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The Scott House is located at 110 Church St. (on the northwest corner of Church and Frederick Streets). It was built in the neoclassical style around 1870. The two-storey, rectangular main building has a symmetrical façade, a centre hall plan, and large window openings with high floor to ceiling dimensions. It has a medium-pitched, gable roof with identical chimneys at both ends that have elaborate, corbelled brickwork. The original, single-storey, rear additions have been modernized (as required). There is a wide entrance that includes a glazed door, sidelights, a transom, and deep, painted, wood panel reveals. The semi-circular entrance portico has Doric columns, stylized entablature and a balustrade feature that is not original. It is, however, still considered to be in keeping with the style of the house. The original verandah was on the front and left side of the house and the upper balcony was accessible by an upstairs doorway. The house has large, 6/6 double-hung windows with wide, exterior, moulded-wood casings. Names and a year have been scratched into the bottom pane of glass. There are sculptured, curvilinear soffit brackets and end, gable wall eaves returns. The house has wood plank construction, a painted stucco exterior finish, painted exterior wood trim, and a stone foundation. Stucco was likely the original cladding, as plank construction enabled the plastering of interior wall surfaces and the stuccoing of exterior ones. According to the 2000 inventory, the house is well-maintained. It also notes that the modernization and remodelling are sympathetic with the original building. (1, 3)

The Mark Scanlon House, also known locally as ‘The Pines’, is located at 168 Church St. (on the northwest corner of Church and Queen Streets). It was built in the Gothic Revival style around 1850 by Mark Scanlon. He was a lawyer and one of the original town fathers. This structure later became the home of Professor Day, the Misses Lane, and eventually lawyer Robert (Bob) Evans.
The two-storey, ‘L’-shaped farmhouse sits on a large corner lot. It has 1½-storey rear additions. The main building has an asymmetrical plan, a steeply-pitched, gable roof with dormers, and multiple chimneys. A wide entrance has sidelights and a transom with etched glass in a pattern. The wood screen door is not original. A line in the brick indicates an original wrap-around porch (Regency style). The existing porch is a twentieth-century replacement. There are large window openings with high floor to ceiling heights. The large, 6/6 (original) sash windows are compatible with modern, storm additions. The bay windows are 2/2 sash. There are painted, wood lug sills and a projecting, bay window with a crenellated cap. The house has a false rose window in the side gable (with a chimney stack behind). The shutters are original. There is an elaborately-carved, deep, bargeboard trim (beneath the sloped gables only) with rectangular, upright and dropped finials. There is also dichromatic brickwork at the corner reveals, window labels, and label stops. The building has loadbearing, brick masonry construction and a stone foundation. Rare, pink brick used as cladding was possibly made in Newmarket. According to the 2000 inventory, the picturesque house is well-maintained. (1, 3)

The house located at 39 Drury St. (at the southeast corner of Drury and Thomas Streets) was built pre-1900 in the Ontario Vernacular Cottage style. Bob (“Red”) Armstrong, a bachelor, once lived here. Jim Webb eventually bought the property and rented the structure to Victor Hunter (a carpenter) and his family. Frank Park (a handyman) kept his horse in the small barn on the property. Charles Hounsome (a railway section man) also lived here at one time. Lloyd Houston (a butcher) and his wife Jean lived here after the wars.
The one-storey, three-bay cottage has a shallow-pitched, gable roof, a symmetrical façade, and a rectangular plan with a centre hall. A box hall was typical for this style. The simple entrance has a single door set into a rectangular opening. It opens directly into the house from grade level and there is no porch (or weather protection) to shelter the entrance. The windows have low floor to ceiling heights. There are double-hung, 2/2 windows on either side of the entrance that appear to be original. They are set into simple, rectangular openings with plain, wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was wood. The house has a parged, stone foundation. There is a single, brick masonry chimney at the centre of house. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It also notes that the concrete block chimney on the exterior south wall is a later addition. (1, 2, 3)

