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The mid-block building located at 37 Holland St. East was built in the Gothic Revival style in the 1880-1890’s. Originally, the left side on the ground floor contained an office occupied by grain buyers. It had a front door and a small window. The remainder of the building was used as living quarters for several families over the years, including Art Hand (a painter and decorator) and his wife (Sawyer), and later their son Orville and his wife Helen (Noble). It was eventually sold to Mr. Glass, a merchant.
The 1½-storey house has an ‘L’-shaped plan with a centre hall. It also has an asymmetrical façade, an off-centre front gable at the façade projection, and a medium-pitched, gable roof. There is a raised, open porch. The existing roof, supports, and railing are not original. Its wide door opening suggests that the original had a transom and sidelights. The door itself is not original. There are small windows with high floor to ceiling heights. Wide windows set into rectangular openings in the projecting bay are not original and the variation in the brick suggests that the original openings were partially bricked in. The windows in the receding bay are set into segmented, arch openings with brick voussoirs and concrete, lug sills. None of the existing windows are original. The building has wood frame construction with brick cladding and a textured, concrete foundation. According to the 2000 inventory, there are few original details remaining in the building. (1, 2, 3)

The building seen in this photo from 1995 was once located at 60 Holland St. East. It was rented to several people over the years, including a relative of Bob McKinstry. Years later, Alec Dutcher moved here from the Clubine farm at the back of town. He had a garden and lawn on the west side of the house. There was a large barn at the back. Alec worked for Bill Sutton (painting and paper hanging). Lou Wyman and his family and mother-in-law later bought the house and it was eventually used as a real estate office before being demolished in the 1990’s. (1, 2)

The building located at 1 Holland St. West was originally built as a hotel (Central Hotel, Uneeda Hotel, H. Hulse Hotel). Tom and Len Saint worked on the construction of the building. George Webb ran the hotel for a while before he moved to Saskatchewan. Tom Bell was the manager for many years until he retired and moved to the east side of Simcoe Street. Around 1917 it became the Imperial Bank of Commerce. A large safe and living quarters for the bank staff were located upstairs. The entrance to the apartment was on the west side of the building. John McDowell and his family lived here in the 1930’s. The bank was robbed by the notorious “Boyd Gang” in the 1940’s. At one time the front offices were used by the police, and the back offices were used by Mr. Scanlon (a lawyer). The bank closed in 1972 and was moved further west on Holland Street. This building then became a real estate office, a convenience store, and as of 2014, the Coffee Culture Café. (1, 2)

The building located at 23 Holland St. West may have been owned by George Stoddart Jr. at one time. It had living quarters upstairs. The ground floor once housed a bank (possibly the Imperial Bank) and there was a large vault in the back. The manager was Fred Stevens. He moved to Barrie when the bank closed. This left the Canadian Bank of Commerce as the only bank in Bradford at that time. The Bradford Witness newspaper, under the direction of Stewart and Ina McKenzie, later moved to this location from the Seim Building. (1, 2)
The building located at 27 Holland St. West also had living quarters upstairs. The ground floor housed the practice of lawyers Gardner, Morris and Denney for a while after WWII. Mrs. Marg Fallis lived upstairs for many years before moving to John Street. (1, 2)

The mid-block building located on the north side at 57 Holland Street West was built in the Eclectic Edwardian style in 1900-1920. It has been the home of many people over the years, including Ken Sawdon (who later moved to Mt. Pleasant), Dr. R.H. Judge, and Steve and Margaret Molokach and son John (market gardeners across the tracks behind the Bradford Bureau Kiosk).
The two-storey, ‘L’-shaped building with a hipped roof has a simple, smooth, brick form with broad, extended eaves and large, symmetrically-placed, window openings. Large windows with stained glass in the transoms at the main floor windows are another Edwardian feature. The contrasts between the rusticated stone base, the smooth-brick surface above, and the textured wood shingles at the gable are Queen Anne features. The hipped roof with a top, curb cap is an Italianate feature. This building has brick, masonry construction and a rusticated-block foundation. According to the 2000 inventory, the single-storey entrance and the narrow shutters are modern additions. (1, 2, 3)

Miss Sinclair’s House is a mid-block building located on the south side at 92 Holland Street West. It was built in the 1890’s in the Italianate style. Miss Bertha Sinclair lived in this house for many years. When she died, her nieces Kay and Isabel (daughters of Robert Spence) moved into the house. They were hairdressers. Isabel later moved and part of the house was rented to George and Ethel Stewart. The building was eventually sold to a real estate agent. The office of Dr. Fitzsimmons was also here at one time. Next to this structure was a vacant lot belonging to the Sinclair family. Many years ago there was a Temperance Hall and a church located there.
The two-storey, rectangular, main building has a single-storey, rear addition, a symmetrical façade, and a moderately-pitched, hip roof with a central chimney. The grand, Italianate scale is reflected in the large window openings, high floor to ceiling heights, and the large, 6/6 sash windows. There are deep, projecting eaves with ornately-decorated, paired cornice brackets and ‘false quoins’ (wood detailing meant to resemble masonry). The window cornices are exaggerated. According to the 2000 inventory, the stone foundation, wood frame construction, horizontal, wood-sided exterior finish (resembling masonry), and painted, exterior, wood trim are maintained well. (1, 2, 3).

