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The house located at 111 Barrie St. was owned many years ago by Minnie (Spence) Hammel. It was rented to Alec and Mary Spence and Betty. When this house was built (before WWI), a wooden tank with a zinc liner was erected in the floored attic. Water was pumped to the tank by a wobble pump from a cistern in the basement. The cistern collected water from the eaves- trough around the roof. The water that flowed (by gravity) from the wooden tank was used to flush the toilet and fill up the tub before the town had water sewers in 1931. Annie Stone (from Bond Head) eventually moved into this house. She had it updated and an apartment was added upstairs. (1, 2)

The house located at 39 Drury St. (at the southeast corner of Drury and Thomas Streets) was built pre-1900 in the Ontario Vernacular Cottage style. Bob (“Red”) Armstrong, a bachelor, once lived here. Jim Webb eventually bought the property and rented the structure to Victor Hunter (a carpenter) and his family. Frank Park (a handyman) kept his horse in the small barn on the property. Charles Hounsome (a railway section man) also lived here at one time. Lloyd Houston (a butcher) and his wife Jean lived here after the wars.
The one-storey, three-bay cottage has a shallow-pitched, gable roof, a symmetrical façade, and a rectangular plan with a centre hall. A box hall was typical for this style. The simple entrance has a single door set into a rectangular opening. It opens directly into the house from grade level and there is no porch (or weather protection) to shelter the entrance. The windows have low floor to ceiling heights. There are double-hung, 2/2 windows on either side of the entrance that appear to be original. They are set into simple, rectangular openings with plain, wood frames and sills. Wood frame construction is covered with vinyl siding. The original cladding was wood. The house has a parged, stone foundation. There is a single, brick masonry chimney at the centre of house. According to the 2000 inventory, this simple cottage probably had few decorative details originally. It also notes that the concrete block chimney on the exterior south wall is a later addition. (1, 2, 3)

The one-storey house once located on the west side at 44 Drury St. had stucco cladding originally. Many years ago it was the home of Fred McKay, his wife, and son (Bruce). Fred was a retired farmer. He had noted gardens (asparagus, strawberries, raspberries) on a number of lots around town. Fred worked for Thompson Fisher in the old skating rink. He also ran the pool room and sold gramophones over the Campbell’s drugstore on Holland Street. Chris Wren and his family lived here years later. Chris was a store merchant (from Mabel) and a painter and paper hanger. The house was demolished (in the 1990’s?) to make an exit and sewer connection from Joe Magani’s grocery store to Drury Street. (1, 2)

The house located at 61 John St. East was built on what was originally the west lot of Miss Hayes’ property. It was built in 1949 by Vic Turner. He was a retired farmer from the Scotch Settlement. The structure became the home of Vic and his wife (Irene) in February, 1949. Vic sold fertilizer and worked for Holland River Gardens. The small, 1½-storey, frame house had a garage underneath on the east side of Nelson Street. (1, 2)

The Dan Collings House is located mid-block at 33 Colborne Street. It was built in the Gothic Revival style in the 1880’s. There were once barns (for animals and equipment as well as for marsh hay) on the property. It was the original home of Dan Collings. He was always a teamster who worked the marsh and he later bought and sold junk and farm machinery. Dan had three daughters, Edna, Olive (Al Readman) and Emily (Chet Wilkinson). Dan was considered to be a real character who lived to the age of 93 years. Mrs. Collings died in the 1920’s.
The 1½-storey, two-bay ‘farmhouse’ has an ‘L’-shaped plan with an off-centre hall and a medium-pitched, gable roof. There is a single door with a multi-paned transom and sidelights. The structure has large window openings with low floor to ceiling heights. Large, replacement, double-hung windows are set into the original openings with plain, wood trim and sills. The house has wood frame construction with vinyl siding. Originally, the siding was probably wood. According to the 2000 inventory, despite its new colours, the basic Gothic Revival form is very evident in this house. (1, 2, 3)

This house is located at 62 Frederick Street. The section of this street from Moore Street to Barrie Street was originally known as Letitia St., and was named after Letitia Magee (a land speculator in the 1830’s). The name was later changed to Frederick St. to avoid confusion during emergency calls. (1, 2)

This house is located at 68 Frederick Street. (1, 2)

This house is located at 106 Frederick Street. (1)

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)