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The corner building located close to the street (on the north side) at 71 and 73 Holland St. East was built in the Neoclassical Duplex style in 1831. This building was known as the Edmanson Hotel. It is the earliest hotel and possibly the oldest building in Bradford. In this photo (from 1996) it is a residential duplex.
The 71 Holland St. East half was once a boarding place for travellers coming into town by train. These travellers then went on to the surrounding hamlets. There was a garage and shed on Nelson Street. Dave Ogilvie later lived here with his wife (a McKinstry). Their son Gordon was born there in 1911. They eventually moved to the northwest corner of John and Nelson Streets. Butcher George Webb bought it and he and his wife (a Collings) had six children – George, Agatha, Jim, Bertie, Ben and Mary (Mrs. H. Hillary). Mary was still living in the house in 1996.
The 73 Holland St. East half was the home of Jim Webb and his wife Muriel (Houghton). Their son James was in partnership with his father. When Jim died, James took over the butcher shop until he died suddenly. Muriel lived there for a while after that until the house was sold.
The two-storey, six-bay, semi-detached house has a rectangular plan and a shallow-pitched, gable roof with gable end and centre chimneys. The formal façade is symmetrical. Slightly-raised entrances are paired at the centre of the façade and recessed for greater privacy. The entrances have round, arched openings with inset steps and the doors are set into high, rectangular openings and have high transoms. The upper portion of each original, wood-panelled door is glazed. The building has large window openings with low floor to ceiling heights. Large, front windows have high sills that are set into plain, rectangular openings with plain, wood frames and sills. Upper-storey windows are offset from the ground floor. The lower windows were changed in the 1930’s. Those in the west half have multiple panes in the original style. The building has wood frame construction, stucco siding, a parged-stone foundation and a basement. The stucco was added by Len Saint in the 1930’s. The chimney on the west side is original. According to the 2000 inventory, the building is in good condition. (1, 2, 3, 4)

The Edmund Garrett House is a two-storey building located at 45 Holland St. East. It was built in the Classic Revival style in the 1880’s (after the fire of 1871 that destroyed much of Bradford’s downtown). The building was converted into two living quarters many years ago and was once the home of the VanZants (on the west side) and the Bennett family (on the east side). George Bennett, a powerful man and labourer, dug (by hand) a large number of the ditches on Dufferin Street. Howard Thornton eventually bought the building and started a crate factory with Bill Fuller in the barns at the rear. He had a crate and lumber yard on Back Street. Howard and his brother also owned Barron’s Hardware store. After Howard died, Mrs. Thornton rented the upstairs apartment and lived downstairs by herself. After her death, the town bought the structure and had it remodeled to accommodate the Bradford Police Station on the ground floor, which it housed from 1980-2008, and the building inspectors’ office on the upper floor.

The building has a modified, rectangular ‘temple’ plan with a projecting frontispiece flanked by two-storey wings on either side. A medium-pitched, gable roof has a plain cornice and frieze supported on small brackets. There is an enclosed, raised porch with a shed roof and a plain cornice and frieze supported on small brackets. The building has tall, narrow window openings with high floor to ceiling heights. Windows are used to highlight the frontispiece with an angular, flat-roofed bay at the ground level and a projecting cornice and eaves on brackets. Double, semi-circular, arched windows at the second floor are highlighted with dichromatic, brick voussoirs. There is a rose window set within the gable into a round opening of cut-stone voussoirs. Other windows are set into rectangular openings with stone (or concrete) lintels and lug sills. The original windows were probably multi-paned and double-hung. Masonry construction has brick cladding and there is a coursed, rubble-stone foundation. The two, two-storey additions have filled in the east corners of the building and the entrance porch has been modified and enclosed. According to the 2000 inventory, the structure is in good condition with some original details remaining. (1, 2, 3)

The two-storey frame building located at 93 and 95 Holland St. East was originally a dry hotel and a boarding house. It was later divided into two separate living quarters. Henry Pringle and his family lived on the west side (93 Holland St. E.) for a number of years before moving to the north side of John Street. Tom Fuller and his sons Leonard and George lived on the east side (95 Holland St. E.) for years before moving to John St. (on the northwest corner of Colborne Street) to a house built by Dan Collings. (1, 2)

This building is located at 26 Holland St. West. H.F.S. Gardner, his wife Bertha, and children Tom and Ada (who was in a wheelchair) moved from Newmarket to this area in 1920. They opened a combination general and hardware store that sold clothing, boots, shoes, paints, tools, coal, oil, etc. The business used all the available space in the building, including the two floors and the basement. The family lived on Simcoe St. in a house owned by Miss Hill. (1, 2)

