The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring. The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)
The Neilly House is located mid-block on the north side at 51 John Street West. It was built around 1900 in the Eclectic Edwardian style. The structure was designed by the same architect who was responsible for designing Bradford’s Anglican Church. This house was built for jeweler Andy Neilly. His business was on Holland St. (across from the Queen’s Hotel). He was a good hunter and sportsman and belonged to the Neilly Rifle Club. The club members met at Eagle Hill on the 13th Line (at the canal on the end of Back and Bingham Streets). This building was later the home of Mac Tobias and his wife. They ran a clothing store on Holland St. (in the second building east of the Queen’s Hotel) before moving to Toronto after World War II. Dr. McMichael, a dentist, lived and had his office here until he moved to Barry’s Bay. Merle and Shirley Woodcock and their family eventually bought, repaired, and remodeled the house. The two-storey, ‘L’-shaped building with gable roofs has a smooth, brick exterior. There is full height projection with a projected, gable roof above. A textured, wood-shake finish at the flared front gable and the elaborate trim and decoration at the gable window are also Edwardian features. The house has precast voussoirs above the semi-oval transom at the main front window and precast, lug sills. It has loadbearing, brick masonry construction and a stone foundation. According to the 2000 inventory, the new front addition is unsympathetic with the original building. A new, cedar-shingle roof with copper valley flashing was also noted. It considers the building to be well-maintained. (1, 2, 3) Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.
The mid-block building located on the south side at 126 John St. West was built in the 1880’s in the Gothic Revival Cottage style. Originally, there was a back lane for Jim Woods' house and barn next to this house. Pratt lived here many years ago with his wife and two sons. Elgar Houghton bought this house around the time of World War II. He lived there for a time and then he had the house converted into four apartments which were rented. He later sold the building. The 1½-storey, five-bay cottage has a rectangular plan with a centre hall, an asymmetrical façade with an off-centre gable over the entrance, and a medium-pitched, gable roof. There is a simple, rectangular entrance (at grade level) with windows to the primary rooms on each side. The existing roof over the entry is not original. Small windows at the ground and second floors are not original. They are set into segmented, arch openings with plain, wood frames and painted, stone lug sills. Brick, masonry construction is clad with stucco (not original) and the structure has a parged, stone foundation. According to the 2000 inventory, this modest house has few original details other than the building’s form. (1, 2, 3)
The mid-block building located at 21 Joseph St. was built around 1880 in the Gothic Revival style. It is a 1½-storey, ‘L’-shaped building with a steeply-pitched, gable roof. The house has large window openings with high floor to ceiling heights and large replacement windows. It has wood frame construction and new, board and batten siding. The original cladding was stucco. According to the 2000 inventory, all early wood siding in Bradford was either cove or shiplap siding. This new siding is not historically accurate and it would have been painted a colour. A replacement porch, while generally in keeping with the original building style, does not reflect historically-accurate detailing and finishing. It also notes that little of the original building is visible except for the basic form. (1, 3)
The mid-block building located at 25 Joseph St. was built pre-1900 in the Ontario Vernacular style. The 1½-storey, three-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall. It has low and medium-pitched, gable roofs. The enclosed porch was probably open originally. There are discontinuous eaves line. The entrance is raised slightly above grade level and the steps are not original. Originally, there was probably only a single entrance door via a porch. An entrance door with metal awning may be a later modification. The building’s 2/2 sash windows with plain, wood trim may be original, but the metal awnings at the windows and the door are not. Wood frame construction is covered with vinyl siding. The original cladding was probably wood cove siding. This structure has a parged, stone foundation. According to the 2000 inventory, the modest house has had cosmetic, and some minor, organizational modifications over time. (1, 3)