Builder A.J. (Arthur) Saint and his wife Margaret once lived in the structure located at 113 Holland St. West. Art bought the house in 1931 and completely remodeled it. He added a walk-in refrigerator and a two-car garage in the old summer kitchen and woodshed. At the back of the lot at that time there was a two-storey barn that Art turned into a workshop. He had three children (Keith, Helen and Karen). Art died in 1952 and the house was sold a couple of years later to John DePeuter. It was later remodeled and bricked again as seen in this photo from 1995. (1, 2)

The Tindall House is located at 7 John St. East (on the northeast corner of John and Barrie Streets). It was built by Isaac Coburn around 1910-20 in the Dutch Colonial Revival style. The house was built for Reuben Tindall (an implement dealer), his wife, and daughter Ida Evelyn (a school teacher). Dr. S. Hecking bought the property after WWII. He moved here from the northeast corner of Barrie and Holland Streets. His office was also in this structure. Its address was 47 Barrie Street. The building was eventually sold (in 1994) to Giuseppe (Joe) Campagnola. He has leased the doctor’s office since then and still owns the building in 2014.
The 1½-storey, two-bay house has a simple form with an asymmetrical façade and a rectilinear plan. The building has a steeply-pitched, gambrel roof with a gambrel-roofed dormer. The one-storey wings (reminiscent of the Classical Revival style) are reinterpreted here more modestly as entrance porches. There is an off-centre, hall entrance from an enclosed, front entrance porch. The raised porch has a shallow hip roof and is entered from the front. It has frame construction and is clad and finished as part of the main portion of the house (rather than a separate, attached structure). There are wide window openings with low floor to ceiling heights. The double window and door are set into rectangular frames of plain wood. The ground-floor and basement windows and the front door are set into segmented, arched openings with concrete sills. Second-storey dormer windows and a bay window are centred within the gambrel form and are offset from the ground-floor openings. This creates a more informal composition common to twentieth-century buildings. The original, multi-paned windows have plain, wood sills and trim. Front, ground-floor and second-floor windows are not original. The roof material appears to be a siding on the steep, roof slope. A wood fascia band, expressing the line of the floor structure between the foundation and ground floors, is common to this style. The house has wood frame construction, vinyl siding, and a textured, concrete-block foundation. The original siding was wood. According to the 2000 inventory, the building is in excellent condition with many well-maintained, original features. (1, 2, 3)

The Edmund Garrett House is a two-storey building located at 45 Holland St. East. It was built in the Classic Revival style in the 1880’s (after the fire of 1871 that destroyed much of Bradford’s downtown). The building was converted into two living quarters many years ago and was once the home of the VanZants (on the west side) and the Bennett family (on the east side). George Bennett, a powerful man and labourer, dug (by hand) a large number of the ditches on Dufferin Street. Howard Thornton eventually bought the building and started a crate factory with Bill Fuller in the barns at the rear. He had a crate and lumber yard on Back Street. Howard and his brother also owned Barron’s Hardware store. After Howard died, Mrs. Thornton rented the upstairs apartment and lived downstairs by herself. After her death, the town bought the structure and had it remodeled to accommodate the Bradford Police Station on the ground floor, which it housed from 1980-2008, and the building inspectors’ office on the upper floor.

The building has a modified, rectangular ‘temple’ plan with a projecting frontispiece flanked by two-storey wings on either side. A medium-pitched, gable roof has a plain cornice and frieze supported on small brackets. There is an enclosed, raised porch with a shed roof and a plain cornice and frieze supported on small brackets. The building has tall, narrow window openings with high floor to ceiling heights. Windows are used to highlight the frontispiece with an angular, flat-roofed bay at the ground level and a projecting cornice and eaves on brackets. Double, semi-circular, arched windows at the second floor are highlighted with dichromatic, brick voussoirs. There is a rose window set within the gable into a round opening of cut-stone voussoirs. Other windows are set into rectangular openings with stone (or concrete) lintels and lug sills. The original windows were probably multi-paned and double-hung. Masonry construction has brick cladding and there is a coursed, rubble-stone foundation. The two, two-storey additions have filled in the east corners of the building and the entrance porch has been modified and enclosed. According to the 2000 inventory, the structure is in good condition with some original details remaining. (1, 2, 3)

The Dr. Lewis Campbell House is a mid-block building located at 33 John St. East. It was built in 1900 in the Eclectic Edwardian style. Dr. Lewis H. Campbell was a well-known physician, athlete, and field lacrosse player. He travelled with the local lacrosse team to Australia (where they were undefeated). The team continued playing in India and Europe before coming back home. He had the house (and his office) built here the summer he got married. He married a nurse after his first wife’s early death and continued to live and practise here until his own death. The house was then sold to another doctor. Originally there was a full, two-storey horse stable with a loft behind the house. On the south-west corner there was a room for storing harnesses, blankets, etc. This faced the back lane and was clapboard with a peaked, metal roof. At the rear of the house there was also a brick, one-storey garage and storage for a cutter, buggy, etc. It was on the north side of the laneway and was later made into a small house with a verandah closed in on the south side for Kowalchuch (a small market gardener) and his family of two girls.
The 2½-storey house has an ‘L’-shaped plan (a Gothic feature). The steeply-pitched, hip roof has a large, hipped dormer. There is a large, projecting, second-floor bay window with a balanced window opening at the ground floor. Classically-inspired colonnettes on brick and stone piers at the porch entrance are another Edwardian feature. The eaves line is not consistent. Front, projecting roof eaves are higher than at the rear of house. This is more typical of an Arts and Crafts detail. The entrance door has sidelights and the double-hung windows have decorative, multi-pane, upper-sash windows. There are rusticated stone highlights at the belt course, ground floor window sills and porch colonnettes bases at the front façade. The house has brick masonry construction. A balcony infill above the porch does not appear to be original. The roof skylight and replacement entrance stairs and railing are also modern additions. According to the 2000 inventory, the house is unique and grand, with an eclectic mix of many original details. It also notes that it was difficult to see the structure due to the surrounding trees. (1, 2, 3)