The building located on the north side at 61 Holland St. West was built in the Romanesque Revival style around the 1880’s. The Scanlon Law Offices building was originally constructed to house the law practice of the two Scanlon brothers. Albert "Ab" Scanlon, a lawyer, and Mrs. Frank (Ethel) Woods, a widow and retired farmer (from the 8th Line) both resided here at one time.
The one-storey building has a rectangular plan, small window openings with high floor to ceiling heights, and a flat roof. The symmetrical façade has a simple, solid form. Round arches are reminiscent of the Roman Empire and rich, decorative details. Originally, there were two entrances contained unobtrusively in simple, rectangular openings on either side of the centre window. This is atypical of the Romanesque Revival style, where the entrance door was more frequently the most prominent element of the façade. The second entrance door to the west of the centre window has been “bricked in”, but its flat, arch opening is still visible by the line of the brick voussoirs. There is a wood-panelled door with an upper, glass light and also a rear entrance. The centre, ground-floor window is a prominent feature. It is exaggerated by the arch form set into the parapet above and subdivided vertically into three parts. Smaller windows to each side are set into segmented, arch openings with brick voussoirs. The windows are double-hung with stone (or concrete) lug sills. A major feature is the heavy parapet with an insert panel decorated richly with brick set in a basket weave pattern. The segmented arch extends the window form into the parapet panel. A cornice line along the bottom of the parapet is decorated with a line of brick dentils. The building has masonry construction, brick cladding, and a cut-stone foundation. According to the 2000 inventory, the structure is in good condition with many, original details remaining. (1, 2, 3)

The Standard Bank is located at 65 and 67 Holland St. West. It was built in the Romanesque Revival style around 1860-1900. O.M. Seim, previous owner of the Bradford Witness newspaper (1916-1932), and his family (Gordon, Ken, Marjorie, Maurice and Betty) once lived here. Dr. McMichael, a dentist, lived on John St. but had his practice here many years ago. Aubrey Stewart (and her son Bruce) at one time had an Insurance company here and the living quarters were rented. The building was eventually converted into apartments.
The commercial building (67 Holland St. W.) is set close to the street. Originally, there was a large, walk-in vault at the rear of the building on the ground floor. Residential quarters were on the second floor. The two-storey building has tall window openings with high floor to ceiling heights and an asymmetrical façade with a simplified ‘temple’ form. There is a medium-pitched, ‘pediment’ gable roof facing the front and a tympanum with a rose window. Brick pilasters support a plain cornice and frieze at both the ground and second floors to create the image of a classical Greek temple (combined with the more Roman arch form). The commercial entrance is contained within one of the two corbelled arches and is raised slightly. A double-panelled door is topped by a multi-paned transom light. The ground floor bank window is set into a corbelled arch opening with a transom light and stone or concrete lug sills. Upper windows are set into rectangular openings with transom lights. The cornice and frieze at the ground and second floors are ‘supported’ on corbelled brick brackets. This building has brick masonry construction and a cut-stone foundation.
The residential wing (65 Holland St. West) is set further back from the street to provide greater privacy to the living quarters. It takes a more recessive form with an open verandah at the ground floor and an enclosed porch on the upper floor running the full width of the house. There is a hipped roof on the residential wing. The entrance door to the house also a transom light, but like the rest of the residential wing, it does not have the rich texture or detail found on the more public portion of the building. The residential porch posts, railing, door, and windows are not original. According to the 2000 inventory, the structure is in good condition with many original details remaining. (1, 2, 3)
Please contact the Bradford West Gwillimbury Public Library (905-775-3328) if you have any other information about this photo.

Miss Sinclair’s House is a mid-block building located on the south side at 92 Holland Street West. It was built in the 1890’s in the Italianate style. Miss Bertha Sinclair lived in this house for many years. When she died, her nieces Kay and Isabel (daughters of Robert Spence) moved into the house. They were hairdressers. Isabel later moved and part of the house was rented to George and Ethel Stewart. The building was eventually sold to a real estate agent. The office of Dr. Fitzsimmons was also here at one time. Next to this structure was a vacant lot belonging to the Sinclair family. Many years ago there was a Temperance Hall and a church located there.
The two-storey, rectangular, main building has a single-storey, rear addition, a symmetrical façade, and a moderately-pitched, hip roof with a central chimney. The grand, Italianate scale is reflected in the large window openings, high floor to ceiling heights, and the large, 6/6 sash windows. There are deep, projecting eaves with ornately-decorated, paired cornice brackets and ‘false quoins’ (wood detailing meant to resemble masonry). The window cornices are exaggerated. According to the 2000 inventory, the stone foundation, wood frame construction, horizontal, wood-sided exterior finish (resembling masonry), and painted, exterior, wood trim are maintained well. (1, 2, 3).