The mid-block building located at 43 and 45 Drury St. was built in the Neoclassical Duplex style in the 1860-1880’s. Leonard Saint bought the building in 1909 from Mrs. Garrett (mother of E. Garrett who owned the Bradford Witness newspaper). Len was in the building trade and he was a brick layer, a plasterer, and a cement worker in Bradford. In 1911, he moved the building twenty feet back from the street, raised it, and put in a cellar as well as a parged, stone foundation. He also added two rear kitchens. There was a garage on the back lot facing Elizabeth Street. The south side of the house was rented to various people. The building stayed in the Saint family until the 1980’s.
The two-storey, four-bay, semi-detached house has a simple form with separated, side-hall entrances in the formal, symmetrical façade. It has a shallow-pitched, gable roof and gable end chimneys. The upper portion of the original, wood-panelled doors is glazed and has multiple lights at the top. This is reminiscent of the transom found in a more ‘’upscale” home of this period. There are large window openings with high floor to ceiling heights. Large, 6/6 wood sash windows at the ground floor are original. The upper-floor window openings align with the ground-floor openings and the windows have plain wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was stucco on wood lath. According to the 2000 inventory, this building is a modest example of workers’ housing. It also notes that it is in good condition with some original details remaining. (1, 2, 3)

The house located mid-block at 116 Hurd St. was built pre-1890 in the Ontario Vernacular style. It was once the home of carpenter Arthur Moseley.
The two-storey, rectangular building has simple detailing. There is a centre hall, a single-storey rear addition and a medium-pitched, hip roof. It has medium-sized window openings. The 2/2 wood, sash windows have plain, wood lug sills and trim. Aluminum, storm windows and a door are more recent additions. Stucco covers the wood frame construction and there is a parged, stone foundation. The structure was probably clad in wood cove siding originally. According to the 2000 inventory, this house once had a verandah and a bay window on the left side. It also notes a lack of decoration or porch addition. (1, 3)

The house located at 138 Hurd St. (on the southeast corner of Hurd and Essa Streets) was built in the Ontario Vernacular Cottage style around 1860-90. It was the home of Howard Bowser many years ago. He worked for Dennis Nolan.
The one-storey, three-bay ‘cottage’ has a simple, square plan and a pointed, hip roof. It also has a symmetrical façade and there is a lack of decoration or a porch addition. The entrance door has a transom above. Narrow windows (replacements) have plain, wood lug sills and trim. This modest house has wood frame construction and a parged, stone foundation. The original stucco is now covered by wood cladding. According to the 2000 inventory, the building once had a small porch at the front entrance and a large verandah at the rear. (1, 3)

The former Anglican Church Manse is located at 81 Frederick St. (on the northeast corner of Church and Frederick Streets). The structure was built around 1880 in the Eclectic Neoclassical style. The two-storey, rectangular building has a medium-pitched, hip roof. The line at the front façade suggesting that the building originally had a full-width, front porch is another Regency Revival feature. The symmetrical window openings (with high floor to ceiling heights), a centre hall plan, and a wide entrance with sidelights and a transom are neoclassical features. Dichromatic brickwork at the quoins and window labels, as well as the ‘droopy’ label stops at the windows are Gothic Revival features. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the existing porch and entrance motif are unsympathetic with the original design. It also notes that, unlike the originals, the replacement windows have no muntins. (1, 2, 3)

Sutherland’s Grocery Store was once found at 12 Holland St. West (site of Karen’s and Tina’s Flowers in this 1995 photo). Alec Sutherland was a baker. He had a bakeshop on the south side of Simcoe St. that was run for many years by his daughter Jessie and sister Mrs. Bessie Ryan (and her daughter Betty). They eventually retired and moved to St. Catherine’s. There were living quarters upstairs. William Compton and his wife bought the store and ran it as an IGA grocery store. Gord and Marilyn Compton later took over the store. They built a new store on John St. (where Frank Kilkenny’s house had been). The Comptons’ store eventually moved to what was known as the IGA plaza (located at the corner of Collings Ave. and Holland St. West). As of 2014, 12 Holland St. West is the site of The Holland Bloom florist shop. (1, 2)
The two-storey, commercial, ‘row’ building located mid-block on the south side at 16 Holland St. West was built around 1872-1899 in the Ontario Vernacular style. The second floor had space for offices or living quarters. Whimster and Wilcox operated a clothing and garment store at this location many years ago. Charles Wilson worked for them. John McDowall moved to the area from Midland and ran a clothing store there sometime in the 1930’s or 1940’s. He had three children (Norrie, Jack and Pat). They lived in quarters above the Bank of Commerce and later moved to the apartment over the store.
The building has a wide, rectangular plan with a symmetrical organization. ‘Main street’ frontage with a typical, storefront façade is located at the street line. The symmetrical, three-bay façade originally had a high, articulated cornice of corbelled and dentilled brick (typical of rich detailing). Its ground floor was characterized by the rhythm of flat pilasters along the street edge. The existing doors and storefront are not original. Three, large window openings with segmented arch openings and concrete lug sills at the second-floor level have been partially filled. The windows are also not original. Built-up tar and gravel covers the flat roof. Masonry construction with brick cladding has been considerably altered in appearance. It is also no longer the site of Carmen’s Backyard Restaurant, as seen in this photo from 1995. (1, 2, 3)

