Affichage de 124 résultats

The Edmund Garrett House is a two-storey building located at 45 Holland St. East. It was built in the Classic Revival style in the 1880’s (after the fire of 1871 that destroyed much of Bradford’s downtown). The building was converted into two living quarters many years ago and was once the home of the VanZants (on the west side) and the Bennett family (on the east side). George Bennett, a powerful man and labourer, dug (by hand) a large number of the ditches on Dufferin Street. Howard Thornton eventually bought the building and started a crate factory with Bill Fuller in the barns at the rear. He had a crate and lumber yard on Back Street. Howard and his brother also owned Barron’s Hardware store. After Howard died, Mrs. Thornton rented the upstairs apartment and lived downstairs by herself. After her death, the town bought the structure and had it remodeled to accommodate the Bradford Police Station on the ground floor, which it housed from 1980-2008, and the building inspectors’ office on the upper floor.

The building has a modified, rectangular ‘temple’ plan with a projecting frontispiece flanked by two-storey wings on either side. A medium-pitched, gable roof has a plain cornice and frieze supported on small brackets. There is an enclosed, raised porch with a shed roof and a plain cornice and frieze supported on small brackets. The building has tall, narrow window openings with high floor to ceiling heights. Windows are used to highlight the frontispiece with an angular, flat-roofed bay at the ground level and a projecting cornice and eaves on brackets. Double, semi-circular, arched windows at the second floor are highlighted with dichromatic, brick voussoirs. There is a rose window set within the gable into a round opening of cut-stone voussoirs. Other windows are set into rectangular openings with stone (or concrete) lintels and lug sills. The original windows were probably multi-paned and double-hung. Masonry construction has brick cladding and there is a coursed, rubble-stone foundation. The two, two-storey additions have filled in the east corners of the building and the entrance porch has been modified and enclosed. According to the 2000 inventory, the structure is in good condition with some original details remaining. (1, 2, 3)

The Standard Bank is located at 65 and 67 Holland St. West. It was built in the Romanesque Revival style around 1860-1900. O.M. Seim, previous owner of the Bradford Witness newspaper (1916-1932), and his family (Gordon, Ken, Marjorie, Maurice and Betty) once lived here. Dr. McMichael, a dentist, lived on John St. but had his practice here many years ago. Aubrey Stewart (and her son Bruce) at one time had an Insurance company here and the living quarters were rented. The building was eventually converted into apartments.
The commercial building (67 Holland St. W.) is set close to the street. Originally, there was a large, walk-in vault at the rear of the building on the ground floor. Residential quarters were on the second floor. The two-storey building has tall window openings with high floor to ceiling heights and an asymmetrical façade with a simplified ‘temple’ form. There is a medium-pitched, ‘pediment’ gable roof facing the front and a tympanum with a rose window. Brick pilasters support a plain cornice and frieze at both the ground and second floors to create the image of a classical Greek temple (combined with the more Roman arch form). The commercial entrance is contained within one of the two corbelled arches and is raised slightly. A double-panelled door is topped by a multi-paned transom light. The ground floor bank window is set into a corbelled arch opening with a transom light and stone or concrete lug sills. Upper windows are set into rectangular openings with transom lights. The cornice and frieze at the ground and second floors are ‘supported’ on corbelled brick brackets. This building has brick masonry construction and a cut-stone foundation.
The residential wing (65 Holland St. West) is set further back from the street to provide greater privacy to the living quarters. It takes a more recessive form with an open verandah at the ground floor and an enclosed porch on the upper floor running the full width of the house. There is a hipped roof on the residential wing. The entrance door to the house also a transom light, but like the rest of the residential wing, it does not have the rich texture or detail found on the more public portion of the building. The residential porch posts, railing, door, and windows are not original. According to the 2000 inventory, the structure is in good condition with many original details remaining. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The mid-block duplex located at 13 and 15 John St. West was built pre-1900 in the Neoclassical Duplex style. During the 1920’s, the building was moved back from the street and onto new concrete foundations that were built by Leonard Saint. The building was a rental property that was possibly owned by Jim Webb at one time.
The 1½-storey, rectilinear building has a shallow, gable roof and paired entrances at the centre of the building. Window and door openings are not original and they have been significantly altered. The chimneys and shutters are also not original. Bevelled, vinyl siding conceals alterations to the structure beneath. Originally, the cladding may have been wood cove siding over the wood frame construction. According to the 2000 inventory, apart from the building’s form, little of the original building remains (including the parged-stone foundation). Additions and alterations, such as the front metal awning, entrance doors with side panels, and the windows are unsympathetic with the original character of the building. (1, 2, 3)