This mid-block structure is located at 23 and 25 John St. East. It was built around 1830-1860 in the Neoclassical Duplex style. Lewis Algeo, one of the first Irish settlers in West Gwillimbury and a retired farmer, once lived in the west side of the building. T. S. Graham lived in the east side in the early 1900’s. James Glynn lived here around 1916. He left it to James Nolan, son of Denis and Catherine Nolan (reeve of West Gwillimbury), his wife Clare(a piano teacher), and their son, Dennis. The east side was also once the home of Miss Dora Noble, a nurse at the new hospital in Newmarket. She lived here with her retired father (James Noble) until he passed away.
The two-storey, six-bay, semi-detached structure has a rectangular plan with a side hall entrance. It has a two-storey, ‘L’-shaped, rear extension and a medium-pitched, gable roof with chimneys set into each gable end. The formal, symmetrical façade has a series of openings arranged equally across the front. It has paired, entrance doors with side halls along the common, party wall. The raised entrances are set close to the street with side stairs and railings that are not original. Each door has a high transom light set into a plain, rectangular opening. There are large window openings with high floor to ceiling heights. Equal-sized ground and second-floor windows with high sills are set into rectangular openings with plain, wood frames and lug sills. The windows are not original. Wood frame construction is covered with vinyl siding and the building has a cut-stone foundation with a basement. Originally, the cladding was stucco. According to the 2000 inventory, few original details remain other than the building’s form. It also notes that the chimney is not original. An aggressive fire damaged much of the structure on April 6, 2015. Several residents were left homeless as a result of the fire (Bradford Times, April 7, 2015). The structure has since been demolished. (1, 2, 3)

The mid-block building located at 71 John St. East was built around 1900 in the Edwardian Classicism style. It was once the home of Sam Stein and his son and daughter. He was the owner of the Toronto Manufacturing Co. (maker of baby carriages and wicker furniture). His business was located on the northwest corner of Dissette St. until around 1929. After its end, the house was rented to a number of O.P.P. officers and their families, including Ivan Spence and Sam Irwin (a talented violin player). It was also the home of Joe Kanyo (a market gardener) and his family at one time. Leonard Saint built a large cement garage at the rear of the house. It had a basement for storing vegetables and a ground-level room for vehicles. The house was eventually sold and redesigned into rental apartments.
The large, 2½-storey house has a rectangular plan with a side hall, an asymmetrical façade and a simple, formal composition. It has a prominent, gable roof. The Classical roof form is expressed as a pediment with extended eaves and mixed with the Queen Anne texture of wood shingles. A raised, entrance portico with a flat roof and balustrade with access from the second- floor portico roof is set on a plain entablature ornamented with a band of dentils and set on double posts on brick piers. The single door is off-centre. There are large window openings with high floor to ceiling heights. Multi-paned, double-hung windows are reminiscent of the Queen Anne style. Ground and second-floor windows are set into segmented, arch openings with brick voussoirs and concrete, lug sills. The third-floor windows have wood entablature and plain, wood trim and sills. Wood frame construction is covered with smooth brick and wood-shingle cladding. There is a parged, stone foundation. The portico steps, foundation and balustrade, and entrance door are not original. According to the 2000 inventory, the house is in good condition. It also notes that the original form and many details are still intact. (1, 2, 3)

The mid-block structure located at 79 John St. East was built around 1860-1890’s in the Gothic Revival style. Originally, there was a shed and garage attached to the house at the rear and a vacant lot on the east side. This building was the home of Charles Aitcheson and his wife Carol for many years. He was a painter and decorator and he worked for Bill Sutton. Cyril Mestagh was the next owner of the house. He and his wife Jennie and their daughters (Vera and Gladys Irene) lived here. Cyril was a small, market gardener and a well-known grower. He hauled vegetables to the Toronto market. The house was sold when Cyril retired.
The 1½-storey structure has an ‘L’-shaped plan with a centre hall, a one-storey, rear, kitchen wing and a medium-pitched, gable roof. The asymmetrical façade has an off-centre, front gable above the façade projection. There is a raised, front porch with a shed roof set onto wood posts on brick. The steps, door, windows, and enclosing walls of the porch are not original. This building has small windows with high floor to ceiling heights. A wide, Regency-style, ground- floor window has a wide, centre opening flanked by narrow lights. It is set into a rectangular opening with a plain, wood frame and sill. An upper window is centred above the lower window in the projecting bay. It is also set into a rectangular opening with a plain, wood frame and sill. Only the 2/2 windows in the structure are original. The building has wood frame construction, vinyl siding (not original), and a parged, stone foundation. According to the 2000 inventory, some original details still remain. (1, 2, 3)