Barrie Street Postcard Image - 1930s
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- Item
- 1930s
Part of Local History Collection
Photographic Postcard of the North view of Barrie Street during the 1930s.
Luanne Campbell Edwards
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Barrie Street Postcard Image - 1930s
Part of Local History Collection
Photographic Postcard of the North view of Barrie Street during the 1930s.
Luanne Campbell Edwards
Barrie Street Postcard - 1930s
Part of Local History Collection
Photographic Postcard of the North view of Barrie Street during the 1930s.
Luanne Campbell Edwards
Part of WEGWHIST Collection
This is the post office built in 1936, replacing the old building on Holland Street. It was replaced in 1965 by the John-Barrie Streets post office, though the building still stands as an office building today.
The photograph was given to the Library in 2017.
Bill Marks
Barrie Street and Park by Parkside Court
Part of Local History Collection
Looking west on Barrie St near the intersection of the 8th Line. The statue in the park is the Water Pump and Heron sculpture by George Holancin (more information in Related Description).
Barrie Street and Nortern Bradford
Part of Local History Collection
Looking north-west from Barrie Street near the intersection of the 8th Line.
Part of Local History Collection
Photograph of Barrie Street looking North from the 1940s.
Luanne Campbell Edwards
Part of Local History Collection
Photograph of the North view of Barrie Street.
Luanne Campbell Edwards
Part of Local History Collection
This is Algonquin Lodge, later known as the Convent. it was the residence of Rev. Egerton R. Young in 1906.
Edmund Garrett
99 Barrie Street- The Pringle House
Part of George Jackson fonds
The Pringle House is located mid-block on the east side at 99 Barrie Street. It was the home of Walter Pringle, owner and manager of the first Dominion store (on Holland St.) in the 1930’s. The 1½-storey, two-bay ‘bungalow’ was built in the Arts and Crafts style. The construction of this house (and six others) was begun in 1912 by Lieutenant George Stoddart. When Stoddart went overseas during WWI, the projects were completed by builder Art Saint.
The house has a simple form with an asymmetrical façade and a rectilinear plan. It has a bell-cast roof on the centre dormer and a steeply-pitched, truncated gable roof that extends down to reduce the scale of the building. This roof also covers the raised porch and is supported on wood half posts on brick piers. The porch has a simple, wood handrail and baluster. Wood lattice encloses the underside of the porch. A wide band of windows across the front of the dormer emphasizes the horizontal lines and the massing of the house. The building has wide window openings with low floor to ceiling heights. Ground-floor and basement windows and the front door are set into segmented, arched openings with concrete sills. Second-storey windows are offset from the ground-floor windows and have plain, wood sills and trim. The mix of exterior cladding materials and the wood fascia band (expressing the line of the floor structure between the ground and second floors) is common to this style. There are returned eaves at the porch roof. The house has wood frame construction with brick masonry cladding, painted wood shingles on the dormer, and a painted, concrete foundation. The front ground-floor and second-floor windows are not original. According to the 2000 inventory, the house is in good condition with many original features that have been maintained well. (1, 2, 3)
George Jackson
96 Barrie Street - The Methodist Manse
Part of George Jackson fonds
The Methodist Manse is located at 96 Barrie St. on the southwest corner of Barrie and Frederick (formerly known as Letitia) Streets. It was built around 1885 in the neoclassical style. The building was used as the Methodist Manse until 1970. It later became a nursing home.
The two-storey, rectangular building has a symmetrical façade, a centre hall plan, and a medium-pitched, gable roof. The two-storey, rear portion is a modern addition. A broad entrance has sidelights and a transom. There are large, 6/6 double-hung windows with wood sills and high floor to ceiling dimensions. Eaves and cornice returns are found at the end gable walls. The porch, as well as the stepped-cornice moulding with quatrefoil decoration and drop finials (a Gothic Revival detail), appear to be twentieth-century additions. Colour variations are seen in the solid-brick construction because of the different batches of brick that were used. The building has a stone foundation. According to the 2000 inventory, additions to the rear of the building over time have been somewhat ad-hoc and are stylistically inconsistent. (1, 3)
George Jackson