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The house located at 95 Moore Street on the southeast corner of Moore and Letitia (later Frederick) Streets was built pre-1900 in the Ontario Vernacular Cottage style. George Ogilvie (a tailor) once lived here. A three-foot high, picket fence originally ran along the east side of Moore Street from this corner to Joseph Street.
The one-storey, three-bay cottage has a symmetrical façade, a rectangular plan, and a centre hall. A box hall was typical for this style. It also has a one-storey, rear addition. There is a shallow-pitched, gable roof on the main portion and a shed roof on the rear addition. The covered, front porch has a gable roof supported on brackets. A simple entrance is raised above grade level and it has a single door in a rectangular opening. There are small, single windows to the primary rooms on each side of the porch. The porch stairs are a recent addition and the double-hung windows are also not original. Windows are set into simple, rectangular openings and have plain, wood surrounds and sills. Wood frame construction is covered with insulbrick (asphalt) and aluminum siding. The original cladding was probably wood cove siding. There is a stone-rubble foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)

The John Cook House is located mid-block on the east side at 65 Moore Street. It is set well back and was built around 1880 in the Gothic Revival style. The building was owned by the Cook family for many years. Originally, a series of sheds ran along the south side of Joseph Street from Moore Street almost to the houses on Barrie Street. These sheds were owned by John (Jack) Cook. He ran the local livery business and he was also a seed merchant. Fred (the son of Jack) lived in this house after his father’s death. Fred was an insurance agent, town politician, school board member, and a lay minister. The Fred C. Cook Elementary School in Bradford is named after him.
The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is an elegant, shallow-pitched, hip roof at the porch. It has elaborately-carved, wooden brackets at the support posts. There are (replacement) sash windows with wide, wood trim and projected, wooden hood moulding above the windows. The entrance door has the original transom and sidelight. Wood frame construction is clad with stained board and batten siding and the house has a stone foundation. The original cladding was stucco. According to the 2000 inventory, the house has been maintained well and it is pleasingly renovated. It also notes that although the shutters are not original, they are a tasteful (and not inappropriate) addition. (1, 2, 3)

The house located at 64 Simcoe Road was built on what was originally a vacant lot to the west of the Aiken’s property. The lot was sold to Leonard Saint by the McDonald sisters in 1946. Len built a frame, stucco house on the property in the winter of 1946-47. That was the year of a huge snow storm. The structure had a cement foundation, a cellar, and a water heater. A garage was built later on the laneway. Nellie (Saint) James once lived here. Her husband Ernest began a liquor store with his brother and son Ronnie. Nellie remained here with Ronnie after Len died. Ronnie sold the house when Nellie died. (1, 2)

The mid-block building located at 61 Simcoe Road was built around 1850-1880 in the Classic Revival style. Emerson Glover and his wife and children (Betty, Wilma, Joe and Mary) moved to this house from Coulson’s Hill. He had Len Saint build a cement garage for the trucks he used in his general trucking business. There was a large garden at the back. Andy Simurda (a gardener) bought the house when the Glovers moved to Toronto. He also used the garage for his trucks and for vegetable storage. The garage was eventually demolished. In 1925, Billie Ward, his wife Evelyn, and children (Gwen and Connie) lived here. He worked for Spence Lumber Co. and was a master machinist as well as a clock maker. This structure later became the home of Gwen (Ward) Kilkenny for many years.
The 1½-storey, two-bay house has a rectangular, simplified, ‘temple’ plan with an off-centre entrance and a medium-pitched, gable roof. The pediment roof shape is facing the front and there is a central chimney. A hip roof on the grade-level, entrance-porch verandah is supported on wood half-posts on a solid, wood railing. The roof supports are not original. A door set into a plain, rectangular opening is also not original. There are small window openings with low floor to ceiling heights. A single, ground-floor window and the smaller, upper-floor windows are set into plain, rectangular openings. They are not original. The small, upper-floor windows are offset from the ground-floor openings. The house has 4” poured-in-place, concrete construction with vertical, metal siding. It was originally clad in stucco. According to the 2000 inventory, there are no original details remaining other than the building’s form. (1, 2, 3)

This building is located at 57 John St. West. Originally, it was the site of a small, mud-brick house with a porch on the front (on the west side) and a frame kitchen in the rear. Roy Gordon, a lawyer, eventually bought the house and had it remodelled to become his law office. (1, 2)