The mid-block building located at 23 John St. West was built pre-1900 in the Ontario Vernacular Cottage style. It was the home of retired farmer Walter King (during and after the war) until his death.
The one-storey, three-bay cottage has a rectangular plan, a centre hall, a symmetrical façade and a gable roof. It had a kitchen at the rear originally. There are single windows (with low floor to ceiling heights) to the primary rooms on each side of the porch at the front. The wood trim is original, but the windows and the door are replacements. Metal supports for the porch roof are not original, but the roof itself may be authentic. The house has wood frame construction with vinyl siding. The original wood siding is probably still under the newer cladding. According to the 2000 inventory, few existing building elements appear to be original other than the building’s form. It also notes that this modest cottage probably had few decorative details originally. (1, 2, 3)

The Thompson Fisher House is located at 37 Queen St. (on the northeast corner of Queen and Rebecca Streets). It was built around 1880 in the Eclectic Neoclassical style. It belonged to J.C. Wood in the 1950’s. He was the principal at the original, adjacent Bradford High School.
The two-storey, rectangular building has a symmetrical façade and a centre hall plan (Neoclassical features). A medium-pitched, hip roof with a wide overhang and a full-width, awning roof at the porch are Regency Revival features. The house has large window openings with high floor to ceiling heights. Ground-floor windows and the entrance door have transom lights. The arched shutters may be original. Decorative details at the porch columns, a busy verge board, and paired, soffit brackets (over new metal soffits) appear to be twentieth-century additions. The house has solid brick construction as well as the original wood banister, doors, and 12” baseboards. According to the 2000 inventory, the decorative trim is excessive and without precedent in the community. It also notes that while some degree of eclecticism is not out of place, the total effect on this well-maintained building is unconvincing. (1, 3, 5)

Construction of the house located mid-block at 123 Barrie St. (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the project was completed by builder Art Saint. The house was built in the Edwardian Classicism style. Archie and Minnie (Spence) Hammel moved up the street into this house. They ran a grocery store on the south side of Holland St. (in the second building from Drury St.) and they both died in this house. Minnie left a lot of the Spence records in the attic. These records dated back to 1900 when her father ran a lumber company in Bradford.
The two-storey structure has a bell-cast, hip roof. A square plan and simple form are highlighted with a large, classically-inspired porch. The hip roof at the entrance porch is supported by painted, wooden columns and simple, rounded bracket supports. Simple, double-hung windows are balanced within the façade. The dormer window mimics the roof line of the main house. Construction is solid, smooth brick with simple details. According to the 2000 inventory, the house is well-maintained. (1, 2, 3)

The mid-block building located at 178 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay structure has a square plan and narrow window openings with low floor to ceiling heights. It also has a shallow-pitched, hip roof, a symmetrical façade, and a centre hall plan. A box hall was typical for this style. The raised entrance may have had a porch originally. The single door has a transom. Double-hung windows (not original) have plain, wood trim and sills. Wood frame construction is clad with vinyl siding. The original siding was probably wood. There is a stone foundation and a single, brick masonry chimney at the side of the house. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 3)

The house located at 152 Barrie St. (on the southwest corner of Barrie and Queen Streets) was built in the 1890’s in the Gothic Revival style. The two-storey, ‘L’-shaped building is flanked by recent one and two-storey additions. According to the 2000 inventory, these additions are unsympathetic with the original design. The house has medium-pitched, gable roofs and large, ground-floor window openings. There is an oval rose window in the front gable. Some of the original 2/2 wood sash windows with wood lug sills and brick voussoirs still remain. The house has asymmetrical window locations, brick masonry construction, and a stone foundation. (1, 3)

The mid-block building located on the west side at 214 Barrie St. was built around 1880 in the Gothic Revival style. The 1½-storey, rectangular building has a medium-pitched, gable roof. There are large window openings with high floor to ceiling heights and a projecting bay window. Also noteworthy are the large, 4/4 double-hung windows. The house has dichromatic brick quoins, brick lintels and a gable decoration. There is a wide entrance with sidelights and a transom. The building has load-bearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the replacement porch (with a deep support beam, concrete floor slab and stylized bracket decoration) is an unconvincing substitute for the original. It also notes that the property has been maintained well. (1, 3)

The Stoddart House is located at 250 Barrie Street. It was built around 1870 in the Eclectic Neoclassical style. Some of the early settlers in the Bradford area were members of the Stoddard/Stoddart family. John Stoddard settled along the Bond Head Road in 1829. In later times, Major George W. Stoddart was the reeve of Bradford.
The two-storey building has a rectangular form and a centre hall plan. There is a symmetry in the large window openings (with high floor to ceiling heights). The double-hung windows with painted-wood lug sills are also neoclassical features. The medium-pitched, hip roof, wrap-around porch (with original turned wood post supports), and remaining wood brackets and decorative trim are Regency Revival features. A projecting, bay window at the ground-floor living (or dining) room is a Gothic Revival feature. The house has solid, brick construction and a stone foundation. According to the 2000 inventory, the metal screen door at the entrance is unsympathetic to the original design. It was also notes that the porch needed repair. (1, 3)