The Thorpe House is located at 33 Joseph St. (on the northeast corner of Joseph and Moore Streets). It was built pre-1900 in the Ontario Vernacular style. The two-storey, two-bay house has a simple, rectangular plan, a side hall, and a medium-pitched, hip roof. A large addition has been added to the rear. The original, wood trim is still apparent around the replacement windows and door. Wood frame construction is clad with vinyl siding. The original cladding was shiplap siding. According to the 2000 inventory, the modern, metal awning over the entrance is not sympathetic with the remainder of the building. It also notes that this modest house probably had few decorative details originally and that few existing building elements (other than the building’s form) appear to be original. (1, 3)
The mid-block building located at 51 Moore Street was built post-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay ’cottage’ has a rectangular plan and a medium-pitched, gable roof. It has a simple form with a symmetrical façade and a centre hall plan. There is a simple, gabled awning above the entrance door. The 2/2 wood, sash windows have plain, wood lug sills and trim. Metal storm windows, the door, and the shutters are later additions. The cornice return at the gable ends may be an original detail. Wood frame construction is covered with shiplap siding and the structure has a parged, stone foundation. A one-storey addition was built at a later time. According to the 2000 inventory, this modest dwelling has been maintained well. (1, 3)
The John Cook House is located mid-block on the east side at 65 Moore Street. It is set well back and was built around 1880 in the Gothic Revival style. The building was owned by the Cook family for many years. Originally, a series of sheds ran along the south side of Joseph Street from Moore Street almost to the houses on Barrie Street. These sheds were owned by John (Jack) Cook. He ran the local livery business and he was also a seed merchant. Fred (the son of Jack) lived in this house after his father’s death. Fred was an insurance agent, town politician, school board member, and a lay minister. The Fred C. Cook Elementary School in Bradford is named after him. The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a steeply-pitched, gable roof. There is an elegant, shallow-pitched, hip roof at the porch. It has elaborately-carved, wooden brackets at the support posts. There are (replacement) sash windows with wide, wood trim and projected, wooden hood moulding above the windows. The entrance door has the original transom and sidelight. Wood frame construction is clad with stained board and batten siding and the house has a stone foundation. The original cladding was stucco. According to the 2000 inventory, the house has been maintained well and it is pleasingly renovated. It also notes that although the shutters are not original, they are a tasteful (and not inappropriate) addition. (1, 2, 3)
The house located at 95 Moore Street on the southeast corner of Moore and Letitia (later Frederick) Streets was built pre-1900 in the Ontario Vernacular Cottage style. George Ogilvie (a tailor) once lived here. A three-foot high, picket fence originally ran along the east side of Moore Street from this corner to Joseph Street. The one-storey, three-bay cottage has a symmetrical façade, a rectangular plan, and a centre hall. A box hall was typical for this style. It also has a one-storey, rear addition. There is a shallow-pitched, gable roof on the main portion and a shed roof on the rear addition. The covered, front porch has a gable roof supported on brackets. A simple entrance is raised above grade level and it has a single door in a rectangular opening. There are small, single windows to the primary rooms on each side of the porch. The porch stairs are a recent addition and the double-hung windows are also not original. Windows are set into simple, rectangular openings and have plain, wood surrounds and sills. Wood frame construction is covered with insulbrick (asphalt) and aluminum siding. The original cladding was probably wood cove siding. There is a stone-rubble foundation. According to the 2000 inventory, this modest cottage probably had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original. (1, 2, 3)
The building located mid-block at 123 Moore Street was built pre-1900 in the Gothic Revival style. It stood behind the grand, Italianate villa (The Convent) that was once located at 118 Barrie Street and was the home of the Lukes’ family. Originally, the structure was built to be a two-car garage to house Gibb Lukes’ vehicles (particularly his Stanley Steamer). The garage was eventually converted into a dwelling. At the time of this photo (1995), it was being used as the Bradford Food Bank. The one-storey, three-bay cottage has an “L”-shaped plan with a side hall. There is an asymmetrical façade with a front gable above the façade projection and a medium-pitched, gable roof. The front wall below the gable is inset slightly to provide shelter for the front entrance. It is set into a simple, rectangular opening. Small windows that are not original have low floor to ceiling heights. They are set into rectangular openings with plain, wood frames and sills. The building has wood frame construction with stucco cladding and a parged, stone foundation. According to the 2000 inventory, this modest cottage has few original details other than the building’s form. (1, 2, 3)
