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The mid-block building located on the north side at 15 John Street East was built around 1890 in the Eclectic Neoclassical style. It was the home of Miss Arnold, a well-respected member of the community, during WWI. Dick Saint had part of the house before and during WWII. The building is currently (in 2014) owned by Giuseppe (Joe) Campagnola. It has been his family’s home since the mid 1950’s.
The two-storey, rectangular building has symmetrical openings and a centre hall plan. A medium-pitched, hip roof with a curbed deck above is a Regency Revival feature. It is reminiscent of construction before a belvedere or cupola is added and it accentuates the horizontal roof-line. The upper-floor windows are narrower than the lower ones (neoclassical features). This suggests late nineteenth-century construction. The full-width, front verandah is another Regency Revival feature. Elaborately-carved, wood brackets and turned wood posts at the verandah are original. The typical low porch railing and wood newels at the stair railing are more Gothic Revival features. This building has rusticated, loadbearing, cement-block construction and a cement-block foundation. These blocks were made by William Turner during WWI. The block pattern is considered to be interesting. According to the 2000 inventory, this unique house has been well-maintained and many original features remain. It also notes that the ground-floor replacement windows with sliders, screen door, and window A/C unit are unsympathetic with the original design. (1, 2, 3)

The structure located at 78 John St. East was built by George Saint in 1900. The two-storey, frame house had a kitchen at the rear. When George moved to Toronto (around 1916), it became the home of Miss Minnie Parkhill for many years. She finally married James Ferguson, who was from western Canada. She died in World War II and James returned to the west. After the war, it became the home of Harold Gwyn (a veteran) and his family. He owned a plumbing and heating business. (1, 2)

The mid-block building located on the west side at 60 Barrie St. was built pre-1900 in the Ontario Vernacular Cottage style. The one-storey, three-bay cottage has a symmetrical façade, a square plan, and a centre hall. A box hall was typical for this style. It has a shallow-pitched, hip roof and small window openings with low floor to ceiling heights. The double-hung windows at the ground floor have plain, wood trim and sills. Some 2/2 windows appear to be original. The enclosed porch was added at a later date. It has a single door opening to one side. The house has wood frame construction with vinyl siding (probably wood originally) and a parged, stone foundation. There is a single, brick, masonry chimney at the centre of the house. According to the 2000 inventory, few existing building elements appear to be original (other than the form). It also notes that the cottage probably had few decorative details originally. (1, 3)

The Clarence Wood House is located mid-block on the west side at 220 Barrie Street. It was built around 1880 in the Gothic Revival style. This structure was the home of Clarence and Bessie Wood many years ago.
The 1½-storey, ‘L’-shaped building has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. There are decorative, wooden brackets at the front porch and decorative trim at the gable. The dichromatic brick quoins, belt course pattern, and window headers (with keystones) are not original. They are, however, considered to be in keeping with the age of the building. Replacement brick at the window heads appears to have twentieth-century steel reinforcement. The house has brick masonry construction. According to the 2000 inventory, the projected greenhouse bay window and skylights are unsympathetic with the original design. It also notes that other renovations are somewhat in keeping with the original building design. (1, 3)

The mid-block building located at 90 Church St. was built pre-1900 in the Gothic Revival style. The 1½-storey, five-bay ‘farmhouse’ has a modified ‘L’-shaped plan with an off-centre hall, an asymmetrical façade, and a medium-pitched, gable roof. The open, covered porch with a hip roof is raised above grade. It is a replacement. The house originally had a full-width verandah supported by wooden posts. The upper-floor windows are offset from the ground-floor windows. There are small window openings with low floor to ceiling heights and plain, wood trim and sills. The double-hung windows and shutters are not original. The house has wood frame construction, vinyl siding, and a parged, stone foundation. Originally, the cladding was probably wood cove siding. According to the 2000 inventory, few remaining features are original other than the somewhat atypical form. It appears (by its size) that the portion of the house where the entrance is located is original and that the side wing was added later. That could explain the slight setback in the façade wall where the two join. It also notes that this modest house probably had few decorative details originally. (1, 3)

The house located at 131 Church St. (on the southeast corner of Church and Hurd Streets) was built pre-1900 in the Gothic Revival style. It was once the home of the Taylor family.
The 1½-storey, three-bay ‘cottage’ has a centre-hall plan and a medium-pitched, gable roof. There is a gable dormer centered in the main, gable roof. At the time of the 2000 inventory, the house had aluminum siding on wood stud framing. The original cladding was wood cove siding. It was notes that only the basic form gives some clue as to the age of the structure. Many historical features are concealed by the use of modern cladding, the replacement windows, and the many trees on the property. (1, 3)

This one-storey, frame building is located on the west side at 50 Drury Street. It originally had a back kitchen that was at a lower level than the front of the house. There was also a big garden at the rear of the house at one time. It was the home of Bill Sutherland, his sister Ethel, and Mrs. Sutherland. Bill was a station agent and telegrapher for the C.N.R. in Bradford. He cycled to his job every day and never used a car. Bill was also a noted athlete and lacrosse player for a number of years. He was a member of the championship lacrosse team. (1, 2)

This house is located on the north side at 155 Frederick St. (west of Essa Street). This small structure was the home of Milt Bales for many years. (1, 2)

The Davey House is a large, two-storey house located at 79 Barrie St. (on the northeast corner of Barrie St. and Scanlon Avenue). It was built in the Gothic Revival style around 1880. There was a two-storey, frame barn on the back of the lot originally. Bill Davey and his family - Minto "Scott", Leona, Oswald, Archie, and Margaret - lived here many years ago. Bill was a carpenter’s helper for local builder A.J. Saint. Bill was also a noted lumberman, butcher, and hunter. He owned a slaughterhouse on the west side of Simcoe St. (Picadilly Hill) and a butcher shop at the corner of Holland and Moore Streets. Bill died at his hunt camp in his nineties.
The ‘L’-shaped house sits quite near the street line. It has large window openings with high floor to ceiling heights and a medium-pitched, gable roof. Elaborately-carved bargeboard trim and finials, a coloured glass, arched transom over a main-floor window, and the original wood lug sills remain. The house has wood frame construction and a stone foundation. Deterioration of the brick veneer at the grade level indicates a lack of adequate, subsurface drainage. An original rear, one-storey addition with a simple shed roof (once used as a summer kitchen) still remains. According to the 2000 inventory, the replacement windows, doors, and the two-storey addition at the entrance are unsympathetic with the original building. (1, 2, 3)

Dr. Gilbert Blackwell’s House is located on the southwest corner of Barrie and Joseph Streets at 72 Barrie Street. His office faced Joseph Street. The structure was built in 1935 by builder Art Saint in the Arts and Crafts style.
The simple form has an asymmetrical façade and a rectilinear plan. A broad, steeply-pitched, bell-cast roof with a centre dormer extends down to reduce the scale of the building from the street. It also covers the original front porch (which has been enclosed). The structure has wide window openings with low floor to ceiling heights. A wide band of windows across the front of the dormer emphasizes the horizontal lines and massing of this house. Smaller, second-storey windows in the front dormer are offset from the ground-floor windows and have plain, wood sills and trim. The original arched openings in the front porch have been infilled and new windows have been installed. Brackets support the cornice at the roof and there is a central, brick chimney. The house has wood frame construction, stucco cladding and a painted, concrete foundation. A mix of exterior cladding materials is common to this style. The windows, awnings, and the one-storey, rear addition are not original. According to the 2000 inventory, the house is in good condition with some original features. (1, 3)