The structure located at 18 Holland St. West is a unique, infill building. It was built in the Boomtown style around the 1890’s on a narrow lot that was originally a laneway the two adjacent buildings. It had a side entrance to the Queen’s Hotel so that teamsters and buggy patrons could get their drinks from the Queen’s after work. The owner of the building erected at this site only has the title to the ceilings, floors, and front and rear walls. The side walls belong to the neighbouring buildings. The one-storey storefront has a ‘false’ façade and a narrow, rectangular plan with an asymmetrical organization. An asymmetrical façade with a ‘boomtown’ front was common to small, rural, commercial buildings. The flat roof (built-up tar and gravel) with a high parapet was intended to make the façade appear more imposing and substantial. A recessed, grade-level entrance provides shelter for the doorway. The original entrance had a transom light over the door which was later covered with solid panelling. The entrance door is not original. A large, storefront, window bay dominates the façade at street level and maximizes the amount of area available to display merchandise. The window is not original. When the building was inventoried in 2000, a decorated parapet had a double band of brick corbelling near the top with two recessed panels of decorative brick below. The building had masonry construction with brick cladding and roof spans between the exterior side walls of the adjacent buildings. The panelling above the front window replaced the original signage panel. It noted that and the original brick would have been unpainted and that the building is in good condition.
Several businesses have been located here over the years, including a smoke shop run by Fred “Colly” Collings (and later, by Oswald Davey). Mr. Willoughby, a tailor, and his son Vincent moved to the area from Sutton. He worked for Al Hemock. Lorne Fines later took possession of the building and ran a jewellery shop here until he retired. Jack McKay, a veterinarian, then bought the structure and had his practice here. In more recent years, it became an ice cream parlour. (1, 2, 3)

The structure located at 38 Holland St. West (on the southwest corner of Holland and Drury Streets) was built around 1900 in the Ontario Vernacular style. B.B. “Ben” Collings lived upstairs with his wife (a Waldruff), and children Bernice, Kathleen and Norman. Both daughters became school teachers and Norman (“Dodger”) was a professional hockey player who helped his father and later took over the business. Ben’s workshop was also located here and there was a horse stable at the rear of the property many years ago. The back end of the building was destroyed by fire in the 1920’s. Ben Collings was involved in several businesses. He was also known as an organizer and sports manager. At one time this building was the site of the Collings’ mattress factory. Ben also cut marsh hay and hauled it down the river on a scow. Sometimes the hay was stacked for winter baling. The horses wore four wooden boots and wouldn’t get off the scow until they were applied. Ben was a furniture maker and an undertaker. His first experience as an undertaker was with the body of his own father. He bought Jack Spence’s fishing business (including nets, reels, pulleys, ropes and the fish shanty at the mouth of the river on the east side opposite the 8th Line). His largest catch of fish was five tons of carp. He fished in the spring and fall and put nets under the ice in winter. Carp was caught (when in season) and had to be kept alive for the Jewish market. He employed about eight men all year round. Later he had old cars cut down to make tractors. Ben and another man broke (worked?) Col. Bar’s marsh land at the north end of Federal Farms Rd. (Bathurst Street). The Newmarket Canal started and died on this property.
The two-storey, commercial ‘row’ building has second floor offices (or living space), a wide, rectangular plan with symmetrical organization, and a flat, built-up, tar and gravel roof. The ‘Main Street’ frontage with a typical, storefront façade is located at the street line. The Drury Street façade on the north portion of the building (fronting Holland Street) has a more informal façade with openings placed as required to suit the building’s requirements. The Drury Street building has a plain, symmetrical façade and is dominated by a wide, segmented, arch entrance raised slightly above the sidewalk. A loading door to the rear portion of the Holland Street building has a segmented, arch opening and a concrete sill raised above street level. The existing doors and windows are not original. There are several window openings with segmented, arch openings and concrete lug sills. Several basement windows (all topped with segmented arches) have been fully, or partially, blocked in. This suggests that the building was built before the existing road or town services were installed. The building has masonry construction, brick cladding, and a parged, stone foundation. According to the 2000 inventory, this modest, commercial building is in good condition with some original details. (1, 2, 3)