The mid-block building located at 52 Simcoe Road was built post-1900 (1902?) in the Gothic Revival Cottage style. The house, which is larger than other older cottages of a similar style in Bradford, was built on property owned by Charles Adams. Originally, there was a garden to the west and a barn on the lane. Later residents of this house included Joe Brown (a retired farmer from the 10th line) and Jessie, who lived here until he died. Joe was a noted gardener who raised his granddaughter Margaret Turner. Paul Margetiak and his wife and son also lived here at one time. He was a gardener, too, and he built a garage on the property. Len Saint did the cement work and added a closed-in porch. Eventually the property was bought by Gary Swagerman. He lived in the house with his wife and family and eventually had the barn remodelled to become the site of a dry cleaner. The garden was paved and used as a parking lot for the business.
The 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. The medium-pitched, gable roof has a centre gable over the entrance. There are single windows to the primary rooms on each side of the covered entrance porch. A raised, open porch has a hip roof supported on simple, wood columns set directly on the porch base/foundation. The porch has a simple, wood handrail and balusters. A single entrance door is set into a segmented, arched opening. Windows are set into segmented, arched openings with brick voussoirs and concrete lug sills. The windows and door are not original. A second-storey window set halfway into the centre gable is a reference to the Gothic Revival style. Locally-made bricks were placed by Tom Saint on the wood frame construction. According to the 2000 inventory, the house is in good condition. (1, 2, 3)

The Neilly House is located mid-block on the north side at 51 John Street West. It was built around 1900 in the Eclectic Edwardian style. The structure was designed by the same architect who was responsible for designing Bradford’s Anglican Church. This house was built for jeweler Andy Neilly. His business was on Holland St. (across from the Queen’s Hotel). He was a good hunter and sportsman and belonged to the Neilly Rifle Club. The club members met at Eagle Hill on the 13th Line (at the canal on the end of Back and Bingham Streets). This building was later the home of Mac Tobias and his wife. They ran a clothing store on Holland St. (in the second building east of the Queen’s Hotel) before moving to Toronto after World War II. Dr. McMichael, a dentist, lived and had his office here until he moved to Barry’s Bay. Merle and Shirley Woodcock and their family eventually bought, repaired, and remodeled the house.
The two-storey, ‘L’-shaped building with gable roofs has a smooth, brick exterior. There is full height projection with a projected, gable roof above. A textured, wood-shake finish at the flared front gable and the elaborate trim and decoration at the gable window are also Edwardian features. The house has precast voussoirs above the semi-oval transom at the main front window and precast, lug sills. It has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the new front addition is unsympathetic with the original building. A new, cedar-shingle roof with copper valley flashing was also noted. It considers the building to be well-maintained. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

The building located at 46 Simcoe Road (on the corner of Thomas St. and Simcoe Road) was built pre-1900 in the Ontario Vernacular Cottage style. James Church, and then Jimmie Jackson, his wife, and son once lived in this house. Jimmie worked for the town, was a noted drain expert, and did road work. Mrs. Jackson remained in the house for many years after her husband died. It was also once the home of Lorne Faris (a jeweller) and his wife (Ona). Lorne converted the shed that was on the property into a garage. John Kanyo Jr. lived here when he was first married. After the Kanyo family, it became the home of Budd Robson. Years later, Mr. and Mrs. Emerson Madill (retired farmers from the south side of the 10th Concession near Highway 400) resided here.

The one-storey, three-bay ‘cottage’ has a simple form with a symmetrical façade, a rectilinear plan, and a shallow-pitched, gable roof. It has a centre hall entrance from a covered, open, front-entrance porch which is accessed from the side. Originally, the porch stairs were in the centre and aligned with the front door. The hip roof on the porch is supported on turned posts. Decorative, wood fascia is found at the porch roof. There is a plain, wood handrail and balusters and the porch foundation is enclosed with wood lattice. The building has narrow window openings with low floor to ceiling heights. Windows are set into rectangular openings with plain, wood trim and sills. The house has wood frame construction with brick cladding and a parged, concrete foundation. Originally, the cladding was stucco. According to the 2000 inventory, the house is in good condition with some original features that have been maintained well. (1, 2, 3)

The one-storey, frame house located at 45 John St. West originally had a kitchen and a woodshed at the rear and a veranda at the front. It was the home of Stan Cairns' parents Isaac and Grace (Fisher). The family lived here before and after World War II. (1, 2)

The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)