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The mid-block building on the north side at 107 John St. East was built around the 1880’s in the Gothic Revival Cottage style. The main house was moved to this site from the saw mill in Amsterdam during the early 1900’s. It was the home of Arthur “Mike” Saint and his wife Alice and children (Russell, Eric, Ralph, Zella, Rita and Archie). He had immigrated to Bradford from London, England in 1871 with his parents (William and Sarah) and siblings (Thomas, Harry, Frank, George, Annie and Maria). William died in 1875. All of his sons were in the building trade. Mike was a well-known brick layer and he also raised and showed chickens. There once was a 1½-storey frame barn at the back of the house that was used to store feed, a horse, and a cow. A chicken house was attached to the barn. A huge, old well was found (beyond the back fence) that was thought to belong to the first hotel (located on the only street) when Bradford was first founded.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, a symmetrical façade with a centre gable over the entrance, and a medium-pitched, gable roof. A porch with a hip roof supported on wood posts and brick pedestals was added after the building was relocated. The enclosed porch was open originally, with only the brick pedestals remaining visible. Small windows have high floor to ceiling heights. Double-hung windows are set into rectangular openings with plain, wood frames and sills. The 2/2 windows are original. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s form is unmistakable despite the new cladding. (1, 2, 3)

The mid-block building located on the north side at 101 John St. East was built pre-1900 in the Gothic Revival Cottage style. Originally, there was a woodshed across the back. It was the home of Mrs. Leduc or Mrs. Paul Courier, a French descendant from the old lumber mills. She wove rugs and blankets and repaired clothing. After her death the house was rented. Howard Robson and his wife lived here with part of their family, namely, Alvin, Garret and Phyllis. The building then became the home of Henry Pringle and his wife Joan. He was a retired railroad section man and owner of a garage on Holland Street. It was still the home of Joan Pringle when this photo was taken in 1995.
The 1½-storey, three-bay house has a rectangular plan, a centre hall, and a symmetrical façade.
Its medium-pitched, gable roof has a centre gable over the entrance. The building has small windows with low floor to ceiling heights. There are double-hung windows in rectangular openings with plain, wood frames and sills. The entrance porch, its windows, screen door, and the metal awnings are not original. A brick chimney at the exterior wall is also a recent reconstruction. The building has wood frame construction, vinyl siding and a parged stone foundation. Originally, the cladding was stucco. According to the 2000 inventory, the building’s basic form is camouflaged by the later additions. (1, 2, 3)

The mid-block building located at 84 John St. East was built around 1920-1930’s in the Ontario Vernacular Cottage style. It was erected on property that was originally owned by Tom Saint and was the site of his storage lot (behind his business on Holland St. East). Tom was a noted stone mason, brick layer, and plasterer. He ran his own business from 1871-1925, at which point his son Leonard took over. A two-storey shed and horse stable (with loft above) stood on this lot originally. There was a 6’ wide and 7’ deep open ditch running from Barrie Street beyond Colborne Street. Tom had a large number of hard cement cloth bags that were used as abutments for a pole bridge. Tiles were eventually laid and the ditch was filled before World War II. The storage property was sold years later.
This 1½-storey, three-bay cottage has a rectangular plan, a centre hall, and a symmetrical façade. A box hall was typical for this style. It has a shallow-pitched, hip roof with dormer windows. The enclosed porch has a hip roof with a raised entrance, a single door opening, and windows on the three exposed sides. Its roof is supported on double, wood half-pilasters that are infilled with brick. There are large windows (with low floor to ceiling heights) to the primary rooms on each side of the porch and double-hung windows at the ground floor. The 2/2 windows appear to be original. They are set into rectangular openings with a brick, rowlock course above and concrete sills. The house has wood frame construction, brick siding and a parged, stone foundation. Aluminum siding is found on the dormers and porch. There is a single, brick masonry chimney at the centre of the house. According to the 2000 inventory, the one-storey rear addition and dormers do not appear to be original because of the style of windows, different roof types, and the shallowness of the main roof pitch. It also notes that some other building elements did appear to be original. (1, 2, 3)

The structure located at 78 John St. East was built by George Saint in 1900. The two-storey, frame house had a kitchen at the rear. When George moved to Toronto (around 1916), it became the home of Miss Minnie Parkhill for many years. She finally married James Ferguson, who was from western Canada. She died in World War II and James returned to the west. After the war, it became the home of Harold Gwyn (a veteran) and his family. He owned a plumbing and heating business. (1, 2)

The structure located at 70 and 72 John St. East is a double, T-shaped, frame house once owned by Jim Spence (the former owner of the Spence Lumber Company). Jim and his children, Minnie (Hammel) and Alex, lived on the east side of the building (72 John St. East). His son eventually took over the lumber business. Jim rented the west side of the building (70 John St. East) to Harry Barron. In later years it became the home of Casey Stewart, his wife Annie (George Harman’s sister), and their daughter Velma. Casey worked for Jessie Sutherland before moving to Toronto. Ted Gore, an English World War I veteran, also lived here at one time with his family of two sons. (1, 2)

The mid-block building located at 65 John St. East was built pre-1900 in the Gothic Revival style. It was the home of Miss Hayes and her two sisters many years ago. They were known for lending money, especially to John Rob and family. The first Dutch family to move to Bradford (in 1925), the Hayes worked on the marsh and owned a greenhouse on Back Street. After the sisters died, the west lot was sold to Vic Turner in 1948.
The 1½-storey, four-bay ‘farmhouse’ has a modified, ‘L’-shaped plan with an off-centre hall and a medium-pitched, gable roof. The single-door entrance is raised slightly above grade level, the steps are not original, and there may have been a verandah originally. Large window openings contain replacement, ground-floor windows. Upper-floor, 2/2 sash windows with plain, wood trim may be original. Wood frame construction is clad with vinyl siding and the building has a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, this modest house has probably not changed significantly since it was built. (1, 2, 3)

