing home.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof. The two-storey, rear portion is a modern addition. A broad entrance has sidelights and a transom. There are large, 6/6 double-hung windows with wood sills and high floor to ceiling dimensions. Eaves and cornice returns are found at the end gable walls. The porch, as well as the stepped-cornice moulding with quatrefoil decoration and drop finials (a Gothic Revival detail), appear to be twentieth-century additions. Colour variations are seen in the solid-brick construction because of the different batches of brick that were used. The building has a stone foundation. According to the 2000 inventory, additions to the rear of the building over time have been somewhat ad-hoc and are stylistically inconsistent. (1, 3)

George Jackson

170 Barrie Street - The Gib Lukes House

The Gib Lukes House is located mid-block on the west side at 170 Barrie Street. It was built post-1900 in the Edwardian Classicism style. The garage at the rear where Gib Lukes parked his Stanley Steamer automobile is currently the building at 123 Moore Street being used as the Bradford Food Bank.
The two-storey, rectangular building has a strong, simplistic underlying form. It has a two-storey projecting bay, hip roofs and projecting dormers. There is a classically-inspired entrance portico with a balcony above. The porch roof is supported on Doric colonnettes on brick piers. A pediment form highlights the entrance. The roof line has a dormer and substantial chimneys. Decorative soffit brackets surround the main eaves and dormer eaves. The house has a variety of window sizes. The brick window arch has a subtle ‘eyebrow’ detail. Transoms are found at the bay windows. The house has brick masonry construction and painted wood cornice, porch, balcony and dormer details. There is a stone foundation. According to the 2000 inventory, the house is maintained well. (1, 3)

George Jackson

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