The house located at 49 John St. East (on the northwest corner of Nelson and John Streets) was built around 1860-1880 in the Gothic Revival style. There was once a large garden on the east side and a small drainage ditch north of the laneway. Dave Ogilvie and his wife May (McKinstry) purchased this house around 1920. Dave had a livery stable, a jitney, and a taxi service. He also carried mail between the (railroad?) station, the Post Office and Bond Head. The taxi and jitney went to Newmarket to meet York Radial street cars. The Ogilvie family moved across the street and the building later became a boarding house that was run by Mr. and Mrs. Jones. It eventually became the home of the Morton family (retired farmers from the Scotch Settlement). At the time of this photo (1995), it was the home of Everett and Marie McVety.
The two-storey, rectangular building has a medium-pitched, gable roof and large window openings with high floor to ceiling heights. There are 2/2 wood, sash windows that have plain, wood lug sills and wood trim. The ground-floor front window is original. It is possible that the wooden shutters may also be original. There is a Regency-like, wide, front porch. The original porch columns have been replaced with simple, square, wooden ones. This structure has vinyl siding on wood frame construction and there is a stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the simple house is well-maintained and has much of its original character.
(1, 2, 3)

The mid-block structure located at 44 John St. East was built pre-1900 in Amsterdam (on the east side of the Holland River) in the Ontario Vernacular style. It was later moved to this site. This house was once the home of George Ogilvie, a tailor on Holland Street. He had moved here from Bond Head. After his death, it became the home of Dave Ogilvie and his family. When the house was remodeled, the bathroom was redone and stuccoed by Dick Saint, the carpentry work was done by Art Saint, the plumbing was done by Oswald Davey, and Ted Gapp did the wiring.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hip roof. An enclosed, entrance porch with a truncated, hip roof is raised slightly above grade. It has a single door and windows on three sides. The porch appears to be a later addition. The house has small window openings, double-hung windows (not original), and plain, wood trim and sills. Wood frame construction is covered with vinyl siding and there is a parged, stone foundation. The original cladding was probably wood. According to the 2000 inventory, the house has few building elements (other than the form) that appear to be original. It also notes that the house probably had few decorative details originally. (1, 2, 3)

The house located mid-block at 34 John St. East was built in the Ontario Vernacular style around 1850 in Amsterdam (on the east side of the Holland River). It was moved to its current site in Bradford around 1890 by Sam Lukes to provide housing for the staff of his flour mill. His mill was in its heyday at the turn of the century (1890-1910). McClary (a high school teacher) once lived here. Bert and Margaret Hunt raised their children (Phyllis, Art, Oscar, George and Lorna) here. Bob Veale, a WWI veteran and banker, lived here after WWII until his death.
The two-storey, two-bay house has a rectangular plan with a side hall, an asymmetrical façade, and a medium-pitched, hipped ‘Pedlar’ metal roof. An enclosed, entrance porch with a shallow, gable roof was added after the house was moved to Bradford. It is raised slightly above grade and has a single door and windows on three sides. The house has small window openings and double-hung windows (not original) with plain, wood trim and sills. Wood frame construction is covered with horizontal metal siding and there is a parged, stone foundation. The original cladding was probably wood cove siding. According to the 2000 inventory, the house likely had few decorative details originally. It also notes that other than the building’s form, few existing building elements appear to be original (1, 2, 3)

The Tindall House is located at 7 John St. East (on the northeast corner of John and Barrie Streets). It was built by Isaac Coburn around 1910-20 in the Dutch Colonial Revival style. The house was built for Reuben Tindall (an implement dealer), his wife, and daughter Ida Evelyn (a school teacher). Dr. S. Hecking bought the property after WWII. He moved here from the northeast corner of Barrie and Holland Streets. His office was also in this structure. Its address was 47 Barrie Street. The building was eventually sold (in 1994) to Giuseppe (Joe) Campagnola. He has leased the doctor’s office since then and still owns the building in 2014.
The 1½-storey, two-bay house has a simple form with an asymmetrical façade and a rectilinear plan. The building has a steeply-pitched, gambrel roof with a gambrel-roofed dormer. The one-storey wings (reminiscent of the Classical Revival style) are reinterpreted here more modestly as entrance porches. There is an off-centre, hall entrance from an enclosed, front entrance porch. The raised porch has a shallow hip roof and is entered from the front. It has frame construction and is clad and finished as part of the main portion of the house (rather than a separate, attached structure). There are wide window openings with low floor to ceiling heights. The double window and door are set into rectangular frames of plain wood. The ground-floor and basement windows and the front door are set into segmented, arched openings with concrete sills. Second-storey dormer windows and a bay window are centred within the gambrel form and are offset from the ground-floor openings. This creates a more informal composition common to twentieth-century buildings. The original, multi-paned windows have plain, wood sills and trim. Front, ground-floor and second-floor windows are not original. The roof material appears to be a siding on the steep, roof slope. A wood fascia band, expressing the line of the floor structure between the foundation and ground floors, is common to this style. The house has wood frame construction, vinyl siding, and a textured, concrete-block foundation. The original siding was wood. According to the 2000 inventory, the building is in excellent condition with many well-maintained, original features. (1, 2, 3)